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kal
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| Posted: Sat May 10, 2014 2:26 am Post subject: |
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Breaking the Waves (Criterion Collection) (Blu-ray + DVD) (1996)
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| Quote: | Undoubtedly von Trier's masterpiece, 'Breaking the Waves' is also his most emotionally resonant, fully formed offering to date. Watson and Skarsgård deliver fearless, world-class performances that see them both at the top of their game – which is quite impressive, as this was Watson's first feature film. Filled with tremendous beauty that demonstrates what a captivating – if often deliberately provocative – filmmaker von Trier was and continues to be. The supplements on this disc are quite interesting and manage to offer some new insight into the thinking of the director. With a spectacular image and wonderful sound, this comes highly recommended.
The Video: Sizing Up the Picture
'Breaking the Waves' has been given a tremendous 4K digital restoration that was supervised by director Lars von Trier. The resulting image and 1080p AVC/MPEG-4 encoded transfer give the film a distinct warmth and attention to detail it has not had in any of its previous home video incarnations. The image has been enhanced so that skin tones, textures, and environments look far more lifelike than before. The picture now maintains a hearty earthen hue that remains consistent throughout, while avoiding making the image look as though it the picture was shot with the aid of filters.
Fine detail is easily detectable throughout, making facial features and textures prominent without losing them in the layer of grain present in the film. Addiitonally, contrast levels are very high, affording the rich, robust black levels that exhibit an impressive and consistent grayscale. Whites are even, and manage to avoid the blown out look of previous iterations of the film, while fine detail remains present even in the darkest sections of the film. Colors are bright, but the palette of the film is mostly drab grays and earth tones. Still, a few bright reds, blues, and greens manage to peek out from time to time, and offer a glimpse of the vividness this transfer is capable of.
There are a handful of imperfections that are still present, but they only work to remind the viewer of the manner in which the film was made, and actually serve to enhance what is overall a very nice viewing experience.
The Audio: Rating the Sound
Von Trier also supervised the DTS-HD Master Audio 5.1 mix given to this edition of the film and the result is a warm, immersive listening experience that utilizes atmospheric elements as strongly as it does the film's dialogue. In that sense, actors are very easily heard, while variations on accents ring true throughout the film. Additional elements are added, though they are deliberately kept sparse. Still, certain sounds continue to ring true during scenes like Bess and Jan's wedding reception, and during the moments, where automobiles or boats play a part. Because portions of the film can be quieter, the seemingly benign aspects of the mix then become tremendous in their impact, making the even larger moments that much more exuberant in their expression. This is, of course, in reference to von Trier's use of '70s music from Elton John, Rod Stewart, Leonard Cohen, and the magnificent David Bowie.
Most of the dialogue is handled through the center channel, with the odd off-screen addition being handled through the front or sometimes rear channels. The front right and left does most of the heavy lifting with regard to the music cues, which also extends nicely into the rear channels at times. There's some LFE used to punch up the sounds of helicopter rotors and boat engines, but it is handled with great subtlety. Balance and imaging is also top notch throughout.
This is a great sounding mix on a film that surprisingly makes good use from it. |
Kal
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kal
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| Posted: Mon Jun 16, 2014 11:37 pm Post subject: |
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Stalingrad [Blu-ray] (2014)
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| Quote: | 'Stalingrad' is a fascinating Blu-ray experience. The movie has lofty ambitions to tell the story of an entire country at war through the eyes of six people who are fortunate enough to spend two days together during one of the most horrifying battles this world has ever seen. Through a relationship with one strong girl, five men find a reason to fight. However, I'm not sure if the experience is as strong as it could be, because there isn't enough time to spend with the characters.
This Blu-ray is a stunner, with reference quality 3D and 2D video presentations and robust 5.1 DTS-HD MA sound mixes. The special features aren't great, but that's okay. I'm a little torn on what to make the final score on this one, given the high quality video deserving of a Recommend, and a movie experience that might be more of a Rent first to see if this is your cuppa tea. So let's split the difference and call 'Stalingrad' worth a look.
The Video: Sizing Up the Picture
'Stalingrad' wages war on Blu-ray 3D and Blu-ray with two impeccable transfers framed in their original 2.35:1 theatrical aspect ratios. The encodes are MVC for 3D, AVC MPEG-4 for 2D.
I originally set out to write two separate reviews for the 3D and 2D versions. However, other than my preference for watching 'Stalingrad' in its native 3D format, both versions are reference quality and look virtually interchangeable (you know, save for one of them being in 3D). Meaning, every compliment I could give to one would apply to both.
Despite abundant darkness and gritty, gray landscapes, this Blu-ray stuns in terms of color and resolution. Various ramped slow motion stunts and explosions are hypnotic and gorgeous (not to mention horrifying). Fine details -- think sets and costume -- are resplendent. Skin tones, on washed faces, are even. Black levels are deep, while shadow details remain intact.
The 3D adds to the already dynamic experience, sucking viewers into a world of flying bullets and constant smoke and falling ash. It succeeds in creating that nice window-into-another-world effect. The 3D is particularly exciting in special effect sequence where the camera moves across the city, or when there are aircraft cutaways.
Overall, 'Stalingrad' is a Hollywood-caliber production with a fine mix of real world sets and special effects, alongside state of the art stereo visual effects. These 3D and 2D presentations are slick, resolution abundant, and gorgeously rendered. Another big Blu-ray win.
The Audio: Rating the Sound
'Stalingrad' roars onto Blu-ray with two robust 5.1 DTS-HD MA soundtracks.
While I listened to the default English dub while typing up this review, the original Russian track is a much better experience. First, the dialog in the English mix is a little hot. Second, you lose most of the original performance nuances with the dub, which is a little cheesy.
Audio fans are going to love the original Russian 5.1 DTS-HD MA track. Dialog is clean. The surround panning is highly immersive -- everything from crashing planes to whizzing bullets. There are oodles and oodles of LFE hum and thrum under many moments, adding a sense of scale and sometime even dredge. This mix is everything you would expect from a epic action extravaganza, though it's just shy of perfection.
First, there are many 7.1 (and some 5.1) that are slightly more articulate in their ability to build sonic landscapes. Basically, this track is very loud (in a wonderful way), but it's not quite as nuanced as others in this genre. Also -- and this is much more of a personal quibble -- there is an echo effect applied to some gunshots and explosions that sounds a bit more like a mistake. It's an odd warbling sound that sounds a bit like a film print (actual film) that was improperly secured in the projector (an unlocked "gate"), or an poorly rendered sound file that has been slowed down. Regardless, I'm sure it was intentional, but it bugged me.
Quibbles aside, while just shy of perfection, most of you are going to love this loud, LFE-heavy, aggressively panned 5.1 sound track. |
Kal
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kal
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| Posted: Mon Jun 16, 2014 11:45 pm Post subject: |
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Jack Ryan: Shadow Recruit (Blu-ray + DVD + Digital HD) (2013)
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| Quote: | Hitting shelves just before Father's Day, I don't know a single father that wouldn't love to own this Blu-ray. The movie itself is a worthy entry to Tom Clancy's five-film-deep Jack Ryan franchise, a solid way to kick-start the franchise for new viewers while pleasing the long-time fans. It's surprisingly well balanced with character, emotion, romance, plot, action and tension. There's a little something for everyone. The Blu-ray's video quality is extremely close to perfection. The 7.1 lossless audio mix is completely engaging and relentlessly impressive. A decent amount of small special features are included, but all are exclusive to Blu-ray. As a fan of the 'Jack Ryan' series, I couldn't be more happy with his not-based-on-a-book origins film and easily recommend 'Shadow Recruit' to absolutely anyone who loves a solid spy/political thriller.
The Video: Sizing Up the Picture
'Jack Ryan' has been given a brilliant 1080p/AVC MPEG-4 transfer. From the moment the Paramount and Skydance vanity reels start playing, its clarity and impressiveness never let up. The only real flaw to the video isn't in the presentation of the movie itself, but in the way that it was shot. Throughout the picture, if you're paying close attention, you'll notice that focal issues arise every few minutes, causing objects and people to appear slightly hazy or blurred. This even happens with close-ups on faces, one time leaving Costner's nose out of focus while everything else is completely sharp. Fortunately, it isn't constant and it's typically minor. But if it wasn't for that, 'Shadow Recruit' would be perfect demo material.
For lovers of celluloid, there's a nice dusting of grain that's present in every one of the movie's bright, well-lit scenes. The picture is rich with detailed images, including some that reveal the flaws in the facial complexion of all of the movie's good-looking leads – Knightley's complexion isn't as great as you'd think, Pine's smooth acne scarring is more visible than ever, and Costner's wrinkles give you a better idea of his age. Textures and miniscule details are constantly in the forefront.
The film itself is full of comfortable and inviting lighting/color schemes. It's natural and appealing. One quick gorgeous shot tracks with Knightley's face close up, front and center, while she walks down a dark hallway to a room filled with warm sunlight. Despite the darkness, her face is always dimly lit and rich in details. Bands could have arisen, but didn't. Black levels are deep and flawless. And the camera's motion is perfectly fluid. Another fantastic shot features Pine on the roof of his hotel at sunset. The warm sunlight adds extra life to his fleshtone and the blue of his eyes is ablaze. The gray cloudy backdrop is perfect contrast and the tiniest rainbow in the background couldn't have been planned any better.
Considering how fantastic everything else is, it's a bummer that the focus couldn't have been achieved better.
The Audio: Rating the Sound
While the video quality has one small issue keeping it from perfection, the 7.1 DTS-HD Master Audio track of 'Jack Ryan' is absolutely flawless.
'Shadow Recruit' kicks off with a great calm, yet oddly uneasy, opening scene that defines the character without Pine offering a single word. Set on a London campus, this scene isn't silent, as there's plenty of distant quiet sound, but it effectively shows how powerful the lack of sound can be. But don't, not even for a second, believe that this mix kicks off a quiet trend. Instead, it's the opposite. The next scene, which offers an explosion and chaotic follow-up effects, is wildly loud. The dynamics of a missile blast, fluttering debris, alarms and pain are demo-worthy. And the greatness doesn't stop there. All channels are always active - and that's not an exaggeration.
Like the opening sequence, every mild scene is filled with fantastic environmental subtleties. Rain dynamically falls all around, making channel-based specific sounds as it splashes onto different surfaces. Restaurant's are filled with immersive banter, silverware clanking and rainfall effects from outside whenever someone enters or exists from the background. The news anchor constantly talking on the distant television is so clear that, should you stand near the speaker, you can hear every bit of news she provides through Jack and Cathy's conversation. But once you jump into an action scene, the throttle is opened up and the 7.1 mix cuts loose. If you sense that something intense it about to happen, get ready for deafening and rumbly experience.
When Jack is attacked in his expensive Russian hotel room, you'll hear every shattered piece of porcelain and glass hit the tile and hardwood floor. A suppressed gunshot will ring out from one side of the room and you can follow the imaging sound of the bullet across the room to its point(s) of impact. And the nice part about it is that every intense action scene is identical to the greatness heard in the hotel fight.
'Jack Ryan: Shadow Recruit' features one of the best 7.1 mixes that I've heard in a long time. It's well-rounded, impressive and unforgettably cool. No sound - music, vocals or effects - trumps another and they harmoniously blend to fill your theater with dynamics. |
Kal
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Last edited by kal on Sun Jan 25, 2015 7:54 pm; edited 1 time in total
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| Posted: Mon Jun 16, 2014 11:47 pm Post subject: |
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Lone Survivor (Blu-ray + DVD + Digital HD with UltraViolet) (2013)
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| Quote: | 'Lone Survivor' is a powerful and absolutely visceral tribute to our country's fallen heroes. Though the film's sense of patriotism can be a little forced and simplistic, Berg's overall approach is respectful and seemingly authentic. The video and audio are both impressive, offering an immersive home theater experience. Though not packed with supplements, the included featurettes provide some worthwhile insights into the filmmaking process and the real life story that inspired the script. Despite some minor flaws, the movie is a gripping and inspiring piece of filmmaking, and this disc from Universal features a fantastic technical presentation. Highly recommended.
The Video: Sizing Up the Picture
The movie is provided with a 1080p/AVC MPEG-4 transfer in the 2.40:1 aspect ratio. Shot on the Red Epic, this is a nicely detailed and impressive image that leaves little to complain about.
The digital source is mostly pristine, but there is some grain-like noise visible throughout (particularly in the dark) and very minor signs of false contouring and shimmering in isolated shots. There are also a few moments where the picture exhibits an overly digital, smooth look in motion, but this effect is likely inherent to the shooting methods. Clarity is very strong, revealing a great sense of fine detail. Close-ups are especially striking, highlighting every dirty pore and unkempt whisker on the soldiers' faces. Depth is also impressive, bringing a life-like sense of dimension to the image. Colors adhere to a slightly stylized palette that favors browns, yellows, beiges, and greens, emphasizing the Afghanistan wilderness setting. Contrast is high but well balanced and black levels are solid and consistent.
'Lone Survivor' looks very good on Blu-ray, offering a sharp and appropriately stylized image that bolsters the film's gritty intensity.
The Audio: Rating the Sound
The film is presented with an English DTS-HD MA 5.1 mix along with a DVS 2.0 mix and a Spanish DTS 5.1 mix. Optional English SDH and Spanish subtitles are also included. Nuanced, spacious, and absolutely assaulting when it needs to be, this is a powerful and fully enveloping track.
Dialogue is full and easy to hear throughout, even despite the cast's frequent whispering. The movie's sound design is both subtle and aggressive, creating a wide and layered atmosphere. Early scenes set at the base offer a convincing sense of place, and the manner in which we can constantly hear approaching helicopters in the far off distance is especially immersive. Directionality and imaging is precise and natural with smooth panning effects that move from speaker to speaker all around the room. When the characters reach the Afghanistan wilderness, the mix provides a similarly authentic level of ambiance, spreading buzzing flies and wandering goats throughout the soundstage. And once bullets start to blaze, the audio kicks into high gear, becoming a relentless barrage of action that still maintains a delicate layer of balance and design. Whizzing gunshots hit the rears and carry a piercing pop, churning helicopter blades rustle with a deep rumble that hits you right in the gut, and explosions go off with a commanding low frequency boom. One sequence that features the characters falling down a mountain is especially noteworthy for its bone-crushing effects work. Dynamic range remains wide and distortion free, and the film's gently escalating score by Explosions in the Sky and Steve Jablonsky comes through with strong fidelity and separation. With that said, there is a rare anomaly here and there where I could make out what sounded like the faint rustling of the actors' microphones, but this is barely noticeable and not a real concern.
Immersive and artfully designed, the audio mix offers a powerful home theater workout that never loses sight of a delicate level of precision and design beneath all of its explosions. |
Kal
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kal
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| Posted: Mon Jun 16, 2014 11:49 pm Post subject: |
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Cosmos: A Spacetime Odyssey [Blu-ray] (2014)
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| Quote: | 'Cosmos' ended too soon. I kept wanting more, and more. It's a powerful show that enlightens its viewers. It shows those who may not be scientifically inclined why they should care. It teaches us scientific dummies (this guy) how science affects us on a daily basis and why it's important to know the history of it. The audio and video are near perfection. The special features are fairly robust. 'Cosmos' is very highly recommended.
The Video: Sizing Up the Picture
One of the show's many strengths lies in its marvelous visuals. Perhaps, a couple decades down the road, we'll look back and marvel at how antiquated this CG really was – like we do with the Carl Sagan original. For right now, however, the effects here are brilliantly conceived, and stunningly presented. Being on Blu-ray, instead of being broadcast over limited cable bandwidth, 'Cosmos' really shines.
The 1080p presentation is a wash of color and clarity. All of the show's special effects come off polished, without a hint of artifacting or banding. The animated sequences are unusual, yes, but clearly presented. There isn't any detail loss as far as those segments are concerned.
Detail is marvelous throughout. Close-up shots of Tyson, wildlife, and the computer-generated cosmos provide ample detail for marveling. The blackness of space is entirely dark. Contrast is perfect. There isn't a thing I find wrong with the way Fox has put this presentation together. As far as TV shows on Blu-ray go, this is one of the best looking ones out there.
The Audio: Rating the Sound
The DTS-HD Master Audio 5.1 mix mirrors its video counterpart. It's a totally immersive experience. Much more so than the show's original broadcast. What really stands out is the clarity of the ambient sound. Tyson visits places all over the globe as he relates his stories. Each of these places is populated with people, wildlife, and natural elements. All of these sounds give the show a very natural audio field.
Simulated explosions, like that of the Big Bang, offer some extreme low frequency rumblings. Tyson's voice is the only real quibble, but it's more to do with the nature of the show, and not really with mix itself. At times Tyson's voice audibly changes volume, rather abruptly. I assume these instances happen because his voice needed to be rerecorded after the filming had taken place.
That said, most of Tyson's narration is as clear as one would desire. Directionality is spot on as the ship streaks across it. Pans work smoothly. It's everything you could ask for, and maybe a tiny bit more. |
Kal
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Last edited by kal on Sun Jan 25, 2015 7:54 pm; edited 1 time in total
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kal
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| Posted: Mon Jun 16, 2014 11:52 pm Post subject: |
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The LEGO Movie (Blu-ray + DVD + UltraViolet Combo Pack) (2014)
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| Quote: | 'The LEGO Movie' is fantastic on all levels. It's hilarious, exciting, clever, heartwarming, and pokes fun at modern story conventions. Lord and Miller are a filmmaking team capable of pulling off the impossible. Taking reboots and synergistic consumer tie-ins, and turning them into tightly script stories that work really, really well. A film for moviegoers of all ages.
As a Blu-ray, while my preferred version is the 3D Everything is Awesome Edition, this 2D-only edition includes the same reference quality picture and sound presentations and all of the special features. If you don't like 3D, this is the edition for you and comes with my personal highest recommendation: Must Own.
The Video: Sizing Up the Picture
'The LEGO Movie' debuts on Blu-ray with a gorgeous, resplendent AVC MPEG-4 encode framed in the film's original 2.40:1 aspect ratio.
Much like its 3D version, 'The LEGO Movie' in 2D is great material for modern HD displays. It's like seeing your imagination come to life. LEGOland feels...real. What's particularly impressive is the way the filmmakers have used mostly computer-generated animation to make a movie that looks photo realistic, giving various plastic pieces perfect textures.
Colors and resolution are gobsmacking. There are so many small details -- individual pieces, background characters, lighting cues. Seriously, in some of the busier sequence, pause the Blu-ray every once in a while. You'll be rewarded with all sorts of creative details you may have missed on your first (few) viewing(s). Black levels are also handsome -- especially Bad Cop / Good Cop's uniforms and Lord Business' office tower. As an animated production, we've come to expect this sort of eye candy. But wow. 'The LEGO Movie' is an absolute HD home run.
The Audio: Rating the Sound
'The LEGO Movie' zooms, blasts, explodes, and swirls onto Blu-ray with a terrific 5.1 DTS-HD MA soundtrack.
There's so much to love about this multi-channel sound mix. It's not the most aggressive you've ever heard, and I would have preferred a 7.1 option, but I have zero complaints. The voice actors are perfectly placed in the center and other channels. Surround activity is both subtle in the way it builds out city environments with small details, and also extremely immersive, such as when Vitruvius' voice swirls around the audience during a chase sequence. And LFE fans, you're in for a real treat. Check out the scene where Batman plays his "real music" after talking about the Batmobile's subwoofers. I'd be interested to know what frequencies we're dealing with exactly, but it's thunderous and super low. Great, great track. A top-tier 5.1 release. |
Kal
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| Posted: Tue Aug 12, 2014 2:08 pm Post subject: |
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Martin Scorsese's World Cinema Project (Touki Bouki / Redes / A River Called Titas / Dry Summer / Trances / The Housemaid) (Criterion Collection) (Blu-ray + DVD)
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| Quote: | Volume one of Martin Scorsese's 'World Cinema Project' is simply awesome. Each film is unique and excellent, showcasing the time period it was made in. It's no wonder that Scorsese is one of the best directors of all time and this truly shows his appreciation and understand of film from all around the world. The video and audio presentations are all top notch with tons of amazing bonus features. You don't need to think twice about owning this Criterion set, as they have simply hit a home-run with this release. This is a must-own.
The Video: Sizing Up the Picture
'Touki Bouki'
According to Criterion, 'Touki Bouki' is presented in 1.37:1 aspect ratio with a 1080p HD transfer. The transfer was created in 2K resolution from the original 35mm negative. The new restoration process brought the film's original chromatic elements to light, and produced a new 35mm internegative for long-term preservations. The colors here are incredible. The simply pop off screen at all times with excellent reds, greens, blues, and yellows. The film has a nice layer of grain and looks filmic and natural. All of the dirt, debris, hairs, and other scratches have been removed to the best of their ability and the image really looks clean. There are no image skips or instability here either. This video presentation is quite good.
'Redes'
According to Criterion, 'Redes' is presented in 1.33:1 aspect ratio with a 1080p HD transfer. The transfer was created in 2K resolution from the best surviving materials, mostly being a 35mm safety negative and a positive print found in Mexico. This is probably the worst looking out of each movie in this set. Like Criterion said, the people dealing with the restoration and transfer only had to work with surviving B-List materials that were found, and not all problems could be fixed. That being said, this image looks very good. There is a nice layer of grain throughout, but the detail isn't sharp, but rather very soft throughout. Contrast looks decent here though and the overall image has good stability. This is definite the best presentation this could have, considering what they had to work with.
'A River Called Titus'
According to Criterion, 'A River Called Titus' is presented in 1.37:1 aspect ratio with a 1080p HD transfer. The transfer was created in 2K resolution from the original camera negative and a positive print provided by the National Film Archive in India. The opening credit sequence was completely re-done due to the very poor quality of the original. But this image is just fantastic and has been restored very well. Depth and detail are excellent here, even in the darker scenes. Closeups reveal great textures as well. The black and white levels are very well balanced with nicely rendered grays. This film is very natural looking and is the best it has ever looked since it came out. There are is some very minor banding, but it's nothing to write home about. Excellent video presentation here.
'Dry Summer'
According to Criterion, 'Dry Summer' is presnted in 1.33:1 aspect ratio with a 1080p HD transfer. The transfer was first restored photochemically using the original 35mm camera negative. The opening and closing credits were re-done digitally, due to them being missing from all prints. This is a great looking image with good depth and detail. Closeups reveal fine textures and wrinkles in the actor's faces. The scenes in the daytime show off some great depth and clarity, and the night time scenes do almost as well. The black and white levels are very well balanced with exquisite grays. Stability looks great and most instances of debris and dirt have been removed, leaving this video presentation top notch.
'Trances'
According to Criterion, 'Trances' is presented in 1.66:1 aspect ratio with a 1080p HD transfer. This was a digital transfer and as created in 2K resolution from the original 16mm negative. This music documentary looks amazing. However, let it be known that this 16mm negative was blown up to 35mm, so there are a few instances where detail gets fuzzy. During the darker scenes when there is not enough light on stage, things get a bit murky, but overall there is great depth and vivid detail throughout. Colors look great and are very natural and don't seem to be overly saturated. There are also a few instances of minor warps and debris, but it's nothing to really write home about. Stability is excellent, giving this video presentation solid marks.
'The Housemaid'
According to Criterion, 'The Housemaid' is presented in 1.66:1 aspect ratio with a 1080p HD transfer. This transfer was created in high-definition from the original camera negative, which was found in 1982 with even a couple of reels missing. In 1990, a rare complete print was found and was used to restore the missing reels. Interestingly enough, there were actually hand-written subtitles that had to be digitally removed, which made the whole restoration process very difficult. Throughout the film, there are varying degrees of detail, clarity, and color contrast in regards to the black and white spectrum. There is a nice layer of grain here as well. There are still some instances of debris and dirt, and some warps here and there, but overall, this is as good as this film could look, given the circumstances.
The Audio: Rating the Sound
All six films in this set come with a lossless LPCM 1.0 mono track and they all sound great, considering how how the films are and how difficult it was for some of these movies to be restored and remastered. Dialogue is generally very clear and easy to follow, although on 'The Housemaid' and 'Redes', some of the dialogue have pops, cracks and some hissing. But, these two films were the most difficult out of the six movies to restore.
The other four films all sound a bit better than the previous two films mentioned and have a fuller sound. The dynamic range is quite limited throughout, although with 'Trances', the sound is quite robust. 'Touki Bouki's soundtrack is also quite immersive as well. But with each film coming with a 1.0 mono track, you can't expect a whole lot lively noises from your surround speakers. But with the gunfire in 'Dry Summer' to the vehicle roars in 'Touki Bouki', every soundtrack is clear and excellent. And of course, Criterion provides excellent subtitles with each film. Each one of these audio presentations is outstanding, despite some of the flaws in due to age. |
Kal
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kal
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| Posted: Tue Aug 12, 2014 2:11 pm Post subject: |
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Joe [Blu-ray]
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| Quote: | 'Joe' is an amazing film containing one of Nic Cage's best roles. Green has made a beautiful film, with excellent performances and a truly dark and sadistic story line, but you can't help but look away. I want Nic Cage to get an award for his performance here. The video and audio presentations are both top notch and the extras are very good. This comes highly recommended!
The Video: Sizing Up the Picture
'Joe' comes with an impressive 1080p HD transfer presented in 2.40:1 aspect ratio. This gritty film looks beautiful and that's an accomplishment, considering just how dark and brooding the actual story is. Detail is very vivid and sharp, but still possesses that filmic look with a very fine layer of grain. In other words, this image doesn't look like it's been through the digital car-wash. It looks natural and organic all the way through.
Closeups reveal excellent skin detail with individual facial hairs, scars, dirt, and makeup blemishes standing out quite nicely. The wider shots give a lot of depth, especially in the scenes where trees are being poisoned. Colors are vibrant and pop off screen with nice warm Earthy tones. The browns, blues, oranges, and yellows show very nicely and are well-saturated. The skin tones are natural and the black levels are deep and inky. This video presentation is outstanding.
The Audio: Rating the Sound
This release has a great lossless DTS-HD 5.1 audio mix. This audio track packs quite a punch when it counts and may sometimes catch you off guard. The dialogue is always crystal clear and easy to understand throughout. It's perfectly situated on the center channel and at times has some excellent directionality. There were no instances of any pops, cracks, or hissing.
The sound effects and ambient noises were always clear and robust. The gunshots packed a powerful punch as well as the nature sounds of animals, the wind, and small lakes could be heard with clarity in the surrounds. The score always added to the mood and tone of each scene and never drowned out any dialogue or sound effects. The LFE is excellent and the dynamic range was very wide. This audio presentation is excellent. |
Kal
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| Posted: Tue Aug 12, 2014 2:15 pm Post subject: |
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Noah (Blu-ray + DVD + Digital HD)
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| Quote: | With notable performances by the cast, Darren Aronofsky's 'Noah' is a marvelous production of a classic myth motif that's both inspiring and stimulating. The talented filmmaker of usually dark themes takes a familiar tale and reinvigorates with splashes of the Hollywood blockbuster epic, making it entertaining as it is thought-provoking. The film arrives on Blu-ray with amazing video and a reference-quality audio presentation. Supplements appear to be exclusive to the format, making the overall package easy to recommend and a satisfying purchase for fans.
The Video: Sizing Up the Picture
Noah makes it rain on Blu-ray with a gorgeous and stunning 1080p/AVC MPEG-4 encode that stays true to the stylistic intentions of the filmmakers. By this, I'm mostly referring to Matthew Libatique's downcast and joyless cinematography, a palette that is purposefully grayish and dull with a few splatters of bold colors when certain scenes require them. And on that note, primaries are true to life and animated while secondary hues are cleanly rendered, providing a bit of warmth to an otherwise gloomy presentation. Contrast is spot-on and crisp, allowing for every object in the distance to be plainly visible. Brightness levels and shadow delineation could be a tad stronger, but overall, blacks are accurate and opulent.
Shot with a combination of traditional 35mm and HD digital cameras, the freshly-minted transfer is highly-detailed, with razor-sharp lines throughout. Individual leaves are distinct, and the crude stitching in the costumes is perceptible while the tiniest blemish and imperfection in the ark is crystal-clear. On the whole, the faces of the cast display excellent lifelike textures, especially during close-ups that reveal pores and every wrinkle. A few moments are not quite as sharp as others, but they're easily excused when the rest of the 1.85:1 image looks utterly fantastic.
The Audio: Rating the Sound
The biblical epic continues to make a big splash with an awesomely engaging and far-reaching DTS-HD Master Audio soundstrack. The front soundstage is broad and expansive with convincing off-screen effects and superb separation between the channels, generating an effectively engaging wall of sound that’s continuous from beginning to end. Dynamic range is extensive with rich detailed clarity in the various noises, from the screams and yells of battle to the grinding movements of the Watchers. This is particularly impressive in the dramatically percussive score of Clint Mansell where individual instruments are heard with excellent acoustics and distinction. Vocals are pristine and precise in the center with the smallest change in intonation perfectly heard.
Though not earth-shattering, the low-end is amazingly deep and powerful, providing palpable, responsive weight to the action with awesome rumbling effects that resonate throughout the room. A couple moments, such as the battle for the ark sequence, hit even lower with appreciable realism. (Bass Chart) Rear activity is also effective and tremendously satisfying with outstanding directionality and flawless panning. Even quite scenes fill the room with the sounds of wind blowing in the distance, and when Tubal-cain's clan shows up, there is endless chattering and grunting everywhere. The best moment is by far when Noah's family survives the weather inside the ark, where noises of animals and the rocking of the wood vessel create an immersive 360° soundfield that's highly pleasing, making this a terrifically enjoyable, reference-quality lossless mix. |
Kal
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| Posted: Tue Aug 12, 2014 2:18 pm Post subject: |
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Rio 2 [Blu-ray]
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| Quote: | This is a perfect example of a bad movie, but good disc recommendation. The video and audio portions of this release are stellar in every regard. Using it as demo material is a no-brainer. It just looks and sounds so great that it's hard to pass up this release even though the actual movie is so mediocre.
The Video: Sizing Up the Picture
Was there any doubt that this would be a reference quality Blu-ray in terms of visuals? I mean the last one was, and this one might even look a smidge better, if that's possible. As much as I don't care for the 'Rio' narrative, its visuals are stunning. Blue Sky Studios and Fox Animation really put their all into creating extremely intricate and splendid imagery as far as 'Rio' is concerned.
The colors are to die for. There is so much color in these 'Rio' movies that it's impossible to mention them all in a single review. There are dozens of shades of blue adorning the various Blue Macaws shown in the movie. Not one bird looks alike. The greenery of the forest is lush and varied with all sorts of shades of green filling up the screen. Black areas are perfectly dark, without an ounce of crushing or banding in existence.
The clarity is top-notch. Feathers are intricately detailed. Even when there are hundreds of birds flying around on screen, the picture stays clear. There's so much depth and dimension here that it's easy to get lost in it all.
The Audio: Rating the Sound
The DTS-Master Audio 7.1 mix gives this release a perfect one-two punch in terms of technical prowess. The 5.1 mix on 'Rio' was really great, but the two-channel upgrade here, bumps this mix up into the tip-top.
Say what you will about the movie's affinity for lame pop music, at least it sounds great when it's bee-bopping its way into your ears through seven speakers. The opening musical number is quite engrossing. As birds circle, swoop, and dive, the sound of their singing travels with them. There's sound coming from every channel as they sing. It sounds amazing. The same fidelity and clarity is present in every one of the movie's musical numbers.
The low-end bass is also abundant. When the loggers come in with their bulldozers and backhoes, the subwoofer starts working overtime. There are a few explosions that add to the deep, thundering bass that you can expect. Frankly, it's more LFE than you might expect from a musical-centric computer-animated movie about talking birds.
Panning effects are above reproach. Directionality couldn't be more precise. The extra two side channels add much-needed depth to an already multi-layered soundtrack. In the end, there's nothing that would warrant the least bit of complaining here. |
Kal
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| Posted: Tue Aug 12, 2014 2:21 pm Post subject: |
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Need for Speed [Blu-ray]
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| Quote: | As an homage to classic car chase movies, 'Need For Speed' is an exhilarating ride that traded CGI for real-world stunts, an effect that pays off in authenticity. However, an overloaded first act and distant character choices in the last two thirds of the movie might make it more challenging to enjoy for those not in the car nut demographic. As a Blu-ray, 'NFS' delivers gorgeous HD video, a highly articulate sound mix, and a nice collection of special features. Sadly, 3D fans will have to import this title. Recommended to car fanatics and audiophiles; give it a rent first, everyone else. Overall, worth a look.
The Video: Sizing Up the Picture
'Need For Speed' races onto Blu-ray with a flawless AVC MPEG-4 encoded framed in the film's original 2.39:1 aspect ratio.
While it doesn't have the gritty grain of its '70s cinematic inspirations, 'Need For Speed' is a reference quality Blu-ray. Shot on a myriad of digital cameras (including GoPros), the video presentation is ripe with detail, resolution, lush colors, and inky black levels. The movie opens with an extended night sequence -- first under the foggy, neon light backdrops of a drive-in theatre, and then during an racing sequence -- that has some of the best night photography I've seen in a while. Normally, these sequences suffer from washed out black levels or excessive crush. San Francisco at night will take your breath away. Daytime sequence are beautiful as well, crossing the green farmlands of the American south into the red desserts of the wild west. As for errors, I didn't see any. I kept waiting for macro-blocking or banding or aliasing, but nothing caught my eye. Great job.
The Audio: Rating the Sound
'Need For Speed' roars onto Blu-ray with a highly articulate English 7.1 DTS-HD MA.
I'm a little torn here, actually. I don't like to handout undeserved 5-star reviews, and if you consider tonal quality along with the 360 immersion this track creates, it's perfect. However, I was a little disappointed by a lack of LFE presence. I expected a little more punch and grunt in some sections. But if that's filmmaker intent, or an accident on my part, I don't want to kick this down to 4.5 stars without reason.
As such, I would call this a 4.8 or 4.9 star sound mix and will therefore round up because, aside from my personal love for subwoofer-heavy soundtracks, 'Need For Speed' sounds freaking terrific on Blu-ray. And not just aggressive either. This isn't simply loud and chaotic. There's a wonderful restraint to even the most action-packed races where you can hear the detail of fence posts whooshing buy along with the whine of a supercharger spine up in RPMs. Dialog is clear too, even in louder moments. Heck, the whole thing is almost like playing the more recent 'Need For Speed' titles on my PS3, which turns out a pretty great live mixed 7.1 experience. However, where the game is limited by (comparatively) low resolution audio files, this movie features sound recorded exclusively for this world, and it shows with extremely articulate immersion that straps you into the drivers seat and drops the hammer.
Other sound mix options include English 2.0 Descriptive Video Service, Francais 5.1 Dolby Digital, Espanol 5.1 Dolby Digital. Subtitles include English for the Hearing Impaired, Francais, and Espanol. |
Kal
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| Posted: Fri Sep 12, 2014 5:12 pm Post subject: |
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The Railway Man [Blu-ray + UltraViolet]
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| Quote: | 'The Railway Man' is an excellent film. Colin Firth and Stellan Skarsgard turn in terrific performances. It's a great war film that not so much looks at the actual war itself, but how a war changes a person over time. It's beautiful yet difficult to watch in certain moments, but it surely will evoke some powerful emotions. The video and audio presentations are both amazing, and while there are only two extras, they both cover a lot of ground. 'The Railway Man' deserves to be seen, because it is such an incredible story and an amazing film. Highly Recommended.
The Video: Sizing Up the Picture
'The Railway Man' comes with a great 1080p HD transfer and is presented in 2.40:1 aspect ratio. Anchor Bay knocked this video presentation out of park. It looks fantastic. The image is crystal clear and very vivid, giving the picture a lot of depth. The detail is picture perfect in every scene that is true to its source material. Close-ups reveal very fine minute textures and individual hairs on the actors' faces. You can see individual beads of sweat, scars, and wrinkles very nicely. In the wider shots, the landscapes come across beautiful and very real.
The costume details also look spectacular, which reveal fine stitching and dirt on each costume. The colors seem to pop off screen consistently with excellent reds, blues, and browns throughout. The darker lit scenes looks very natural as well with no problems to report. The black levels always run deep and inky and the skin tones come across very natural. There were no issues with banding, aliasing or video noise either. This video presentation is top notch.
The Audio: Rating the Sound
This release comes with an excellent lossless DTS-HD 5.1 audio mix and is just as good as the above mentioned video presentation. This is a fully immersive audio mix and will put you in the center of everything that is happening. The dialogue is always crystal clear and easy to understand. The smallest whispers to the loud yelling all sound perfectly balanced. The sound effects are robust and lively, especially with the train noises, the war planes flying overhead, and the tanks rolling in.
It almost makes you feel like you are there for a moment, as the weapons and vehicle sounds pour through the surround speakers with ferocity. There are some great ambient noises from the jungle and other soldiers and prisoners talking as well. The score sounds beautiful and always adds to the tone of the film, while never drowning out any dialogue or sound effects. Lastly, there is no evidence of any pops, cracks or hissing to speak of, giving this audio presentation great marks. |
Kal
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| Posted: Fri Sep 12, 2014 5:17 pm Post subject: |
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Boardwalk Empire: Season 4 (Blu-ray + Digital Copy)
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| Quote: | 'Boardwalk Empire' continues to be one of the best shows on television -- even though everyone is probably talking about something different. The quality and consistency displayed by Terence Winter and his crew has been quite astounding. The fourth season is just as good, if not better, than anything that's come before. With perfect video and audio, this set is definitely highly recommended.
The Video: Sizing Up the Picture
HBO's 1080p presentations of 'Boardwalk Empire' have been nothing short of astounding, and the fourth season is no exception. It follows right in line with the superb video quality that has come before it. With all the 1920s period detail put into every episode, it's imperative that the video quality matches the effort that went into making the show look as authentic as possible.
The clarity is astonishing. Fine detail is some of the best TV on Blu-ray has to offer. Clothing texture is immaculate. Facial features are as lifelike as they come whenever the camera gets up close and personal. It doesn't matter if it's long-range, mid-range, or close-up, each shot harbors an extensive amount of detail. Lines are clear and concise. Dark areas are deep and ink-like. Much of the show is bathed in darkness and shadows, and there's never a moment where crushing is even a consideration.
Color is bold and dynamic. 'Boardwalk Empire' is one of the most beautifully colorful shows out there. Red is a prominent color seeing how much blood is spilt from episode to episode. The gooey crimson liquid really stands out. Contrast is spot-on. As far as artifacting goes, there isn't any. There's nothing concerning the visuals that deserve the least bit of criticism. They're as stellar as they've always been.
The Audio: Rating the Sound
The DTS-HD Master Audio 5.1 mix doesn't stray from its pedigree either. 'Boardwalk Empire' has always approached its numerous gun fights with realism in mind. These aren't thundering action movie shootouts. These are intricately designed gun battles with realistic sounding rat-a-tat-tat-tats. The mix treats gunfire very well, but never sacrifices dialogue, its soundtrack, or anything else to the roar of Tommy guns.
Dialogue is superbly defined and perfectly prioritized to offer maximum clarity. Even when mumbling characters like Chalky appear, it's still easy to understand what they're saying. The show's decidedly '20s soundtrack weaves its way through the sound field with ease, providing a wonderful "like you're there" feel for the period.
The rear channels pipe in all sorts of crystal-clear ambient sound. From busy clubs, to raucous gator fights in Florida, to harrowing gun fights, the rear channels are constantly providing fantastic surround sound. Like the video, I have absolutely no complaints about the audio. |
Kal
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| Posted: Fri Sep 12, 2014 5:20 pm Post subject: |
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The Amazing Spider-Man 2 (3D/Blu-Ray/DVD/UltraViolet Combo Pack)
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| Quote: | Many aren't down with Webb's vision of Spider-Man, but I am. I'm all about "(500) Days of Spider-Man." The way he treats the characters, tip-toes through their relationships, and isn't afraid to change up what's perceived as comfortable, creates a satisfying unknown, something that is sorely missing in the Disney/Marvel 'Avengers' storyline. With demo-worthy audio and video – including a wonderfully consistent, deep and always-impressive 3D transfer – and a truckload of special features, 'The Amazing Spider-Man 2' is highly recommended viewing.
The Video: Sizing Up the Picture
Not too many blockbusters are shot on film anymore, but 'The Amazing Spider-Man 2' is. This gives the 1080p image a very rich, cinematic look. In high-def it looks flawless. A wonderfully deep picture that never wavers in clarity. The CGI is never called into question by the crystalline visuals either. It all looks utterly superb.
I don't think you'd expect anything less from a recent Sony release. This is demo-worthy material from beginning to end. With distinct clarity and attention to detail, 'The Amazing Spider-Man 2' Blu-ray offers up a robust video experience. Fine detail is optimal, whether the camera is gliding around New York filming Spidey as he swings in between historic skyscrapers, or when it captures small moments between Peter and Gwen in a small alley. It all look fantastic. Close-ups are full of all sorts of clearly defined facial features. Long-shots take in the entirety of New York without missing a single thing.
The greatness of the 3D element begins immediately. As Sony's logo gradually appears through the darkness via backlighting, the colorful prism of lens flares beam through the foreground with brilliant defined clarity, extending from the back into the close foreground. Once we dive into the actual movie, the strength of the deep and unfailingly natural 3D effects continue. While Peter's parents battle a bag guy on a private jet, despite the herky-jerky and fast-cutting action, there's never a bad bit of 3D. The depth and layering is consistent and smooth, never warbling or warping. Even the debris that blasts through the screen in quick blurs is properly placed in this dynamic field.
A few scenes later, we see Gwen impatiently talking to Peter over the phone while he misses out on graduation hooplah in order to stop Russian mobsters from stealing radioactive materials. Without looking odd or distracting, Gwen almost appears to pop out of the screen – something that gimmicky 3D movies attempt, but never successfully achieve. That's where 'The Amazing Spider-Man 2' excels. Even its subtle moments offer the wow factor. During the most unexpected moments - like Gwen talking on a phone - the 3D is just as good as during the expected parts - like Spidey dodging bullets from a madman's machine gun.
Black areas remain controlled the entire time. I didn't notice any unsightly banding, even during the tricky fade-in scene that begins the movie. Those are usually where banding can be spotted, and there isn't anything there at all. This is one of the best looking Blu-rays of the year.
The Audio: Rating the Sound
Originally mixed for Dolby Atmos consumption in the theaters (perhaps a re-release once Dolby Atmos home theaters become common?), 'The Amazing Spider-Man 2' sounds just as great as it looks. Possibly even better.
The surround sound capability of this release is off-the-charts great. This is a fully immersive DTS-HD Master Audio 5.1 mix. Even if a 7.1 mix were provided, I'm not sure it'd be any better than what we're offered here. That's because the 5.1 mix is so well-produced and perfectly prioritized that it creates an all-encompassing listening environment. The rear channels feature a ton of action. Both Spidey vs. Electro fights send all sorts of action to the rear channels. As they fly around the screen beating each other up the sound flies with them without missing a beat. The transitions from speaker to speaker are flawless.
The LFE is as deep as it gets. Electro's power thrives on deep thundering bass. The sub is constantly working overtime as the movie is full of multiple action scenes and soundtrack choice that need the accompaniment of thundering bass. |
Kal
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| Posted: Fri Sep 12, 2014 5:24 pm Post subject: |
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All That Jazz (Blu-ray + DVD)
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| Quote: | Bob Fosse's 'All That Jazz' is an innovative, subversive, and deeply personal masterpiece. By commenting on his own life and flaws, the director creates a dazzling self-referential journey into song and dance, once again re-writing the rules of Hollywood musicals. The video transfer is simply stunning, and the audio mix is very strong. Criterion has packed the disc with tons of 5-star worthy supplements, giving the movie the special feature treatment it deserves. This is an absolutely stellar presentation for an incredible film, resulting in one of the strongest releases of the year so far. Must own.
The Video: Sizing Up the Picture
The movie is provided with a 1080p/AVC MPEG-4 transfer in the 1.85:1 aspect ratio. Richly filmic and free of any unnecessary processing, this is a gorgeous and virtually flawless transfer.
The source print is in nearly pristine shape and features a moderate layer of natural film grain, giving the picture a rich sheen of texture. Detail is very strong, highlighting lots of fine details in the actors, costumes, and sets. Scheider's sweaty, sickly face is especially striking, and the third act musical numbers sparkle off the screen. With that said, the fantasy scenes often feature an intentionally soft and diffuse style. The overall color palette veers toward a slightly undersaturated look, but certain sequences offer solid pop, especially the climactic dance scenes cast in colorful lights. Contrast is well balanced and black levels are deep and inky. On that note, however, dark hues can look a tad crushed in certain shots. Thankfully, there are no digital artifacts to report.
'All That Jazz' is bursting with visual style, and this Blu-ray from Criterion offers an exceptional video presentation. Sourced from a new 4K restoration by 20th Century Fox and the Academy Film Archive, the transfer is beautifully detailed and authentic, giving the movie the top-tier treatment it deserves.
The Audio: Rating the Sound
The film is presented with an English DTS-HD MA 3.0 mix and optional English subtitles. Though very center channel heavy, the audio still carries a surprisingly solid presence and opens up nicely during certain musical scenes.
Dialogue is clear and precise and there are no age-related issues to speak of. The majority of the audio is relegated to the center speaker, but the design work is very effective and spacious considering the lack of surrounds. True directionality is rare, but Fosse uses isolated sounds to enhance the story, mood, and emotions of scenes, and these instances come through very well. While much of the track is essentially mono in nature, several musical numbers do expand to the left and right channels as well, and these scenes offer great stereo separation, range, and fidelity, opening up the scope of the track nicely. Balance is handled well between all of the audio elements and there's even some decent low frequency kick during some of the songs.
Outside of the musical numbers, the 3.0 presentation is mostly mono in nature, but the mix is artistically and technically strong. There are no pops, crackles, or hisses, and the songs sound fantastic. |
Kal
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| Posted: Fri Sep 12, 2014 5:29 pm Post subject: |
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Godzilla (Blu-ray + DVD + Digital HD UltraViolet Combo Pack)
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| Quote: | 'Godzilla' (2014) is a fun monster movie with glorious kaiju battles, tons of disaster porn, and breathtaking visuals. I was less impressed with some of the story and character choices upon repeat viewings, but that's okay. As a Blu-ray, the image quality is sharp and dynamic, but with certain displays (like plasmas) you won't be able to watch key sequences in brighter lighting environments. The 7.1 audio mix is robust and immersive, but the Special Features are a little lackluster. If you haven't seen 'Godzilla' yet, you may want to rent it before you buy it. For fans, this title is Recommended. Overall, Worth a Look.
The Video: Sizing Up the Picture
'Godzilla' (2014) stomps onto Blu-ray with an excellent AVC-MPEG 4 encode framed in the film's original 2.40:1 aspect ratio.
While the film's palette grows increasingly monotone (and grim), color reproduction and skin tones remain vibrant and accurate. Detail and resolution are available in spades -- you can see every spec of dirt and debris. And though I might argue some of the film's visual effects looked more realistic in cinemas than they do on home video, the monster designs are pretty wicked from Godzilla's scales to the MUTOs glowing red eyes.
There is one potential issue, a thing our readers might be arguing about for some time. Overall light levels. Key sequences in Hawaii and San Francisco are exceptionally dark. I don't know how it will look in 3D Blu-ray, but those with improperly calibrated displays, or those with displays prone to reflecting too much light, might mistake the darkness for bad image quality. However, it seems like an intentional choice to me (one of the film's rules is that the MUTOs knock out power with natural EMPs), but could be a problem for some viewers in certain lighting conditions. I started watching during the late afternoon on my Panny plasma, but had to wait until after dark to finish the climax.
At this point, it's hard to determine if this is a mistake worth knocking off points, or just a movie that you should not watch during the day (or with too much ambient light). I was personally able to enjoy the film without having to adjust my display, and the amount of depth within black levels is damned impressive. This might be the darkest Blu-ray I own next to something like 'The Descent', and even in these scenes where CGI monsters keep flickering into view via lightning strikes or partially hidden by digital debris clouds, I couldn't see any errors. Some lesser displays will band heavily, but other than one or two minor instances, this is a strong encode with little-to-no digital errors.
So let's see what some other reviewers, and you readers, have to say. Let us know in the comments. Best dark scenes ever, or Warners totally messed it up?
The Audio: Rating the Sound
While the video quality might have an issue, 'Godzilla' (2014) roars onto Blu-ray with a reference quality 7.1 DTS-HD Master Audio surround mix.
It's no surprise sound designer Erik Aadahl worked on this impressive soundtrack. From Alexander Desplate's ominous musical score to the aggressively panned auditory carnage of flying debris and destruction to the thunderous LFE of monstrous creatures colliding in a fight to the death, this is a track that delivers on all levels. One that will wake up any native 7.1 system and push you to keep turning the volume as close to reference as your ears can stand it.
My only complaint with this track is that it's not the first Dolby Atmos Blu-ray, because 'Godzilla' sounded even better theatrically with extensive use of the overhead speakers to widen the soundstage (I felt chills when the King roared for the first time). While that mix was incredible, and will be missed, audiophiles are going to love this Blu-ray. |
Kal
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kal
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| Posted: Fri Sep 12, 2014 5:34 pm Post subject: |
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Captain America: The Winter Soldier [Blu-ray]
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| Quote: | 'Captain America: The Winter Soldier' is a terrific homage to '70s conspiracy thrillers and another solid entry in the every-improving Marvel Cinematic Universe. This Blu-ray + Digital HD combo pack offers perfect video and a reference quality 7.1 sound mix, though the Special Features are a bit lacking despite a great Audio Commentary. Your only choice to make -- to 3D or not to 3D? For me, the 3D is good here, but doesn't enhance the overall experience, so I'd say this 2D release is Highly Recommend (while the 3D editions are only Recommended).
The Video: Sizing Up the Picture
'Captain America: The Winter Soldier' battles its way to Blu-ray with a reference quality AVC MPEG 4 encode framed in the film's original 2.40:1 theatrical aspect ratio.
'Winter Solider' makes for flawless high definition movie watching. Just like its 3D sibling, this movie features crisp black levels, even skin tones, vivid colors and, save for a few soft focus issues, a fantastic sense of resolution. Every real world set, hair follicle, bead of sweat, and stitch of fabric is full visible. The filmmakers, with cinematographer Trent Opaloch, have shot a gorgeous movie augmented by the very best special effect available today (water still looks fake, though). I think this title will be particularly great for those with constant height widescreen projection set ups.
Another topnotch HD video presentation from Marvel.
The Audio: Rating the Sound
'Captain America: The Winter Solider' zooms, booms, and blasts its way onto Blu-ray with a reference quality 7.1 DTS-HD Master Audio soundtrack.
Studio blockbuster sound mixes are too good these days. The filmmakers are really smart to juxtapose moments of tender subtly with punctuated blasts of sound. This is a disc that excels at ramping up and down its dynamic range. Dialog levels are clear, even during heated action. The panning effects are precise and immersive. And the heart-in-your-throat aerial climax is a nonstop LFE demo session. The climax is an aural assault you'll enjoy again and again.
Equally parts aggressive and moments of quiet atmosphere, it's all but impossible to find any flaws in this 7.1 DTS-HD MA sound mix. |
Kal
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kal
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| Posted: Sat Oct 04, 2014 6:31 pm Post subject: |
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Live Die Repeat: Edge of Tomorrow
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| Quote: | 'Edge of Tomorrow' was one of the biggest surprises of the summer of 2014. Its story was engaging. You really can't go wrong with Tom Cruise and Emily Blunt as your leads. With a sarcastically funny script from Christopher McQuarrie, and some visually stunning imagery provided by Doug Liman and cinematographer Dion Beebe, 'Edge of Tomorrow' had everything one could want from a summer blockbuster. A smart, fun sci-fi movie with a demo-worthy HD presentation to boot. 'Edge of Tomorrow' comes highly recommended.
The Video: Sizing Up the Picture
The 1080p transfer from Warner Brothers is as flawless as big-budget actioners come. It's OK to expect perfection from a recently released blockbuster when it hits Blu-ray, and 'Edge of Tomorrow' doesn't disappoint. Even with Doug Liman's sometimes shaky visuals, 'Edge of Tomorrow's video presentation is clear, and precisely detailed.
The war scenes are full of action, with every detail being captured. Small specks of sand and mud fly up off the beach as explosions overtake the visual area. Fine detail is so perfect that it's easy to see distinct clumps of mud as it flies through the air during frenzied action. Other examples of fine detail like the worn look of each and every super suit, or the blood and dirt covering faces, are just a few instances where the video really shines.
Colors are bold. The orange flames of the movie's countless explosions. The blue and gold emanating from the bodies of the mimics is perfectly rendered. I didn't notice any artifacts at all. Banding, aliasing, or any other anomalies are completely absent. This is as good as it gets when viewing a blockbuster on home video.
The Audio: Rating the Sound
Warner's full-bodied DTS-HD Master Audio 7.1 track is something for your ears to behold. Every bit as loud and immersive as Warner's release of 'Godzilla', this track throws you right in the middle of the alien-killing action and doesn't let up.
Each and every channel is generously packed with sound. The rear channels are alive with all sorts of wartime action. Everything from staccato blasts of gunfire, to rolling, shrieking mimics as the tear from one side of the frame to another, the around the rear, and back front-and-center again. The nimble sound design allows the fast-moving mimics to dart around without any lost sound whatsoever. The extra side channels allow the movement of the action to seamlessly transition around the room.
LFE is deep and constant. There are more than enough explosions to keep the bass thundering forth from the sub-woofer. Dialogue is perfectly clear and concise up front. Even during the most insane action scenes, dialogue can still be heard as intelligible as always. This is a killer audio mix. Demo material all the way. |
Kal
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kal
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| Posted: Sat Oct 04, 2014 6:50 pm Post subject: |
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Neighbors
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| Quote: | 'Neighbors' was one of the biggest hits of the summer and certainly one of the funniest, but in addition to being very funny, the film takes a smart, well-rounded look at the similarities experienced by the characters, despite their more obvious differences. While it feels as though some of the characters get short shrift in terms of arcs or development, the film helps to adjust for those faults by breaking with archetypes in a way that helps make those characters less stereotypical or perfunctory. With great image, good audio, and some fun extras (that really could have used a commentary) 'Neighbors' comes recommended.
The Video: Sizing Up the Picture
'Neighbors' comes with a gorgeous 1080p AVC/MPEG-4 encoded transfer, giving viewers a strong image that is consistently filled with fine detail in everything from facial features to clothing textures to background elements. The overall image is bright, which helps to showcase the level of fine detail that is on display, but not so bright that the picture appears sterile.
Party sequences are handled nicely, as the image is frequently awash in bright colors, accentuated by the obligatory black light college party that brings offers a series of interesting highlights that augment the overall look and feel of the film without drastically altering its otherwise sensible palette. Contrast also plays a large role during the party scenes by making sure shadows produce an inky blackness that is free from banding or crush, while also keeping other elements from looking blown out or too hot. The same can be said for the day and nighttime sequences that don't involve crowded interiors or neon colors.
Overall, although the look and feel of the film is fairly basic and straightforward, the clarity and precision of the image elevates it and makes it one of the nicest releases from Universal this year.
The Audio: Rating the Sound
Even though this is a situation comedy that relies primarily on dialogue, the DTS-HD Master Audio 5.1 mix is routinely put through its paces. For starters, dialogue sounds very good throughout; it is clear and distinct and is generally balanced rather well during loud party scenes as well as any moment that is underlined with music in one form or another. Along with the balance is a good but not great sense of directionality that can help enhance certain moments, but occasionally feels as though it has lost the focal point.
Atmosphere strongly favors the party sequences, where plenty of ambient noise can be detected throughout the channels, but there are some subtle moments throughout the film that make for a surprisingly immersive listening experience. Rear channels manage to capture some of the muffled noises of frat boys hanging outside the Radners' living room window, giving a greater sense of the invasion the protagonists are dealing with. LFE helps to enhance all the party sequences as well, by giving the throbbing bass some additional power that is also nicely present during the final confrontation between Rogen and Efron.
This is a strong audio mix that enhances the feel of the film with some great sounding music and atmospheric effects. |
Kal
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kal
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| Posted: Sat Oct 04, 2014 6:52 pm Post subject: |
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The Signal
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| Quote: | 'The Signal' is by far one of the best Sci-Fi films in a long time. The story, the characters, and dialogue are all top notch. It's a slow burn, psychological film that keeps you on the edge of your seat from start to finish. I can't wait to see what these filmmakers do next. The video and audio presentations are both excellent, and while there are only a few extras, they're quite enjoyable. 'The Signal' is a must own.
The Video: Sizing Up the Picture
'The Signal' comes with an excellent 1080p HD transfer presented in 2.40:1 aspect ratio. The image as a whole looks beautiful, crisp, and sharp. The Eubank brothers definitely knew how to set up a beautiful shot and give an extreme amount of depth in their film. The detail is very vivid with great closeups and sharp textures being shown in every scene. You'll be able to see wrinkles, scars, dirt specks, and dried blood perfectly clear on the actor's faces. Props and sets looks realistic and organic as well.
Some of the costumes reveal fine stitching. Colors also look great here. At the start of the film, there are some warm earth tones that simply pop off screen, but when our main characters wake up in a different location, the filmmakers changed the color scheme to dull colors that work perfectly here, which makes the reds and oranges pop even more. Skin tones are always natural and the black levels are consistently deep and inky. There were no instances of any banding, aliasing or heavy video noise either, leaving this video presentation with top marks.
The Audio: Rating the Sound
This release comes with an impressive lossless DTS-HD 5.1 audio mix. This film is a great sci-fi movie and relies on the whole 'less-is-more' scenario. That being said, you shouldn't expect a big action scene every three minutes. Instead, this is a very suspenseful and dialogue driven film with great audio detail to the most minute movements. Sound effects are very robust and intentionally loud to keep up the nail biting atmosphere. Ambient noises also sound great too.
The dialogue is always crystal clear and easy to follow and free of all pops, cracks, and hissing. There is some superb directionality with this mix as well and it fully immerses you into this strange and scary situation. The score by Nima Fakhrara is brilliant, haunting, and always adds to the suspense in every scene while not drowning out any dialogue or sound effect. While this audio mix is more front heavy than a normal sci-fi film, it's very effective. The LFE is excellent with great highs and lows, and the dynamic range is very wide, leaving this audio presentation with great marks. |
Kal
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