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Slightly off topic but HT related, subwoofers
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stefuel



Joined: 07 Mar 2006
Posts: 3353
Location: Green Harbor MA USA

Posted: Thu Mar 26, 2009 10:48 pm    Post subject: Slightly off topic but HT related, subwoofers

I'm curious. Some swear by sealed cabinets and others swear by ported. How do you feel and why? Why do I ask, because I just don't know but I'm thinking of perhaps building one for a fun project.

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lostmandan



Joined: 09 Jul 2008
Posts: 146
Location: Kitchener/Waterloo, Ontario, Canada

Posted: Thu Mar 26, 2009 11:52 pm    Post subject:

If you are looking to build one then the specifications of the driver/speaker that you design with will typically determine if the cabinet is ported or sealed.

I build this massive subwoofer quite a number of years ago using two 12" woofers in a ported isobaric configuration. It has a roll-off point of 18Hz (calculated) and I think it does it. Unfortunately the excursion is pretty extreme and I am concerned about damaging the drivers when they move that much.

Let me see if I can dig up some information for you. I know there are a fair number of programs that allow calculations. I spent a fair bit of time working out the information using an older book from Radio Shack Razz Also, make sure that you know the Theile-Small (TS) parameters of the driver(s) being used. The book I used described an "Added Mass" technique for determining the TS parameters of drivers using a frequency generator, multimeter, and a resistor. I used this for the sub I mentioned above and I think it was fairly accurate.

The best part of speaker building is the woodwork IMO Smile
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greg_mitch



Joined: 03 May 2006
Posts: 5320


Posted: Fri Mar 27, 2009 12:05 am    Post subject:

I think as a general rule of thumb you can get more dB with less power in a ported enclosure.

Hypothetical example is something like a sealed 18" 1000 watt sub may have same dB as 15" 500 watt sub in ported enclosure.

I have only had ported before and I like them so I don't see why go to sealed. Also, I read that sealed are supposed to be better for music. Haven't experienced it myself.
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-Pjackso



Joined: 31 Mar 2006
Posts: 791
Location: Oklahoma

Posted: Fri Mar 27, 2009 12:34 am    Post subject:

Excellent speaker building software is WinISD.
It's a free download, just google for it.

It'll accept all TS parameters, and you can change box size, driver configurations, ports/sealed.
It'll show you the resultant charts for frequency vs. db, power requirements, excursion, etc...

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lostmandan



Joined: 09 Jul 2008
Posts: 146
Location: Kitchener/Waterloo, Ontario, Canada

Posted: Fri Mar 27, 2009 12:59 am    Post subject:

I second WinISD. Good and free Smile

Although some may laugh, I used a soft called Perfectbox for quite a while. This is actually so old that is runs on MS-DOS (or in a Windows DOS Prompt). It definitely did the trick though.

I've always wanted to build a dual 18" folded horn design. I have the urge to do structural damage .. or do stage productions Smile
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jask



Joined: 17 Mar 2006
Posts: 10187
Location: kamloops BC

Posted: Fri Mar 27, 2009 2:05 am    Post subject:

I keep thinking it would be fun to build a rear seating plinth into a HUGE sub box, but worry I would end up with a null in one of the viewing positions.... Hmmmm a 1000L sub box!!!!
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Fri Mar 27, 2009 2:25 am    Post subject:

I swear by large, large numbers of hacked-together subwoofers. But my budget is essentially zero, so I take what I can get. Smile
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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri Mar 27, 2009 3:00 am    Post subject:

greg_mitch wrote:
I think as a general rule of thumb you can get more dB with less power in a ported enclosure.

Greg's right. A ported sub is more efficient (actually much more efficient) in terms of output with a given input power. The tradeoff is that the ported enclosure is usually about twice the size of a comparable sealed sub with similar frequency response. The ported sub will usually be less accurate than a comparable sealed sub (more distortion) as well.

But, in return for the size and less accuracy, you got a lot of bang for the buck with a ported sub - which is perfect for home theater - especially if you have space, but not a lot of money!

My two 12" sealed subs sound very nice - excellent, actually - especially with jazz or live music. The Dave Matthews/Tim Reynolds disc sounds incredible, in fact. Jazz, string bass, etc. sound excellent. But, they lack the high SPL and deep bass you usually associate with great HT sound - great LFE like explosions, cannons, rumbles, etc. are the one thing my theater is really missing right now.

I'm planning to buy or build a couple of subs sometime this summer; they'll probably be Elemental Designs ported if I buy or possibly an isobaric or push-pull design if I build.

SC
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Fri Mar 27, 2009 3:13 am    Post subject:

ecrabb wrote:
But, they lack the high SPL and deep bass you usually associate with great HT sound - great LFE like explosions, cannons, rumbles, etc. are the one thing my theater is really missing right now.


That's why I have three 12s and a 10 lined up behind my couch, with the cabinets pushed into the back. Cannons nearly throw you through the screen. Low cost, high-impact! Thumbs Up

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greg_mitch



Joined: 03 May 2006
Posts: 5320


Posted: Fri Mar 27, 2009 3:26 am    Post subject:

ecrabb wrote:

Greg's right.


Sorry, just had to hear that again.

ecrabb wrote:
The ported sub will usually be less accurate than a comparable sealed sub (more distortion) as well.

SC


I hear this all the time but I haven't seen real world proof as in a head to head comparison. I tend to think that some of this stuff is sub dependent and is one of those myths that gets passed on by "audiophiles" that read stuff on AVS....like me.

There are just too many variables to compare a ported to sealed sub.

I had almost all the parts at one time and sold them, but I want to build a nice big tube LLT style sub. Some day....
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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri Mar 27, 2009 3:40 am    Post subject:

perisoft wrote:
That's why I have three 12s and a 10 lined up behind my couch, with the cabinets pushed into the back. Cannons nearly throw you through the screen. Low cost, high-impact! Thumbs Up

I totally appreciate your thrifty setup - that's all I had before I built my current setup - and high SPL bass is FUN! So, don't take this as trashing your setup... But, if none of your subs have any good, usable output at 25hz, it doesn't matter how many of them you have - you'll still be missing a big chunk of LFE. Such is the case in my room.

A lot of soundtracks have program material down in the 14-18hz ballpark. My subs have very little usable output even at 25hz. My in-room response is only flat down to around 30hz and then falls off quickly. That's why I want to bring in some bigger boys. The eD A5-350 I want - badly - is down 3dB at 18hz. In-room, I should have good usable output well below 15hz, and unlike now, the subs will keep up with the rest of my system. My room will sound COMPLETELY different.

Hell, the A2-300 they brought to my meet was MUCH more powerful than both my M&K 12" subs put together. It wasn't as accurate or as controlled of a sound, but it was FUN! They sell it for just $350. Less than I paid for my two used M&K's. Total bargain. It's actually so cheap, that unless you're doing it for the fun of it, it's really not worth building your own.

Elemental Designs subs...
http://www.edesignaudio.com/index.php?cPath=2_41

SC
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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri Mar 27, 2009 4:04 am    Post subject:

greg_mitch wrote:
I hear this all the time but I haven't seen real world proof as in a head to head comparison. I tend to think that some of this stuff is sub dependent and is one of those myths that gets passed on by "audiophiles" that read stuff on AVS....like me.

Well, do you trust the guys at eD? They confirmed and explained it for me.

A ported enclosure, missing the support (damping) an acoustic suspension enclosure provides, will typically not be as compliant (accurate) - especially as you approach the resonant frequency of the enclosure. Notice I said typically. As you pointed out, it depends on a lot of variables. You can get fancy with crossovers and processing, but as with so many other engineering problems, it's all about tradeoffs and optimization.

If you tune a ported enclosure for high output in the lowest octave, it won't be as accurate because the damping just isn't there to control driver motion - as it is in the sealed enclosure. Which is why eD sells foam plugs for their subs. Pop the plugs out for movies. Low tuning and big sound with high efficiency, but steep rolloff. When you want to listen to music, pop the plugs in. You give up some low-frequency response and efficiency get a softer rolloff, but get better compliance (accuracy) in return.

SC
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greg_mitch



Joined: 03 May 2006
Posts: 5320


Posted: Fri Mar 27, 2009 4:19 am    Post subject:

ecrabb wrote:
greg_mitch wrote:
I hear this all the time but I haven't seen real world proof as in a head to head comparison. I tend to think that some of this stuff is sub dependent and is one of those myths that gets passed on by "audiophiles" that read stuff on AVS....like me.

Well, do you trust the guys at eD? They confirmed and explained it for me.

A ported enclosure, missing the support (damping) an acoustic suspension enclosure provides, will typically not be as compliant (accurate) - especially as you approach the resonant frequency of the enclosure. Notice I said typically. As you pointed out, it depends on a lot of variables. You can get fancy with crossovers and processing, but as with so many other engineering problems, it's all about tradeoffs and optimization.

If you tune a ported enclosure for high output in the lowest octave, it won't be as accurate because the damping just isn't there to control driver motion - as it is in the sealed enclosure. Which is why eD sells foam plugs for their subs. Pop the plugs out for movies. Low tuning and big sound with high efficiency, but steep rolloff. When you want to listen to music, pop the plugs in. You give up some low-frequency response and efficiency get a softer rolloff, but get better compliance (accuracy) in return.

SC


Yeah, I have read similar explanations all over the place. My point was that I haven't ever heard the difference. I either hear only sealed subs (like at your place - although everything else was so loud I didn't know you had subs Thumbs Up ) or I hear only ported subs (like at my place). Maybe I should buy 2-12" subs and build two boxes so I have a ported sub tuned to around 20 Hz and a sealed sub tuned to around 20 Hz and then compare them....but oh who has the time or money...
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zGman



Joined: 22 May 2006
Posts: 599


Posted: Fri Mar 27, 2009 4:59 am    Post subject: Subs

The trade-off for ported vs sealed sub cabinets goes beyond efficiency and cabinet size.
In fact for some drivers the sealed cabinet can be substantially smaller - however the
low-end response drops off rapidly and must be EQ'd substantially. The advantage with
sealed boxes is accurate phase response = no phase error. A ported enclosure tuned for max
output at the lowest frequencies will have substantial (up to 135 degrees or more) phase error.
This makes for "muddy" bass. Another drawback to tuning for max output is that you
can end up with "one-note" bass - there is no articulation or musicality, whatever the input
signal, you just hear one big boom - which some people think is just great! ... However,
with good tuning and a little EQ you can have the best of both. This can take a lot of
modeling and experimenting with port/box sizes looking for a reasonable response curve
with the lowest phase error. You need to start with a driver that has a low resonance freq.
preferably under 20Hz, and a Qts around .35, and Xmax +/- 15mm linear one way (30mm p-p)
Pics of a dual 12" project I did a while ago might be found at the link below. The room was long
and narrow - so we didn't want to have the sub in the front, which would overdrive the room modes.

http://www.theaterdimensions.com/galleries/subwoofer/index.html

Other speaker projects and theater projects also at

http://www.theaterdimensions.com

G
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Mark_A_W



Joined: 15 Mar 2006
Posts: 3068
Location: Sunny Melbourne Australia

Posted: Fri Mar 27, 2009 7:39 am    Post subject:

The best is an Infinite Baffle sub - a sealed box so big it is in effect, infinite. Two to four 15" woofers (cheap ones will do) and a roof cavity/spare room/floorspace/basement.

With a suitable driver, you get both deep extension (mine will literally shake the roof, projector and all, at 14hz), output (huge cone area), and good phase response (due to flat response - they are entwined) - giving you "tight" bass. And use bugger all power (huge cone area again).




With conventional boxes, well, you can make a ported box with and effective "Q" of about 0.6 giving you a "sealed box sound". It's not so simple as sealed = "tight" and vented = "boomy". That all depends on the frequency response, and associated group delay, and associated phase response - they are all basically sides of the same thing.


But as a rule of thumb, NEVER, EVER, NEVER make an EBS alignment ported box (tuned for maximum extension). They sound like crap and this is why ported boxes are regarded as "one notey". The EBS alignment is "one-notey", but not all vented alignments are.


Oh, and there is no spoon...nor fast bass. Fast bass is treble, if anyone mentions fast bass they deserve a smack in the back of the head Rolling Eyes I'm glad no one has dropped that clanger in this thread so far.



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Heywood Jablome



Joined: 12 Mar 2006
Posts: 1548


Posted: Fri Mar 27, 2009 12:12 pm    Post subject:

lostmandan wrote:
I second WinISD. Good and free Smile

Although some may laugh, I used a soft called Perfectbox for quite a while. This is actually so old that is runs on MS-DOS (or in a Windows DOS Prompt). It definitely did the trick though.

I've always wanted to build a dual 18" folded horn design. I have the urge to do structural damage .. or do stage productions Smile




Why build? (I mean, beside the raw fun of it...)

These come up on CraigsList occasionally, usually retired out of a movie theater or from a stage set:



Mr. Green Mr. Green Mr. Green

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-- Baron Alexander von Humboldt: 1769-1859
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greg_mitch



Joined: 03 May 2006
Posts: 5320


Posted: Fri Mar 27, 2009 1:01 pm    Post subject:

Talking about one note bass...I have a coworker with a Klipsch 10" sub and he has the thing cranked up so high on gain it is sooo muddy but he loves it. It does shake the couch but it gets to a point that you can't hear anything else but this humming of bass constantly. He doesn't understand what I mean when I talk about accurate bass and he actually thinks my 15" sub isn't as good as his because it doesn't constantly rumble.

That might be the "audiophile" snob in me.
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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri Mar 27, 2009 4:34 pm    Post subject:

Mark_A_W wrote:
The best is an Infinite Baffle sub - a sealed box so big it is in effect, infinite. Two to four 15" woofers (cheap ones will do) and a roof cavity/spare room/floorspace/basement.

No, the "best" isn't an IB, Mark. In fact, for some people (myself included) an IB is the WORST. IB may be the best performing overall, but not everybody is willing to cut holes between their attic/crawlspace/garage and their conditioned living space to get a little more efficiency, phase accuracy, and extension. Hell, I don't even HAVE an attic or crawlspace. Even if I did, I'd be categorically opposed to separating my living space and my attic or crawlspace with nothing more than a driver cone. Around here, an attic would typically range in temp from around -15F (-26C) in winter to over 130F (55C) in the summer. That alone makes IB a non-starter for me. Being the enviro/energy nazi that you are, I figured you'd consider that.

Even more important to me than the energy issue, I want to be able to watch movies in my theater late at night without pissing off my neighbors - let alone waking up the kids. With my modestly isolated room, you can barely hear the theater outside the room, unless it's during loud LFE sequences, and then only at volumes I don't typically watch at (i.e. "demo mode:). Even then, it's just a rumble - like a thunderstorm in the distance. Outside the house, it's just barely audible - if you listen hard - even standing right next to the theater - which is perfect, since my neighbor's house is probably 5-6m away. The LAST thing I want is my roof and walls shaking and my house sound like some damn kid's Honda Civic driving by.

In summary, I guess if you lived out in the sticks, or at least a good solid distance from your neighbors, and you didn't have kids or family and want to watch late at night, and your IB space was inside the conditioned building envelope, then IB is probably the best.

Mark_A_W wrote:
Oh, and there is no spoon...nor fast bass. Fast bass is treble, if anyone mentions fast bass they deserve a smack in the back of the head Rolling Eyes I'm glad no one has dropped that clanger in this thread so far.

Arrgghhh.... Here we go again. When people talk about "fast" bass, they're referring to transient response - or impulse response. You seem to think transient response doesn't exist. If so, you're wrong. It actually does - just not for the reason most people think.

Transient response is real. It's a direct function of voice coil inductance, and it absolutely impacts the sound of a sub. So, if "fast" represents good transient response and "slow" represents poor transient response, then subs can indeed be fast or slow. It has nothing to do with enclosure type, of course. If you'd like, I can probably dig up a white paper or two on the subject.

SC
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Rdean



Joined: 13 Oct 2006
Posts: 258


Posted: Fri Mar 27, 2009 6:14 pm    Post subject:

Don't want to hi-jack the thread but I think this is in the spirit of the OP. I am putting in component speakers in my Suzuki Vitara. The rear driver locations have much to be desired. There is literally no baffle/enclosure, the speaker was just flapping in the wind so to speak. Obviously not much bass output.

I realize car manufacturers in many instances take little if any consideration in sound quality, but to just bolt a driver to some sheet metal with practically nothing surrounding it is really lame.

Regardless I can see where there are places I can install wood/epoxy etc to form an enclosure behind it. It will end up being a roughly 12" by 12" by 10" enclosure with a 6.5 " driver. My question has been do I completely seal it or allow some port.

After reading this thread I am leaning towards completely sealing it as the last thing I want is to sound like the "Kid in the Civic", one note booming muddily. I doubt I would take the time and effort to do all the calculations involved with trying to make a port sound good.

I realize I will give up some efficiency. They are driven by 50W RMS per side so I may not get as much output as I would like.

I guess if after this I still want more bass there is more "cavity" space to the rear where I can install more drivers and another higher watt amp to drive them. Another project down the road to keep me busy.

Am I making the right choice?
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bbfarmht



Joined: 27 May 2006
Posts: 1273
Location: Where the Mississippi runs east to west!!

Posted: Fri Mar 27, 2009 6:49 pm    Post subject:

Rdean wrote:
Regardless I can see where there are places I can install wood/epoxy etc to form an enclosure behind it. It will end up being a roughly 12" by 12" by 10" enclosure with a 6.5 " driver. My question has been do I completely seal it or allow some port.

After reading this thread I am leaning towards completely sealing it as the last thing I want is to sound like the "Kid in the Civic", one note booming muddily. I doubt I would take the time and effort to do all the calculations involved with trying to make a port sound good.

I realize I will give up some efficiency. They are driven by 50W RMS per side so I may not get as much output as I would like. Is this then right choice?


Well in your situation your basically adding a midrange. Your 6.5" speaker was not intended to be a sub.(so not really the same as the op) Most (not all) midranges are sealed, so yes you should go with a sealed enclosure.

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