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panzeroceania
Joined: 23 Sep 2011 Posts: 24 Location: Salem, Oregon
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| Posted: Wed Jan 21, 2015 6:39 am Post subject: looking to understand CRT bandwidth in MHz |
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so far I understand that vertical refresh is how many times the display can draw a full screen in a second (correct me if I am wrong) so 60Hz vertical refresh, means the screen is refreshed 60 times in 1 second.
horizontal refresh, as I understand it, is your vertical resolution multiplied by your vertical refresh rate, so 640x480 at 60Hz would have a horizontal refresh of 480 x 60Hz = 28800Hz, or 28.8KHz, now of course this isn't exactly correct, as I understand it, there is some overhead, although I'm not sure how to calculate that.
My real question though, is what is CRT signal bandwidth, I've seen this referenced in MHz in instruction manuals. For example, the Sony G90 CRT projector has a textbook maximum vertical refresh of 150Hz, a textbook maximum horizontal refresh of 150KhHz, and a textbook max of 135MHz.
135MHz, that's a big number! so how does that relate to the horizontal refresh, vertical refresh, and resolution?
how does pixel clock relate to all of this?
and how does a CRT display know which aspect ratio to present an image in, or how many pixels horizontally an image should be?
any insight would be great!
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hansilili
Joined: 09 Mar 2007 Posts: 302 Location: Köln, Germany
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| Posted: Wed Jan 21, 2015 7:54 am Post subject: |
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Hi,
this has been covered before, search for "bandwidth resolution frequency". Anyway
add horizontal and vertical porches to your screen resolution: Front-Porche (HFP/VFP), Sync-Width (HSW/VSW), Backporches (HBP/VBP), visible resolution (HRes/VRes).
Dot-Clock or Pixel-Clock o fthe signal is:
max resolution x (Framerate = FR)
(HFP+HSW+HBP+HRes) x (VFP+VSW+VBP+VRes) x FR
Pixel-Clock not the highes frequency of the usable signal, you need 2 pixels for a complete sine wave in perfect digital reolution So the viedo bandwidth is half the pixel clock. In analog systems you have more components limiting the bandwidth, eg cables, circuits.
This is about what you need:
| Code: |
Type HRES H-SUM VRES VSUM FR H_SYNC PX-Clk MIN-BW
720p 1280 1648 720 750 60 Hz 45.000 kHz 74,2 MHz 37,08 MHz
1080i 1920 2456 1080 1124 60 Hz 33.720 kHz 82,8 MHz 41,41 MHz
1080p 1920 2456 1080 1124 60 Hz 67.440 kHz 165,6 MHz 82,82 MHz
480i 720 862 480 525 60 Hz 15.750 kHz 13,6 MHz 6,79 MHz
480p 720 862 480 525 60 Hz 31.500 kHz 27,2 MHz 13,58 MHz
576i 720 862 576 625 50 Hz 15.625 kHz 13,5 MHz 6,73 MHz
576p 720 862 576 625 50 Hz 31.250 kHz 26,9 MHz 13,47 MHz
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Cheers
hansilili[/list]
_________________ HansA, alles andere ist euer Bier!
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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| Posted: Wed Jan 21, 2015 12:16 pm Post subject: |
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Yes and to get 82 MHz flat video bandwidth you need like 5 times that bandwidth at -3db so 400 MHz and much more is better because the frequency response gets flatter.
_________________ 701s->runco933->8500ultra->cinemax->9500mp->919 splitpack + cinemax
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Hulio
Joined: 15 Apr 2006 Posts: 494 Location: Belgium
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| Posted: Mon Jan 26, 2015 9:19 am Post subject: |
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To rule out some confusions about the relationship between frequency, resolution and pixelclock, here a doc. from the clever guys at Barco regarding this matter.
Maybe a sticky worth, Kal should decide...
| Description: |
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2 Calculation.zip |
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CIR Engineering
Joined: 25 Aug 2008 Posts: 4269 Location: Chicago USA & Berlin Germany
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| Posted: Wed Jan 28, 2015 11:25 pm Post subject: |
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| hansilili wrote: | Hi,
this has been covered before, search for "bandwidth resolution frequency". Anyway
add horizontal and vertical porches to your screen resolution: Front-Porche (HFP/VFP), Sync-Width (HSW/VSW), Backporches (HBP/VBP), visible resolution (HRes/VRes).
Dot-Clock or Pixel-Clock o fthe signal is:
max resolution x (Framerate = FR)
(HFP+HSW+HBP+HRes) x (VFP+VSW+VBP+VRes) x FR
Pixel-Clock not the highes frequency of the usable signal, you need 2 pixels for a complete sine wave in perfect digital reolution So the viedo bandwidth is half the pixel clock. In analog systems you have more components limiting the bandwidth, eg cables, circuits.
This is about what you need:
| Code: |
Type HRES H-SUM VRES VSUM FR H_SYNC PX-Clk MIN-BW
720p 1280 1648 720 750 60 Hz 45.000 kHz 74,2 MHz 37,08 MHz
1080i 1920 2456 1080 1124 60 Hz 33.720 kHz 82,8 MHz 41,41 MHz
1080p 1920 2456 1080 1124 60 Hz 67.440 kHz 165,6 MHz 82,82 MHz
480i 720 862 480 525 60 Hz 15.750 kHz 13,6 MHz 6,79 MHz
480p 720 862 480 525 60 Hz 31.500 kHz 27,2 MHz 13,58 MHz
576i 720 862 576 625 50 Hz 15.625 kHz 13,5 MHz 6,73 MHz
576p 720 862 576 625 50 Hz 31.250 kHz 26,9 MHz 13,47 MHz
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Cheers
hansilili[/list] |
Good post, but for the record, H-SUM (or total horizontal pixels) for standard 1080p is 2200, not 2456. So if you take 1080p from a BD player for example your H-SUM will be 2200 and your V-SUM will be 1124 (or 1125).
Many folks with Marquee and NEC projectors do add more pixels to the H-SUM in order to reduce raster ringing though. So you will see folks with VP's often use more horizontal pixels on CRT than standard.
craigr
_________________ JETI 1501-HiRes 2nm Spectroradiometer
JETI 1211 Spectroradiometer
Photo Research PR-650 Spectroradiometer
Klein K10-A Colorimeter
Murideo Fresco SIX-G HDMI 2.x Multimedia Generator
Murideo Fresco SIX-A HDMI 2.x Analyzer
Light Illusion ColourSpace XPT Color Calibration Software
Light Illusion LightSpace XPT Pro Version 10.x Color Calibration Software
OMARDRIS JVC Software Patch to use K10-A and Jeti with JVC OEM AutoCal Software!
Sencore CR7000 CRT Tube Analyzer / Rejuvenater
Authorized Dealer for Lumagen & just about everything worth buying
www.CIR-Engineering.com - craigr@cir-engineering.com
Phone: 865-405-6892
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CIR Engineering
Joined: 25 Aug 2008 Posts: 4269 Location: Chicago USA & Berlin Germany
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| Posted: Wed Jan 28, 2015 11:36 pm Post subject: |
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| redfox001 wrote: | | Yes and to get 82 MHz flat video bandwidth you need like 5 times that bandwidth at -3db so 400 MHz and much more is better because the frequency response gets flatter. |
While having greater top end bandwidth is usually a good thing, you're theory applies more to video chain calculations than to what your projector requires.
In analog video, every component in the video signal chain reduces the bandwidth of the signal. As you have said, you need more bandwidth capability to pass more of the entire original signal's bandwidth through the chain. This is very important at the beginning of a signal chain, but not at the end. This is because at the end, you don't have to worry anymore what will happen to the video in the next component because it is already turned into light.
Also, a roll off of 3db inside a projector isn't really going to be noticeable on real world video. On a SMTPE 1:1 you might be able to see -3 db, but it will be nearly perfect looking. For a CRT projector, double the required frequency is more than enough to preserve the integrity of the original signal.
craigr
_________________ JETI 1501-HiRes 2nm Spectroradiometer
JETI 1211 Spectroradiometer
Photo Research PR-650 Spectroradiometer
Klein K10-A Colorimeter
Murideo Fresco SIX-G HDMI 2.x Multimedia Generator
Murideo Fresco SIX-A HDMI 2.x Analyzer
Light Illusion ColourSpace XPT Color Calibration Software
Light Illusion LightSpace XPT Pro Version 10.x Color Calibration Software
OMARDRIS JVC Software Patch to use K10-A and Jeti with JVC OEM AutoCal Software!
Sencore CR7000 CRT Tube Analyzer / Rejuvenater
Authorized Dealer for Lumagen & just about everything worth buying
www.CIR-Engineering.com - craigr@cir-engineering.com
Phone: 865-405-6892
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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| Posted: Thu Jan 29, 2015 3:08 pm Post subject: |
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This is also a good source to understand Bandwidth requirements versus Video resolution
http://www.maximintegrated.com/en/app-notes/index.mvp/id/750
The last post was about circuit bandwidth and slew rate requirements.
'Circuit-Bandwidth and Slew-Rate Requirements
The circuits that process video signals need to have more bandwidth than the actual bandwidth of the processed signal to minimize the degradation of the signal and the resulting loss in picture quality. The amount the circuit bandwidth needs to exceed the highest frequency in the signal is a function of the quality desired. To calculate this, we assume a single-pole response and use the following equation:
H(f)(dB) = 20log(1/(1+(BWS/BW-3dB)˛).5)
Rearranging and solving for the -0.1dB and the -0.5dB attenuation points, we get the following:
BW-3dB min = BWS (-0.1db) × 6.55 EQ 3
BW-3dB-min = BWS(-0.5db) × 2.86 EQ 4
Where:
BW-3dB = the minimum -3db bandwidth required for the circuit'
So the conclusion is that you have two quality standards. The requirement to be only 0.1db down at the highest video frequency requires 6.55 times the minimum bandwidth. If it is allowed to be 0.5db down than only 2.86 times the minimum bandwidth is required. Another 1.5 times is added to allow for differences in components.
For UXGA (1600x1200) it means 701 MHz is required for -0.1db quality where 71.4 MHz is the minimum with -3db at the highest video frequency. That is almost 10 times. See the article for the numbers.
_________________ 701s->runco933->8500ultra->cinemax->9500mp->919 splitpack + cinemax
Last edited by redfox001 on Fri Jan 30, 2015 11:45 am; edited 1 time in total
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stridsvognen Guest
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| Posted: Thu Jan 29, 2015 11:22 pm Post subject: |
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| CIR Engineering wrote: | | redfox001 wrote: | | Yes and to get 82 MHz flat video bandwidth you need like 5 times that bandwidth at -3db so 400 MHz and much more is better because the frequency response gets flatter. |
While having greater top end bandwidth is usually a good thing, you're theory applies more to video chain calculations than to what your projector requires.
In analog video, every component in the video signal chain reduces the bandwidth of the signal. As you have said, you need more bandwidth capability to pass more of the entire original signal's bandwidth through the chain. This is very important at the beginning of a signal chain, but not at the end. This is because at the end, you don't have to worry anymore what will happen to the video in the next component because it is already turned into light.
Also, a roll off of 3db inside a projector isn't really going to be noticeable on real world video. On a SMTPE 1:1 you might be able to see -3 db, but it will be nearly perfect looking. For a CRT projector, double the required frequency is more than enough to preserve the integrity of the original signal.
craigr |
Craig.. Whats the best looking CRT projector you have ever seen.?
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CIR Engineering
Joined: 25 Aug 2008 Posts: 4269 Location: Chicago USA & Berlin Germany
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| Posted: Fri Jan 30, 2015 2:01 am Post subject: |
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| stridsvognen wrote: |
Craig.. Whats the best looking CRT projector you have ever seen.? |
I did the original calibration and maintain an Accurate branded Marquee 9500LC ULTRA. Installed is Mike Parker's VIM and VNB cards out of his own personal projector and it's mated to a Lumagen RadianceXE+. Draganm also went over the projector before I set it up.
This projector was used as a demo machine at CEDIA when new, and then was bought by the owner of Dallas Sight and Sound and left in it's original crate. Finally the owner (Dave) installed the projector and had me set it up about four years ago, so it was basically a new machine when I first lay hands on it. If you look back at old CEDIA photos you may find this bright yellow projector.
Without the Radiance I would have not liked this projector as much as I do, so I consider the entire signal chain to be part of this "projector." The gamma correction on the Radiance really did a nice job lowering the gamma and darkening the black point on this machine (which is what I consider one of the weakest points on the Marquee).
Holistically it's the most beautiful image I've seen come out of a CRT or maybe any projector. The image is very clean and life like. It really is just gorgeous and I find myself thinking about it from time to time.
craigr
_________________ JETI 1501-HiRes 2nm Spectroradiometer
JETI 1211 Spectroradiometer
Photo Research PR-650 Spectroradiometer
Klein K10-A Colorimeter
Murideo Fresco SIX-G HDMI 2.x Multimedia Generator
Murideo Fresco SIX-A HDMI 2.x Analyzer
Light Illusion ColourSpace XPT Color Calibration Software
Light Illusion LightSpace XPT Pro Version 10.x Color Calibration Software
OMARDRIS JVC Software Patch to use K10-A and Jeti with JVC OEM AutoCal Software!
Sencore CR7000 CRT Tube Analyzer / Rejuvenater
Authorized Dealer for Lumagen & just about everything worth buying
www.CIR-Engineering.com - craigr@cir-engineering.com
Phone: 865-405-6892
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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stridsvognen Guest
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| Posted: Fri Jan 30, 2015 6:44 am Post subject: |
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| CIR Engineering wrote: | | stridsvognen wrote: |
Craig.. Whats the best looking CRT projector you have ever seen.? |
I did the original calibration and maintain an Accurate branded Marquee 9500LC ULTRA. Installed is Mike Parker's VIM and VNB cards out of his own personal projector and it's mated to a Lumagen RadianceXE+. Draganm also went over the projector before I set it up.
This projector was used as a demo machine at CEDIA when new, and then was bought by the owner of Dallas Sight and Sound and left in it's original crate. Finally the owner (Dave) installed the projector and had me set it up about four years ago, so it was basically a new machine when I first lay hands on it. If you look back at old CEDIA photos you may find this bright yellow projector.
Without the Radiance I would have not liked this projector as much as I do, so I consider the entire signal chain to be part of this "projector." The gamma correction on the Radiance really did a nice job lowering the gamma and darkening the black point on this machine (which is what I consider one of the weakest points on the Marquee).
Holistically it's the most beautiful image I've seen come out of a CRT or maybe any projector. The image is very clean and life like. It really is just gorgeous and I find myself thinking about it from time to time.
craigr |
Nice.
Have you had any experience with the later MP boards, where the bandwidst performance been taking off, and he cracked all the Black pedestal thing, and noise on specialy the 02VIM.? and bypassing the blue gamma corrrection on the vim.?
Running direct from player into a MP modified Moome Card.?
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