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km987654
Joined: 25 Jul 2007 Posts: 2874 Location: Australia
TV/Projector: Barco BG809s
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| Posted: Fri Mar 06, 2009 9:27 am Post subject: Contrast Ratio |
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What determines contrast ratio. If you look at the projectos specs (Barco in this case) you will see there are several projectors that share the same tube and have the same lens type but have a different contrast ratio. So what determines contrast ratio if not the tube type??
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WanMan
Joined: 19 Mar 2006 Posts: 10270
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| Posted: Fri Mar 06, 2009 9:44 am Post subject: |
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My god, you didn't a) Google or , b) Wiki this?
_________________ Trust no one. Absolutely no one. Advice of the board.
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WanMan
Joined: 19 Mar 2006 Posts: 10270
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| Posted: Fri Mar 06, 2009 9:46 am Post subject: |
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CR can be measured in a variety of manners. In the context of THIS forum it is the Full On/Off Contrast Ratio. Measure how much light you get with full-field, non-blooming white. Record the value (X). Measure how much light you get with full-field, non-crushing black. Record the value (Y). X/Y is the Contrast Ratio.
_________________ Trust no one. Absolutely no one. Advice of the board.
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km987654
Joined: 25 Jul 2007 Posts: 2874 Location: Australia
TV/Projector: Barco BG809s
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| Posted: Fri Mar 06, 2009 9:58 am Post subject: |
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OK so thats how you measure but why should two PJs with the same tube and LC tanks have different contrast ratio?? Why shouldn't they be the same?
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chillman
Joined: 09 Apr 2007 Posts: 134 Location: Germany, Bavaria
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| Posted: Fri Mar 06, 2009 1:34 pm Post subject: |
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Different HVPS for example.
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k.berger
Joined: 16 Mar 2006 Posts: 84
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| Posted: Fri Mar 06, 2009 1:51 pm Post subject: |
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but then... as far as I understand, properly set-up CRT goes to TOTAL BLACK (measuring NO OUTPUT) at full black - 0 IRE signal level? Then CR would be always INFINITY? This has bugged me before...
Kris
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perisoft
Joined: 29 Aug 2007 Posts: 2920 Location: Ithaca, NY
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| Posted: Fri Mar 06, 2009 2:05 pm Post subject: |
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| k.berger wrote: | but then... as far as I understand, properly set-up CRT goes to TOTAL BLACK (measuring NO OUTPUT) at full black - 0 IRE signal level? Then CR would be always INFINITY? This has bugged me before...
Kris |
I don't think it takes much to knock something off the pedestal if you've got a sensitive measuring device - 30,000:1 is a pretty damn big ratio. At that point, given the brightness of a CRT at full white, even some status LEDs lighting up the inside of the case and reflecting out of the fan vents onto the back wall, lighting up the screen could account for some of it. 1/30,000th maximum white is pretty damn low; remember that normal RGB output will only go down to 1/256th for its lowest non-black gray level, and THAT'S not usually perceptible. My guess is that anything over 10k:1 starts to be academic unless you have an insanely bright white level, or you plan on waiting a while for your eyes to adjust to fadeouts.
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k.berger
Joined: 16 Mar 2006 Posts: 84
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| Posted: Fri Mar 06, 2009 8:54 pm Post subject: |
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You are right of course, I didn't think of real life environment (like those LEDs ). Actually when you use video level signal, it would be even less - only 1/235 only... Amazing that such crude scale can produce so wonderfully amazing image! I guess our eyes/brain combination is relatively easy to fool into seeing/believing this kind of illusion. Goes for the ears/brain too... .
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km987654
Joined: 25 Jul 2007 Posts: 2874 Location: Australia
TV/Projector: Barco BG809s
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| Posted: Sat Mar 07, 2009 2:46 am Post subject: |
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| perisoft wrote: | | k.berger wrote: | but then... as far as I understand, properly set-up CRT goes to TOTAL BLACK (measuring NO OUTPUT) at full black - 0 IRE signal level? Then CR would be always INFINITY? This has bugged me before...
Kris |
I don't think it takes much to knock something off the pedestal if you've got a sensitive measuring device - 30,000:1 is a pretty damn big ratio. At that point, given the brightness of a CRT at full white, even some status LEDs lighting up the inside of the case and reflecting out of the fan vents onto the back wall, lighting up the screen could account for some of it. 1/30,000th maximum white is pretty damn low; remember that normal RGB output will only go down to 1/256th for its lowest non-black gray level, and THAT'S not usually perceptible. My guess is that anything over 10k:1 starts to be academic unless you have an insanely bright white level, or you plan on waiting a while for your eyes to adjust to fadeouts.  |
So are you saying that as far as contrast ratio goes the image from say a 1209s barco at 30000:1 would appear the same as say an 808s barco at 20000:1 because these ratios are to a large degree academic in that they are not perceptible by the human eye.
Having said that if the difference can be measured then my original question still stands in that two different PJs with the same tube and optics are rated at different contrast ratios so what causes the difference. I am trusting that there is some substance behind the contrast ratios.
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Mr. Green
Joined: 23 Feb 2007 Posts: 1394 Location: Calgary
TV/Projector: Marquee 9501LC / NEC 9PG+
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| Posted: Sat Mar 07, 2009 9:03 am Post subject: |
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There must be something. I have only my eyes to tell me though. Without any other lights on, in a dark scene my LCD is bright enough for me to walk around stuff, my plasma is the same. Only with the CRT projector do I have to stop in my tracks and wait for a brighter scene before proceeding.
My plasma is supposedly 10,000:1, my LCD TV is 15,000:1 and my CRT projector is also 15,000:1. I'll tell you the LCD TV is no more than charcoal grey. The plasma is much better but still dark grey and the CRT is pretty much black. It can produce better black levels than anything else I've ever seen. Sure it's whites aren't as bright by a long shot, but if it is simply a measure of the distance between the two then the measurement is flawed. The plasma is way brighter than the LCD too. Having compared the 3 (by eye) the plasma should win hands down even though it has the lowest ratio, but it's pure white is way brighter than the other 2, but nothing compares to the film like blacks of the CRT. I don't believe the numbers at all. Just for fun, there was that Epson projector I compared the CRT to and that boasted 50,000:1. Not even remotely close to black, but tons brighter. Yes, I know it was the (after fooling your brain ratio), but it was the number advertised. If it really isn't that high, then it is BS, that they are claiming. My projector was easily twice as black with a quarter of the supposed contrast ratio. No wonder people get sucked into buying digital POS's.
I almost think they need to scrap contrast ratio and give values for brightness and black levels (absence of light). We want to know "how inky black can it go?" That would give a much more accurate measurement. I want to know that when there is a fade to black you might as well be in a mine shaft without a lantern! I know I'm no tech and techies will argue. I only know the number I'm given and how it fares to other displays in my house. Based on the "contrast ratio" I have no information because I associate "blacks" with contrast ratio. If I can't use that to buy a display then what else can we use?
_________________ You can be young only once but, you can be immature forever.
Current Projector Marquee9501LC with PS3 (BLu-Ray) at 1080P LOVE IT! Screen is an Elunevision 120" 4:3 (2.4 gain - no hotspots). (also own a NEC 9PG+)
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km987654
Joined: 25 Jul 2007 Posts: 2874 Location: Australia
TV/Projector: Barco BG809s
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| Posted: Sat Mar 07, 2009 9:18 am Post subject: |
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| Mr. Green wrote: | There must be something. I have only my eyes to tell me though. Without any other lights on, in a dark scene my LCD is bright enough for me to walk around stuff, my plasma is the same. Only with the CRT projector do I have to stop in my tracks and wait for a brighter scene before proceeding.
My plasma is supposedly 10,000:1, my LCD TV is 15,000:1 and my CRT projector is also 15,000:1. I'll tell you the LCD TV is no more than charcoal grey. The plasma is much better but still dark grey and the CRT is pretty much black. It can produce better black levels than anything else I've ever seen. Sure it's whites aren't as bright by a long shot, but if it is simply a measure of the distance between the two then the measurement is flawed. The plasma is way brighter than the LCD too. Having compared the 3 (by eye) the plasma should win hands down even though it has the lowest ratio, but it's pure white is way brighter than the other 2, but nothing compares to the film like blacks of the CRT. I don't believe the numbers at all. Just for fun, there was that Epson projector I compared the CRT to and that boasted 50,000:1. Not even remotely close to black, but tons brighter. Yes, I know it was the (after fooling your brain ratio), but it was the number advertised. If it really isn't that high, then it is BS, that they are claiming. My projector was easily twice as black with a quarter of the supposed contrast ratio. No wonder people get sucked into buying digital POS's.
I almost think they need to scrap contrast ratio and give values for brightness and black levels (absence of light). We want to know "how inky black can it go?" That would give a much more accurate measurement. I want to know that when there is a fade to black you might as well be in a mine shaft without a lantern! I know I'm no tech and techies will argue. I only know the number I'm given and how it fares to other displays in my house. Based on the "contrast ratio" I have no information because I associate "blacks" with contrast ratio. If I can't use that to buy a display then what else can we use? |
Yes I have seen what you are talking about here. So perhaps the same tube in a different PJ produces the same results and its just the manufactures rubbish contrast ratio numbers that mean nothing!!
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perisoft
Joined: 29 Aug 2007 Posts: 2920 Location: Ithaca, NY
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| Posted: Sat Mar 07, 2009 11:31 am Post subject: |
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CRT Contrast Ratio = 10,000 + MSRP / 2
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Sat Mar 07, 2009 11:05 pm Post subject: |
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Wan explained on/off cr. The other one is ANSI cr, which is measuring a white square on a black background. Since the white can wash out the black, you get a much lower number than on/off. CRTs are bad at ANSI while DLP is really good. Without getting to technical, ANSI matters in the bright scenes.
As for the figures quoted by the manufacturers of CRT pjs, flat panels, or any other video device, they are usually pure fiction. Most CRTs can be calibrated to achieve very high on/off crs. I believe Darin measured a G70 at a couple of hundred thousand to one. I think Art did the same with his G90s as well. The problem is making sure you don't crush the low end gamma with this set up. Person99 used to say that CRTs could not do the high on/off without crushing blacks. I am not sure if this applies with the gamma corrected devices.
Most of the specs listed should be taken with a grain of salt. Bruce mentioned this recently about the Best/Worst list. TSE has said on more than one occasion that most of those bandwidth specs were marketing BS. MP has verified this and I believe he has seen and measured most of the high end pjs. On the current new displays, it was only a matter of time before they started perverting the numbers. Once some marketing guy figured out that on/off was important, then well you know. The problem is how are you going to bust them on it. It is like an auto manufacturer saying they get 75 mpg without saying they did it going downhill with the clutch depressed at 30 mph. I think flat panel LCDs are maxed out around 2k to 1. Plasmas are better and digital pjs can vary from low to high. After seeing a demo by TI, I guessed that 20k to 1 would satisfy most CRT fanatics. Even though Darin said the demo wasn't that high, I stand by that statement. I know Draganm and some others who have seen the JVCs with between 15k - 30k to 1 have been impressed.
I was just thinking of this before this topic came up. I wonder what it would take to duplicate the various on/off crs on a CRT monitor. It would give an indication of what threshold one might be able to live with.
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WanMan
Joined: 19 Mar 2006 Posts: 10270
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| Posted: Sun Mar 08, 2009 11:34 am Post subject: |
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| km987654 wrote: | | perisoft wrote: | | k.berger wrote: | but then... as far as I understand, properly set-up CRT goes to TOTAL BLACK (measuring NO OUTPUT) at full black - 0 IRE signal level? Then CR would be always INFINITY? This has bugged me before...
Kris |
I don't think it takes much to knock something off the pedestal if you've got a sensitive measuring device - 30,000:1 is a pretty damn big ratio. At that point, given the brightness of a CRT at full white, even some status LEDs lighting up the inside of the case and reflecting out of the fan vents onto the back wall, lighting up the screen could account for some of it. 1/30,000th maximum white is pretty damn low; remember that normal RGB output will only go down to 1/256th for its lowest non-black gray level, and THAT'S not usually perceptible. My guess is that anything over 10k:1 starts to be academic unless you have an insanely bright white level, or you plan on waiting a while for your eyes to adjust to fadeouts.  |
So are you saying that as far as contrast ratio goes the image from say a 1209s barco at 30000:1 would appear the same as say an 808s barco at 20000:1 because these ratios are to a large degree academic in that they are not perceptible by the human eye.
Having said that if the difference can be measured then my original question still stands in that two different PJs with the same tube and optics are rated at different contrast ratios so what causes the difference. I am trusting that there is some substance behind the contrast ratios. | Your bigger problem would be in a failed attempt to measure 20k:1 and 30k:1 CR would be non-trivial, and depending on the viewing environment the actual benefit delivered to your eyes may not be observed, let alone consciously made aware of.
Its the #1 reason why flat panel manufactures can lie with their pants off because they know no cowsumer can afford to access such measurement equipment 'to prove them wrong' let alone have an appropriate environment to deliver the marketed lies.
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