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ElTopo
Joined: 07 Nov 2006 Posts: 1640
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| Posted: Fri May 30, 2014 8:21 am Post subject: CRT in combination with digital |
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What digital projector would you buy right now ?
CRT for Movies only
Digital projector for TV/Sports but also for Movies
ElTopo
_________________ Barco Cine 9 the one and only
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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thewolfman
Joined: 28 Mar 2011 Posts: 1311 Location: Sweden
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| Posted: Fri May 30, 2014 2:06 pm Post subject: |
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I also like the R4910/X500, but if you read up on those, you will find that many choose to turn DI off! Some just don't think it adds all that much so they rather turn it off. To me at least that is something to think about. Now, if I turn out to be one of those people, I could just as easily have bought a used RS56 with a higher native contrast for the same money as a new X500(?). In the event that RS56 is still to pricey, even used, there's always a model before that one. Anyway, that fact certainly made me think twice about witch digital to go with, if I ever went down that road that is.
Just for kicks, I'm looking on ebay for used JVC:s with higher native contrast than that of X500 to see if I could get by cheaper that way. But somewhere along the way, I believe for the 2014 models, the pixels got closer together by 40% so that should be taken into account also. How much that impacts the image I wouldn't have a clue.
So: Used older model with higher native contrast - or a X500 with lower native but higher overall with DI on it?
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ElTopo
Joined: 07 Nov 2006 Posts: 1640
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| Posted: Fri May 30, 2014 2:22 pm Post subject: |
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Screen width in the future = 3,3m in width.
Right now i have a screen with 2,35m in width.
Both screens in cinemascope format.
_________________ Barco Cine 9 the one and only
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CIR Engineering
Joined: 25 Aug 2008 Posts: 4269 Location: Chicago USA & Berlin Germany
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| Posted: Fri May 30, 2014 2:43 pm Post subject: |
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You have a Radiance right? Are you planning to use the Radiance with the digital (can you). With a Radiance, the Epson projectors are cheap and with the 125-point CMS come out pretty good (for TV watching).
craigr
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Fri May 30, 2014 3:35 pm Post subject: |
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What is your budget? If you want to watch mostly sports, then you might want to look at DLP as well.
| thewolfman wrote: | I also like the R4910/X500, but if you read up on those, you will find that many choose to turn DI off! Some just don't think it adds all that much so they rather turn it off. To me at least that is something to think about. Now, if I turn out to be one of those people, I could just as easily have bought a used RS56 with a higher native contrast for the same money as a new X500(?). In the event that RS56 is still to pricey, even used, there's always a model before that one. Anyway, that fact certainly made me think twice about witch digital to go with, if I ever went down that road that is.
Just for kicks, I'm looking on ebay for used JVC:s with higher native contrast than that of X500 to see if I could get by cheaper that way. But somewhere along the way, I believe for the 2014 models, the pixels got closer together by 40% so that should be taken into account also. How much that impacts the image I wouldn't have a clue.
So: Used older model with higher native contrast - or a X500 with lower native but higher overall with DI on it? |
I haven't heard that about the 4910, but I don't follow it closely. One thing I would do is review the reviewer or in this case the poster. The people turning it off might care less about on/off cr than say most here on the CRT forum.
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thewolfman
Joined: 28 Mar 2011 Posts: 1311 Location: Sweden
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| Posted: Fri May 30, 2014 4:47 pm Post subject: |
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| Spanky Ham wrote: | What is your budget? If you want to watch mostly sports, then you might want to look at DLP as well.
| thewolfman wrote: | I also like the R4910/X500, but if you read up on those, you will find that many choose to turn DI off! Some just don't think it adds all that much so they rather turn it off. To me at least that is something to think about. Now, if I turn out to be one of those people, I could just as easily have bought a used RS56 with a higher native contrast for the same money as a new X500(?). In the event that RS56 is still to pricey, even used, there's always a model before that one. Anyway, that fact certainly made me think twice about witch digital to go with, if I ever went down that road that is.
Just for kicks, I'm looking on ebay for used JVC:s with higher native contrast than that of X500 to see if I could get by cheaper that way. But somewhere along the way, I believe for the 2014 models, the pixels got closer together by 40% so that should be taken into account also. How much that impacts the image I wouldn't have a clue.
So: Used older model with higher native contrast - or a X500 with lower native but higher overall with DI on it? |
I haven't heard that about the 4910, but I don't follow it closely. One thing I would do is review the reviewer or in this case the poster. The people turning it off might care less about on/off cr than say most here on the CRT forum. |
You are right, and I'll pay more attention to whomever says that in the future. And as I gave it some more thought, there is more to it then just contrast, so X500 is still on my Christmas list. The 3D experience must have become just a little bit better with each generation and that means a great deal for me as well.
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kal Forum Administrator
Joined: 06 Mar 2006 Posts: 18114 Location: Ottawa, Canada
TV/Projector: JVC DLA-NZ7
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| Posted: Sat May 31, 2014 12:33 pm Post subject: |
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| thewolfman wrote: | | But somewhere along the way, I believe for the 2014 models, the pixels got closer together by 40% so that should be taken into account also. How much that impacts the image I wouldn't have a clue. |
Really? I don't remember reading or hearing about that. The fill factor on LCoS is already so high that it's a non-issue (IMHO). It's always been at 90%+. I don't think it would make any visible difference increasing it by 40%, and that sounds like a huge jump when it's already so high - I'd expect enhanced fill rates to only jump very slowly as they approach 100%.
Then throw in the fact that many of the newer models have e-shift built in, and I don't think it really matters at all - you simply do not see pixels on these things with your nose up against the screen.
The higher the fill rate, the more light output you have of course (since less light is blocked), but again, with LCoS fill factor already being over 90%, the increased light output but going up a few percentage points isn't going to make a huge difference.
My 2 cents.
Kal
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thewolfman
Joined: 28 Mar 2011 Posts: 1311 Location: Sweden
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| Posted: Sat May 31, 2014 1:08 pm Post subject: |
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| kal wrote: | | thewolfman wrote: | | But somewhere along the way, I believe for the 2014 models, the pixels got closer together by 40% so that should be taken into account also. How much that impacts the image I wouldn't have a clue. |
Really? I don't remember reading or hearing about that. The fill factor on LCoS is already so high that it's a non-issue (IMHO). It's always been at 90%+. I don't think it would make any visible difference increasing it by 40%, and that sounds like a huge jump when they already so high.
Then throw in the fact that many of the newer models have e-shift built in, and it really doesn't matter at all - you simply do not see pixels on these things with your nose up against the screen.
Kal |
http://www.avforums.com/threads/jvc-x500-jvc-x700-projector-plus-jvc-x900-owners-thread.1842248/page-12
"On the subject of e-Shift, we felt that this year’s implementation did not add as much improvement to the original image compared with last year’s. We postulate that it’s because the 2014 models feature a superior imaging system composed of a sixth-generation (6G) D-ILA panel which is capable of a smoother picture thanks to a 40% shrinkage in pixel gap from 0.5µm to 0.3µm, and a third-generation (3G) wire grid polariser that allows for a more efficient optical pathway. Together, these upgrades elevated the JVC X500R’s native image quality to another level, rendering the onboard e-Shift3 system almost superfluous."
I think it looks better and better this one, and I really want to book a flight to Stockholm to see it with my own eyes.
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kal Forum Administrator
Joined: 06 Mar 2006 Posts: 18114 Location: Ottawa, Canada
TV/Projector: JVC DLA-NZ7
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ElTopo
Joined: 07 Nov 2006 Posts: 1640
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| Posted: Sat May 31, 2014 2:03 pm Post subject: |
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Anyone tested the 4K Sony 600ES ?
_________________ Barco Cine 9 the one and only
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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ElTopo
Joined: 07 Nov 2006 Posts: 1640
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| Posted: Sat May 31, 2014 3:11 pm Post subject: |
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Why DLP ?
_________________ Barco Cine 9 the one and only
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Phoenixed
Joined: 13 Oct 2011 Posts: 514 Location: The mitten
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| Posted: Sat May 31, 2014 3:33 pm Post subject: |
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DLPs tend to be brighter than the other technologies and can typically handle fast moving images better so they don't "ghost" like the other techs tend to do.
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AnalogRocks Forum Moderator
Joined: 08 Mar 2006 Posts: 26706 Location: Toronto, Ontario, Canada
TV/Projector: Sony 1252Q, AMPRO 4000G
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| Posted: Sun Jun 01, 2014 3:36 am Post subject: |
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| Phoenixed wrote: | | DLPs tend to be brighter than the other technologies and can typically handle fast moving images better so they don't "ghost" like the other techs tend to do. |
Make sure you aren't sensitive to the rainbow effect on DLP. I could still see it on CLiff's with the 5x color wheel.
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Phoenixed
Joined: 13 Oct 2011 Posts: 514 Location: The mitten
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| Posted: Sun Jun 01, 2014 4:48 am Post subject: |
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| AnalogRocks wrote: | | Phoenixed wrote: | | DLPs tend to be brighter than the other technologies and can typically handle fast moving images better so they don't "ghost" like the other techs tend to do. |
Make sure you aren't sensitive to the rainbow effect on DLP. I could still see it on CLiff's with the 5x color wheel. |
Some of the newer ones offer selectable wheel speeds. The only true way to avoid them with DLP is to get yourself a 3 chipper but be prepared to spend big bucks.
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ElTopo
Joined: 07 Nov 2006 Posts: 1640
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| Posted: Fri Jun 06, 2014 12:55 pm Post subject: |
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Both on the ceiling or the CRT on the floor ?
Pro floor: maintenance
Con floor: takes the Place in the middle
_________________ Barco Cine 9 the one and only
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Fri Jun 06, 2014 5:15 pm Post subject: |
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Up to you. CRT on the floor means you lose the best seat in the house. OTOH, hanging a CRT projector is a giant pain in the ass, and it's certainly nice if something goes wrong to be able move a chair or two and get to work. Even setup is easier.
Cheers,
SC
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Sat Jun 07, 2014 3:17 am Post subject: |
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Unless it is temporary, put them on the ceiling. There is a guy on AVS who had a G90 with a DLP both on the ceiling. Cliff has his stack on the ceiling and the Benq mounted on the wall right below it.
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