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kal
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| Posted: Wed Dec 12, 2012 9:08 pm Post subject: |
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Another reference disc!
Up (Five-Disc Combo: Blu-ray 3D/ Blu-ray/ DVD + Digital Copy) (2009)
(Hover over link for price, click to purchase and support our forum at no extra cost to you)
| Quote: | 'Up' remains one of my favorite Pixar films. In fact, it just might be #1. The first 15 minutes suck you in and punch you in the heart before sending you off on a whimsical tale of adventure and friendship. This package is virtually identical to its 2009 counterpart, save for a few different trailers on the 2D Blu-ray and, of course, the Blu-ray 3D. 3D Video and Audio are high definition perfection, while the special features are still quite good. The question really is, is this double dip worthy? If you enjoy 3D at home, then by all means consider this a Must Own release. If you don't like 3D, then there's really no point. If you haven't yet seen, or purchased, 'Up' in high definition, then this movie and Blu-ray combo pack comes Highly Recommended.
The Video: Sizing Up the Picture
Pixar films are demonstration gold in every format they tackle. First with DVD, then Blu-ray, and now, to no one's surprise, Blu-ray 3D. These computer generated movies -- with their lavish colors, detailed textures, and vivid animation -- probably sell more HD displays than any other demo material (well, maybe live sports help... a little). 'Up' debuted theatrically in 2D and 3D, but we've had to wait three years for the Blu-ray 3D. The original 2009 2D 'Up' Blu earned a full 5 star video score, and there's no question this MVC MPEG-4 encoded 3D disc matches, and in some ways even exceeds, that presentation.
Bold claim, no? Well, it's true. I've always enjoyed 'Up' on Blu-ray, and watch the film several times per year. It's colorful and crisp and shines on any display, but the movie has always felt a little flat when compared to my memory of seeing the film theatrically. In Blu-ray 3D, other than a few newsreel shots, the dimensionality is astounding. Despite the fact I know it's a cartoon, the film feels, somehow, more real. I can see into this beautifully rendered universe. In terms of the "3D effect", most of world expands behind the screen, but there are also a few great shots of faces and objects jutting out towards the audience. Cross-talk, for those with certain display technologies, was minimal.
I would also argue this 3D home experience is even better than my theatrical one. I first saw the film in 2D, but loved it so much, my wife and I went back to see it in 3D. Directly comparing them at the time, I recall not being too impressed with the 3D, which felt darker, muddier, than the 2D. It must have been a projector settings issue, because brightness levels match the 2D Blu perfectly. Colors pop and shadow details remain (there are a number of night sequences). In fact, it's just like watching the 2D version, but with a more immersive feel. In fact, pop back to the 2D version after watching the 3D and, while the film's still gorgeous, I personally missed the third dimension.
Anytime a Pixar movie arrives on home video, enthusiasts have especially high expectations. I'm happy to say 'Up - 3D' features another flawless, demo-worthy video presentation (in two OR three dimensions) and it alone makes this release a Must Own for 3D fans. Seriously, some of the best 3D I've seen, but then again, I'm about to review 'Finding Nemo', so who knows.
The Audio: Rating the Sound
'UP' debuts on Blu-ray 3D with the same, impressive 5.1 DTS-HD Master Audio ES mix as its 2009 two dimensional counterpart. What Drew said back then holds true today in both 2D and 3D:
Just as impressive is the Master Audio 5.1 DTS-HD audio track here. I mean it. Like everything else about this disc, it's just stunning. Atmosphere and ambience are always present, with the surround sound getting a vigorous workout, not just in the more action packed sequences, but in the way that the house breathes and groans once its lifted in the air, or the individualized balloons bumping into one another and letting out that brief squeak. I mean, it's just amazing. The amount of nuance is incredible.
On the special features on the disc, they talk about how the mix for this was pared down. They wanted to focus on the story, characters, and theme to the point where a lot of the extraneous noise, that you could have put in at all points, would have taken away from the emotional experience. So you don't hear the balloons at every point in the journey, but when you need to, they're there.
Simple things like a window shattering just sound amazing, and not overwhelming, either. Dialogue is perfect, and everything is well prioritized in the mix. The action sequences are absolutely phenomenal and dwarf the biggest Hollywood action spectacle. Michael Giacchino's score, which has already been praised in this review, sounds even better. It's just the score of the year, hands down, and in this mix sounds lovelier than ever.
Other audio options included are a French Dolby Digital 5.1 track, a Spanish Dolby Digital 5.1 track, an English DTS-HD 2.0 track (a nice option, if I do say so myself), and English Descriptive Video Service 2.0. There are also subtitles in English, French, and Spanish. |
Kal
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kal
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| Posted: Wed Jan 09, 2013 10:17 pm Post subject: |
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Another reference disc!
Total Recall (Two Discs: Blu-ray + UltraViolet Digital Copy) [Blu-ray]
(Hover over link for price, click to purchase and support our forum at no extra cost to you)
| Quote: | In Len Wiseman's recall (I know, corny) of Paul Verhoeven's violent cult favorite, audiences can gaze and be mesmerized by the beautiful design of a futuristic nightmare of the wealthy haves and the impoverished have-nots. Full of thrills-a-minute action and spectacular CG wizardry, 'Total Recall' is decent popcorn entertainment feigning some smarts, but it's ultimately another mindless display of explosions that only scratches the surface of intriguing ideas. The Blu-ray, on the other hand, arrives with outstanding demo-worthy video and potentially reference-quality audio, if not hindered by one serious issue. The wealth of supplements, a majority of which are exclusive to Blu-ray, save the day and make this strong package for the price. But until we have more information on the audio problem, I would suggest renting first before deciding on a purchase.
The Video: Sizing Up the Picture
Shot with a combination of 35mm and HD cameras, 'Total Recall' debuts on Blu-ray with a fantastic, reference-quality 1080p/AVC MPEG-4 encode that will leave you wanting more. Granted, the presentation is bursting with lens-flares, which can be a bit of a distraction, and oozing in teal & orange, but overall, it looks squeaky-clean and quite dashing. From the smallest lines in the bizarre architecture of the Colony to the tiniest imperfection on the magnetic highway in the UFB skyline, definition and clarity is razor-sharp and distinct. Facial complexions, especially in close-ups, are revealing with lifelike textures, pores and trivial blemishes.
The 2.40:1 frame also displays spot-on contrast with brilliant, immaculate whites flooding the entire screen. Visibility into the far distance is astonishing, as we can see the very tip-tops of buildings in the background as clearly and plainly as the objects in the foreground. Black levels are inky rich and penetrating, providing the image with a beautiful cinematic quality and an excellent three-dimensional appeal. The cinematography comes with a deliberately toned-down palette, generating a very gloomy, dystopic feel throughout. Yet, primaries bleed through with vibrancy and energy in key parts of the film.
All in all, this high-def transfer is superb.
The Audio: Rating the Sound
To start with, I must point out that I experienced annoying issues with the audio dropping out several times while watching the movie. It happened twice within the first fifteen minutes using my Oppo player. When switching to the PS3, the movie played fine for a while, but at around the middle of the highway chase in UFB, the audio suddenly dropped once more and this time caused an even more irritating lip sync issue.
After fixing it, the audio dropped again at the start of Chapter 9. Frustrated and nearly infuriated, I replayed several of the scenes and it dropped in the same spots, which would indicate the problem is with the disc. Then I switched the player's settings from bitstream to PCM and suddenly the problem was fixed, which is somewhat confusing but still has me thinking the issue lies with the disc. But in spite of finding a solution to the problem, having to go through such a process of figuring a way to correct it is incredibly maddening, and because many will also have to suffer a similar experience, this Blu-ray falls short of five-star perfection.
If not for such an irritating issue, however, (and for those lucky enough not to experience it) this Dolby TrueHD soundtrack is otherwise stupendous and remarkable. The front soundstage is continuously alive with the chatter of busy crowds, brimming with the hoopla of city life and thriving with the endless commotion of street traffic. Imagining is broad and expansive, delivering off-screen effects with clean fidelity and convincing directionality. Dynamic range is sharply-detailed and room-penetrating with superb separation and distinction between the middle and higher ranges. Meanwhile, dialogue reproduction comes in cleanly and well-prioritized, never overwhelmed by the loudest segments.
A very pleasant surprise is a commanding and potently palpable low-end, rich with depth and a power the fills the room. The mid and upper bass is robust and highly responsive, providing each bullet, punch and explosion with a serious wallop that rattles walls. A great scene for this is at the beginning when Quaid/Hauser is forced to shoot his way out of the Rekall offices. Then we also have lots of intense ultra-low frequencies effects used at various points of the story and an awesome assortment of sweeps which seem associated with the bass-heavy music of Harry Gregson-Williams, starting with the opening credit sequence and then throughout the rest of the movie.
To top it all off, the rears are continuously active with either city noise or the intentionally-noticeable stillness of a room. Action scenes come with bullets and debris flying everywhere, random objects scattering about the room and any number of the futuristic vehicles hovering overhead or speedily whizzing by either side of the listener. There's a fluidity and smoothness in the way things move from one channel to the next that's terrifically impressive and satisfyingly immersive. Gregson-Williams's score also bleeds into the background, generating a brilliant soundfield that endlessly engaging and making this an awesome lossless mix . . . If not for one annoyingly major distraction bringing it down a notch. |
Kal
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kal
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| Posted: Wed Jan 09, 2013 10:20 pm Post subject: |
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Another reference disc!
Die Nibelungen: Kino Classics Deluxe Remastered Edition [Blu-ray] (1924)
(Hover over link for price, click to purchase and support our forum at no extra cost to you)
| Quote: | From legendary filmmaker Fritz Lang, 'Die Nibelungen' is a masterpiece full of grandeur and splendor with magnificent production design and a tragic tale of love, honor, treachery and vengeance. Nearly ninety years since its creation, the nearly five-hour epic continues to mesmerize with its beauty and Lang's masterful skill behind the camera. Restored from the best available elements and featuring a new rendition of Gottfried Huppertz's original score by the Frankfurt Radio Symphony Orchestra, this Blu-ray release arrives with a stunning picture quality and a demo-worthy audio presentation. Although pretty light on the supplements, they make excellent additions nonetheless to a worthwhile and recommended package.
The Video: Sizing Up the Picture
According to a disclaimer at the start, this 1080p/AVC MPEG-4 encode was mastered from an incomplete camera negative. Best available dupes and distribution prints were used to fill in missing segments. The full restoration was done by the Friedrich Wilhelm Murnau Foundation, and considering the film's age and extensive damage, the results are remarkable.
Scratches, tears, and dirt still make an appearance in several spots, but for the most part, the presentation is fairly clean and consistent. The picture has a warm golden-amber tint to it with a nice thin layer of grain throughout, giving it a welcomed cinematic quality. Contrast is well-balanced and bright though a few scenes are noticeably of lower resolution than others. Black levels are surprisingly rich and true with deep, dark shadows that allow for good visibility of the minor background details. Although the first movie is comparably stronger than the second, both films show excellent definition and clarity, giving modern audiences the opportunity to really appreciate the amazing that went into the set design. Close-ups, in particular, astound, as they sometimes reveal pores and the thick layers of make-up on the cast.
The Audio: Rating the Sound
The Frankfurt Radio Symphony Orchestra performs Gottfried Huppertz's original score for this Blu-ray release, and it's an absolutely marvelous, breathtaking rendition. Fans can enjoy the music in either DTS-HD Master Audio surround sound or in uncompressed PCM stereo, and in both cases, the results are magnificent. The string and brass sections fill the entire soundstage with extraordinary clarity and distinction. Each note and movement is crystal-clear and precise with sharp acoustical detailing. Bass is robust and hearty, providing a great deal of depth and complexity to the score. The music spreads evenly into the rear speakers without calling too much attention to their placement, generating a wonderfully immersive soundfield that keeps viewers thoroughly engaged. |
Kal
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kal
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| Posted: Wed Jan 09, 2013 10:22 pm Post subject: |
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Another reference disc!
Dredd [3D Blu-ray + Digital Copy + UltraViolet] (2012)
(Hover over link for price, click to purchase and support our forum at no extra cost to you)
| Quote: | 'Dredd' is the best action film of 2012, as well as one of the most faithful comic book adaptations of all time. Karl Urban becomes Dredd, and Lena Headey is downright despicable as the notorious Ma-Ma. The movie is relentless and driving, nothing but pure action from start to finish. The 3D transfer on this Blu-ray disc is absolutely stunning, with incredible clarity and immense depth with almost no ghosting. The 2D transfer isn't quite as immaculate, with unfortunate digital noise in many of the darker shots. The DTS-HD Master Audio 7.1 mix is bold and aggressive, one of the best I've heard all year, and Neo:X compatible if your receiver can handle it. Sadly, the extras here are meager.
If you didn't see this movie, and judging by worldwide box office receipts most people didn't, please heed all the good reviews and buy this Blu-ray. There are literally hundreds of stories that can be culled from the 'Judge Dredd' universe, and according to writer/producer Alex Garland, he had some big plans for future installments. If enough people buy this Blu-ray and show the studio that there's an audience for more 'Dredd' material, that might be enough to get someone to green light a sequel.
As a comic book fan, and an action movie fan, I urge every one of you who reads this to go out and buy a copy. If you don't comply...you will be judged.
The Video: Sizing Up the Picture
'Dredd' arrives on Blu-ray with an AVC/MVC 1080p encode at its original aspect ratio of 2.40:1. Filmed with three different digital cameras, the Red One MX, the Phantom Flex, and Silicon Imaging SI-2K, 'Dredd' was shot natively in 3D, and it shows. Additionally, the Phantom Flex was run at 3,000 frames per second to achieve the Slo-Mo shots that are such a standout feature of the film.
In 3D, 'Dredd' looks absolutely stunning. The sense of depth is apparent from the very first frames, as we see Mega-City One in the distance, with the Cursed Earth in the foreground. You really get a sense of space and distance, and director Pete Travis skillfully retains this sense throughout the film. Once we get into Peach Trees, the framing frequently makes use of the confined areas, showing us the characters through grates or fences, barred windows and other perspectives that not only enhance the 3D, but also makes us feel as if the building itself were spying on Dredd and Anderson. Clarity is also astonishing. The close-up shots of the techie's electronically enhanced eyes are some of the most striking shots I've ever seen on a Blu-ray disc. Small details like the stains on Ma-Ma's teeth, the pits of her scars, or the graffiti scrawled on walls are all easy to spot and isolate.
The layers of the 3D environment are all immaculately rendered, without making any individual element feel like a cardboard cutout. Again, the framing is clearly meant for 3D, placing characters against backdrops so they stand out. Foreground and background separation is wide, and the picture often feels like you're looking into a real 3D space. Shots bearing down on characters from above highlight their isolation within the frame, which the 3D heightens. So many of the shots are designed to take advantage of 3D. Take a look at the moment where Dredd, having just shot out the tires on a van, steps off his motorcycle. His boot dominates the frame, the kickstand off to the side, and deep in the background sits the overturned vehicle. It's not a flashy 3D shot, but it makes great use of the format. Even the way Dredd holds his gun was framed with 3D in mind. Brightness has been compensated for, as the unfiltered 3D image is noticeably brighter than the 2D image. There's no issue with detail getting lost in shadow.
In both the 3D and 2D transfers, colors look very good. 'Dredd' uses a drab color scheme, creating a world that looks like it's falling apart at the seams. Sickly greens, browns, and oranges dominate. Red is ruddy, so when the blood starts flying, it's not a bright crimson but more of a darker hue. Fleshtones are accurate. Contrast looks pushed, but this was intentional on the part of the filmmakers. This affects whites the most, as they sometimes veer very close to blooming. Blacks are more solid.
All of these aesthetics come together in the Slo-Mo sequences. The slow motion footage is breathtaking, and in 3D every part of the image is crystal clear and feel excitingly alive. A rainbow halo edges around objects, filling the frame with colors. Brightness gets cranked, and color saturation goes into overdrive. These sequences are truly breathtaking and the transfer ably reproduces them. There's very little ghosting in the picture, and when it does show up it's both minor and brief. If you're not looking for ghosting you might not even see it rear its ugly head. There is some slight posterization in a few shots, but these are very hard to spot in 3D. 'Dredd' was the reason I upgraded my TV to a 3D television, and I'm very happy to say that it does not disappoint.
The 2D transfer, which is one of the eyes of the 3D transfer, is not quite as stellar. In most of the important respects, it's just fine. Colors, detail, and contrast all appear the same as the 3D. The biggest issue is digital noise. Many of the darker scenes in the 2D image are littered with noise to the point of distraction. This isn't an issue in 3D. Foreground objects sometimes appear a bit fuzzy in comparison to the 3D as well. The other major issue is that it's quite clear that the film was designed to be seen stereoscopically, and watching it in 2D actually makes it look more artificial. This isn't the case of objects coming out at the audience that look silly in 2D. It's clear from watching the movie both ways that the framing and mise-en-scene is intended to be seen in three dimensions. Ironically, while no one looks like a cardboard cutout in 3D, they feel like them in 2D. Also, those scant shots which have posterization are more noticeable in 2D.
The 3D transfer of 'Dredd' is among the best available in the format. If only the 2D were just as strong.
The Audio: Rating the Sound
Lionsgate splurges on 'Dredd', giving us a DTS-HD Master Audio 7.1 mix with DTS Neo:X compatibility. As you can read from an info graphic on the disc, Neo:X is a protocol that allows for a fuller sound mix for up to 11 channels of sound. My receiver, while strong, is not high-end enough to support Neo:X, but I don't mind because the lossless 7.1 mix I can hear is absolutely exceptional.
This mix is incredibly aggressive. The movie may be low budget, but the sound is big enough for a movie with a three hundred million dollar bankroll. Directionality is spectacular, with bullets bouncing from left to right and front to back. The imaging is seamless and very organic. The sound field is almost always active with sonic detail. A great example is again when Dredd steps off his bike after flipping the van full of perps. His foot lands with an immense thump thanks to the thunderous LFE. As he approaches the van, you hear the crinkle of his leather armor, the tinkling of broken glass falling from the van, and his hand tightening on the grip of his Lawmaker. Even the quiet moments are alive with vividly realized sound.
The coldly electronic score, vaguely reminiscent of another great urban sci-fi actioner, 'Escape From New York', keeps up through most of the film, yet never overtakes the dialogue or the effects. Balancing in general isn't a problem. You can hear Urban's satisfying growl, Ma-Ma's lazy drawl, and Anderson's small worried voice without any problems. And again, when you get into the Slo-Mo sequences, even the sound changes, becoming airy and ethereal, keeping with the theme of time slowing down.
I watched 'Dredd' three times for this review and saw it in the theaters, and found new surprises in the sound mix with each viewing. I can't imagine how it could be better with Neo:X, but if someone does hear that encode, please let me know what you think. As it is, the DTS-HD Master Audio 7.1 mix is one of the best I've heard all year. |
Kal
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kal
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| Posted: Tue Jan 22, 2013 7:26 pm Post subject: |
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Another reference disc!
Frankenweenie (Four-Disc Combo: Blu-ray 3D/Blu-ray/DVD + Digital Copy) (2012)
(Hover over link for price, click to purchase and support our forum at no extra cost to you)
| Quote: | An extended and imaginatively expanded remake of Tim Burton's live-action short film, 'Frankenweenie' is a delightfully fun and macabre tale about a boy and his dog. Overflowing with several nods and puns, some more deliciously clever than others, the stop-motion family film charms its way into the hearts of movie lovers as a whimsical love letter to classic horror cinema. The Blu-ray comes to life with a reference-quality video presentation, excellent lossless audio and a strong assortment of bonus material, making the overall package is a recommended purchase.
The Video: Sizing Up the Picture
Tim Burton's latest gothic fairy tale dazzles and sparkles on 3D Blu-ray with a reference-quality MVC-encoded transfer. Presented in its original 1.85:1 aspect ratio, the film leans more towards a natural sense of depth rather than eye-popping stunts that'll make jump back. Granted, there are a couple gimmick shots that lunge at the screen, which are quite amusing, but there aren't many. The photography is on generating a convincing spatial environment in which the characters move independently of each other, and it works like a charm. Background information pierces deep into the screen with a great feel of distance and remarkable separation. Several scenes are beautifully layered for a terrific pop-up book effect which adds to the script's fairy tale quality.
In spite of the dark glasses, contrast remains pitch-perfect, with brilliant whites, allowing for some extraordinary moments of visibility of the smallest background objects in the distance. The tiny little lines on the windmill and the lettering of the town's name on the hill are as clear as anything else in the foreground during those extreme wide shots. Black levels are inky rich and true with a penetrating intensity in the darkest portions without sacrificing any of the detailing. Gradations in the grayscale are spot-on and exceptional.
From the blades of grass to the stitching and threading of baseball caps, details are razor-sharp. Ultra-fine lines on the face of Mr. Rzykruski, the science teacher, like the wrinkles around his eyes or just over his mouth, are very distinct and defined. Individual hairs, whether on the various animals or atop the heads of characters, are plainly perceptible and seem to move freely with the wind. Close-ups are particularly impressive as they expose minor blemishes made during each figurines making, giving them a great deal of texture and realism. The overall 3D image is a superb high-def transfer of a fun animated feature.
The Audio: Rating the Sound
'Frankenweenie' comes to life on Blu-ray with a highly entertaining DTS-HD Master Audio soundtrack that surrounds and engages with a variety of classic horror cues. The most prominent effect is the sound of thunder and lightning, which cracks and booms with a deafening roar that spreads to all seven speakers evenly. During the less exciting scenes, such as during school hours, we can still hear a few atmospherics in the rears, creating a subtle but wonderfully engrossing soundfield. Danny Elfman's musical score does the majority of the work, consistently filling the background with its unique mix of circus-like merriment and understated gothic tones.
In the front, imaging feels wide and expansive with other random discrete sounds which are convincing and engaging. Dynamic range is room-penetrating and extensive, allowing the crack of thunder to come in with astonishing clarity and distinctness. The orchestration in Elfman's music is vivid and crystal-clear. Low-frequency effects are responsive and substantial with some surprisingly authoritative moments in a few scenes. Amid all the mayhem, the voices of actors are precise and well-prioritized, giving fans plenty to love in this entertaining family horror feature. |
Kal
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| Posted: Thu Mar 07, 2013 2:58 pm Post subject: |
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Another reference disc!
Skyfall (Blu-ray/ DVD + Digital Copy) (2012)
(Hover over link for price, click to purchase and support our forum at no extra cost to you)
| Quote: | 'Skyfall' completes Craig's transition from rough and tumble Bond to a more classic, suave, sophisticated figure. Director Sam Mendes and his collaborators bring a level of prestige and artistic legitimacy to the film that the franchise has never had before, but never at the expense of what makes Bond great. The series once again feels British, wholly revitalized, and surprisingly touching. It's a fantastic springboard for a whole new series of Bond adventures in the coming years. This Blu-ray has reference level audio video quality, with a transfer that perfectly reproduces Roger Deakins' sumptuous cinematographic compositions and an audio mix that ably highlights Thomas Newman's exciting score. The special features are a bit of a mixed bag, with Sam Mendes' commentary being a definite highlight. The hour-long Shooting Bond feature is just good enough that you'll wish it were double the length. The rest of the features are fairly slight, but what we get is absolutely good enough to recommend wholeheartedly. Highly recommended and a must own for fans.
The Video: Sizing Up the Picture
I remember being surprised, pleased, and excited to hear that Sam Mendes would be helming the new Bond picture (at the time untitled and simply referred to as "Bond 23"), but my excitement bloomed into complete and utter giddy fanboy glee when I heard that Roger Deakins would be the film's cinematographer. Deakins' is justly famous for his previous work with Mendes, as well as his longtime collaboration with the Coen Brothers (among many other classic films like 'The Shawshank Redemption'). His work has a textural quality that brings images to life, and this quality is very much present in 'Skyfall'. Scenes such as the fight in Hong Kong set against a massive LCD screen backdrop, or the film's climax in Scotland, lit by raging fires, are all trademark Deakins. But even moments like the opening shot, showing an out of focus Bond in the background, slowly walking to foreground (and focus) and lifting a gun (a shot that Mendes refers to a reimagining of the classic gun barrel sequence, the traditional version of which can be seen at the film's end) reveal an eye for composition and detail that no Bond film has ever had before.
For a film with such a stunning visual palette, it was important to get the transfer right. Thankfully, Fox's AVC-encoded, 1080p 2.40:1 transfer is stunning, maintaining all the subtlety and shading that Deakins brought to the theatrical release. The aforementioned opening shot is perfectly reproduced, and everything from the icy blues of London to the warm, slightly pushed colors of Macau come through cleanly. Fleshtones are accurate to the release prints, with a bit of an orange push at times. Contrast, an important element of Deakins' technique, is well balanced, with deep blacks but strong whites. Sharpness and detail are exquisite. You can count the stubble on Craig's chin before Eve intimately shaves it all off. I was unable to detect any artifacts or other compression issues, leaving an image that is sharp, clear, and perfectly timed and balanced. Films like this justify the existence of Blu-ray all on their own.
It is worth noting that 'Skyfall' was released to IMAX theaters, both digitally and in 70mm (I had the distinct pleasure of running the picture in IMAX on film to an appreciative midnight audience), and for those releases, the film's framing was opened up from 2.40:1 to 1.85:1 to take advantage of the extra height that IMAX affords. In a proper IMAX auditorium, the taller ratio was quite effective, helping immerse the audience in the proceedings. However, it was never Mendes' or Deakins' preferred aspect ratio, and it rightly does not appear on this disc. To my eyes, the 2.40:1 composition is much tighter and highlights only exactly what you need to see, meaning that the lack of the 1.85:1 version on the disc shouldn't be seen as any kind of loss.
The Audio: Rating the Sound
Bond films have always had a way with sound. Going all the way back to 'Dr. No', Bond's sound crew has been considered among the top of the industry. By now, big sound mixes are the norm for action films, but a good Bond track still stands apart. A large part of this is due to the music. John Barry composed many classic themes that are as much a part of the series as any other element (take a look at 'Never Say Never Again' to see an example of a film that has many other Bond trademarks, including Sean Connery as 007, but feels completely off because you never hear any of John Barry's familiar music). Longtime Bond composer David Arnold did an admirable job of filling Barry's shoes from 'Tomorrow Never Dies' through 'Quantum of Solace', but Mendes smartly chose to bring in his own collaborator, Thomas Newman, to score this entry. Newman's score makes ample use of Barry's work, but also goes in several new directions. At times he makes use of locale-specific instrumentation, and other times he uses a more traditional symphonic arrangement, but no matter how he presents it, his music is the most interesting and inventive that the series has had in decades.
The disc's DTS-HD Master Audio 5.1 lossless mix does a great job of highlighting Newman's work. For an action film, the music is surprisingly prominent. Of course, the action isn't neglected either. Dynamic range is fantastic, handling everything from the warm strings, hearty and sometimes shrill brass of the music, and rumbling of the action with equal aplomb. Directionality and panning is seamless, with bullets ricocheting around the sound field and a thrilling deep LFE track that comes to life and shakes your seats. Even more impressive is the sound field and sonic details in the film's softer scenes. The whisk of the cutthroat razor as Eve lovingly shaves Bond has a satisfying glint, and the sounds of MI6 personnel working at their stations underneath London makes those scenes feel wonderfully alive. Even when it's just two characters talking, such as when M confronts Silva in a glass cage, the voices reverberate pleasingly, with Bardem's snake oil voice standing in contrast to Judi Dench's clipped, curt performance. 'Skyfall' is a film that is just as fulfilling aurally as it is visually, and this mix is a fantastic reproduction of the theatrical experience.
The disc also includes several lossy mixes: Dolby Digital English descriptive audio 5.1, Spanish Dolby Digital 5.1, and French Dolby Digital 5.1, with English SDH and Spanish subtitles. |
Kal
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| Posted: Thu Mar 07, 2013 3:01 pm Post subject: |
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Another reference disc!
Argo (Blu-ray/DVD Combo+UltraViolet Digital Copy) (2013)
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| Quote: | In every practical sense, 'Argo' is your standard, conventional political thriller, but the film is so well-crafted and exceptionally designed that we overlook this fact and simply enjoy the suspenseful thrill-ride. With excellent performances from John Goodman and Alan Arkin, director Ben Affleck demonstrates a remarkable talent for crafting tense, dramatic scenes that make for greatly satisfying popcorn entertainment. The film arrives with an outstanding audio and video presentation and worthwhile bonus features, making this Blu-ray highly recommended.
The Video: Sizing Up the Picture
'Argo' storms Blu-ray with a stunning, highly-detailed 1080p/AVC MPEG-4 encode (2.40:1). The picture comes with sharp, well-defined lines in the architecture of Iranian buildings, streets, and the marketplace. Foliage and tree bark are distinct and clear from a distance. Stitching in the groovy 70s clothes, stylish hairdos, and the gaudy interior furnishings of the Canadian ambassador's home are crystal-clear and discrete. Facial complexions are revealing and lifelike, with visible pores and negligible blemishes during close-ups. A few scenes are noticeably softer and blurrier than the rest, but that can be attributed to the deliberate photography and is not a fault of the encode.
Along those lines, the cinematography of Rodrigo Prieto ('Broken Embraces,' 'Water for Elephants') displays a strong yellow-amber push, giving the film an aged, antiquated feel that's fitting to the plot's setting and period. Thankfully, this doesn't affect the overall palette, as primaries remain richly-saturated and often sumptuous, while secondary hues are bold and cleanly resolved. Flesh tones appear natural and appropriate to the region's climate. Contrast isn't exactly the strongest, but it's stable and consistent, allowing for excellent visibility and clarity into the distance. Black levels are mildly affected by the film's intentional look, with a couple murky moments, but overall, they remain true and deep, with great shadow detailing, making this a first-rate high-def presentation.
The Audio: Rating the Sound
The political thriller also debuts with this terrific and far-better than initially expected DTS-HD Master Audio soundtrack. The rears are employed in equal measure to the fronts during several scenes, particularly the most suspenseful moments. Delivering discrete effects with excellent directionality and flawless panning, a wide assortment of sounds move throughout the room, creating a highly-engaging and immersive aural experience. Helicopters fly overhead, street traffic is all-encompassing, and the terrifying chants of angry protesters are often enveloping. Quieter segments display a more subtle approach as the wind blows in the distance, the noise of a busy market surrounds the listener, and conversations echo in the large hallways of the CIA.
Of course, being a dialogue-driven story, the majority of the film displays a front-heavy design. With exceptional channel separation, the soundstage feels wide and spacious. Off-screen effects are discrete and convincing while vocals are precise and well-prioritized in the center. The mid-range exhibits remarkable detailed clarity and distinction, with several moments pushing into the upper frequencies without fault or a hint of distortion. The low-end is deep and potent, providing action sequences with tremendous weight and substance. The music, and the great rock selection in particular, really demonstrates the quality of the lossless mix best with brilliant depth and superb stereo fidelity. Overall, it's terrific high-rez track for an intensely suspenseful film. |
Kal
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| Posted: Thu Mar 07, 2013 3:05 pm Post subject: |
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Another reference disc!
Wreck-It Ralph (Two-Disc Blu-ray/DVD Combo) (2012)
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| Quote: | I love the direction that Disney Animation is headed. It reminds me of their winning streak in the '90s. 'Bolt' was much better than it should have been, 'The Princess and the Frog' was a great return to the traditionally animated princess genre, 'Tangled' was refreshingly enjoyable and 'Winnie the Pooh' was the best the series had been since the original. 'Wreck-It Ralph' continues that forward momentum. The characters are lovable, the animation is top notch, and there's something new to catch with each viewing. The story is strong, but could have been just a little bit better. The combination of the perfect video and audio qualities makes this Blu-ray the latest and greatest demo-worthy disc. There are a handful of great special features, but this release could definitely have benefited from a few more. Considering that this is a family flick that adults can enjoy just as much as their kids - if not more - there's no reason 'Wreck-It Ralph' shouldn't be in your collection. Highly recommended.
The Video: Sizing Up the Picture
'Wreck-It Ralph' comes with a flawless 1080p/AVC MPEG-4 encoding that expands the original 2.35:1 aspect ratio to 2.39:1. I dare you to find fault with it.
The animation of 'Fix-It Felix' is two dimensional, but once we zoom in through the glass, we get unique and rich 3D animation. The animated characters become three dimensional, but the blocky textures of 8-bit animation are still there. As we move from videogame to videogame, the textures change accordingly. In 'Hero's Duty,' the dark, sharp, pointy and jagged-edged environment conveys danger. The darkness is thick and the black levels are perfectly set. In 'Sugar Rush,' everything is brightly colored and shiny, sharing the same desirous effect of the candy that it's made out of. From Nesquik-sand, Mento stalactites and Coca-Cola hot springs, the look of 'Sugar Rush' alone is enough to give you cavities.
Brilliant instances of fine details stand out more than ever on Blu-ray. While screening 'Wreck-It Ralph' theatrically, I hadn't noticed that in the dingy closet of 'Tapper,' as Ralph rummages through a lost-and-found box hoping that another character left a medal behind, the tiniest of dust particles slowly float out of the box. On this viewing, I also noticed that the same tender love and care was applied to the "black snow" ash that slowly falls in 'Hero's Duty.'
Exactly as with 'Tangled,' it wasn't until I watched 'Wreck-It Ralph' on Blu-ray that the staggering fine details became evident. Despite being black, you can see the individual strands of Vanellope's hair. With a background consisting of thousands of candy cane trees, the animation of the 'Sugar Rush' forest is so great that aliasing isn't a problem. I also noticed with this viewing that the exhaust from Vanellope's racer is actually composed of millions of pieces of glitter. Honestly, I can't think of a single improvement that could be made to the video quality.
The Audio: Rating the Sound
Disney has given 'Ralph' an always-active 7.1 DTS-HD Master Audio track of note. It's dynamic quality is never fleeting.
Just as each game's world carries a different video style, they also carry their own unique musical styles. That of 'Fix-It Felix Jr.' is simple, but impressive. It sounds like an '80s videogame soundtrack as if it was performed by a digital orchestra. 'Hero's Duty' sounds like a digital techno nightmare that matches Ralph's horrified line, "When did videogames become so violent and scary?" And the music of 'Sugar Rush' is poppy and kid-friendly, like that of a Disney Channel show. No matter the style, the music is always exceptionally mixed.
The audio effects of 'Ralph' are just as impressive. From a passing train in Game Central Station, exploding aerial fireworks or speeding racer carts, sounds seamlessly pass from one channel to another to create fantastic imaging. The rear and surround channels are just as active as the front and center ones. Bass and LFE are used to accentuate or punch specific moments. For example, when Ralph's emotions take control of his actions, he wrecks stuff. Each time this happens, Ralph's destruction carries bassy rumbles.
Vocal mixing is just as strong as the other audio aspects. Dialog is clear and clean. The voice cast for 'Ralph' was perfect. Each makes his/her character come to life. While all are great, there is one performance that stands out above the others: Sarah Silverman as Vanellope. Silverman is downright brilliant as the absolutely lovable snotty annoying kid. I've seen several film critics circles nominate Silverman for the Best Supporting Actress award because of how much she added to Vanellope. Luckily, hers and all of the other great performances sound fantastic and round out this perfect lossless track. |
Kal
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| Posted: Thu Mar 07, 2013 3:09 pm Post subject: |
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Another reference disc!
On the Waterfront (Criterion Collection) [Blu-ray] (1954)
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| Quote: | Though the year is still young, Criterion's Blu-ray edition of 'On the Waterfront' easily leads the pack in the race for 2013's best classic release. Elia Kazan's scorching study of blue-collar corruption and the lone wolf who dares to break ranks and expose the mob's dirty deeds remains relevant, riveting, and deeply affecting almost six decades after it first wowed its way to eight Oscars, including Best Picture. Marlon Brando gives the performance of his career, and exceptional support from a superior cast, as well as extensive location shooting and naturalistic photography, lend this memorable picture a supremely authentic feel. Criterion's high-def presentation features top-notch video and audio transfers, and enough fascinating extras to make every viewer an authority on this classic film. Like the best movies, it satisfies on many levels, kicking us in the gut, tugging our heart strings, and forcing us to think about and reflect on a variety of substantive themes. It also inspires unabashed admiration for the sheer talent on display in front of and behind the camera. From the opening frames straight through to its brutal and inspiring finish, 'On the Waterfront' proves it's way more than a contender; it's one of Hollywood's truly great films, and an absolute must own.
The Video: Sizing Up the Picture
'On the Waterfront' was caught in the crosshairs during a transitional period in cinema history, as studios began developing the widescreen process to combat the encroaching threat of television. When Kazan's film went into production, Columbia Pictures abruptly mandated all its movies be shot so they could be presented in both 1.33:1 and 1.85:1 aspect ratios to accommodate various theater preferences and projection capabilities. Cinematographer Boris Kaufman, however, cleverly split the difference at 1.66:1, making sure to leave room at the top and bottom of the frame to facilitate a full image. Ironically, though, 'On the Waterfront' has rarely been shown in its preferred format. It premiered in most theaters in 1954 at 1.85:1, which cuts off a bit of information at the top and bottom of the screen. The open-matte 1.33:1 version played exclusively on television and in prior home video releases, but here, for the first time, Criterion presents all three aspect ratios, so viewers can choose the format they prefer. The 1.66:1 version has been rightfully designated the default format and resides on Disc One. It presents the most pleasing and balanced composition, and is the manner in which both Kazan and Kaufman preferred the film to be viewed. The 1.33:1 and 1.85:1 renditions are both included on Disc Two.
Kaufman's Oscar-winning black-and-white cinematography combines gritty naturalism with core noir elements to produce a stunning image that's always been difficult to faithfully reproduce in the home video realm. Criterion, however, has done a spectacular job, creating a new digital transfer in 4k resolution from the original 35mm camera negative. It's not perfect, but 'On the Waterfront' was never meant to look perfect. Here, the realism is uncompromised, with medium grain enhancing the tenement settings and rough dockside exteriors. Some of the solid backgrounds, especially the sky, appear a little noisy at times, and a few scenes suffer from a nagging bit of softness, but on the whole, the image is clear and well modulated.
Shot in the dead of winter, 'On the Waterfront' captures the frigid conditions with marvelous accuracy, from hazy, monochromatic street scenes to the harsh glare of the sun. You can see the steam emanating from the actors' mouths and feel the textures of the tattered jackets and scuffed hats that adorn the dock workers. Though the gray scale varies in intensity depending on the scene, there's a consistency to the look of 'On the Waterfront' that oftentimes lends it a documentary feel. Blacks are denser and contrast is stronger in indoor shots, although exterior nocturnal sequences brim with shadowy depth. Whites are vivid, too, and background elements, such as the venetian blinds in the taxi cab and stained glass in the church exude fine levels of detail.
The source material is practically spotless, allowing full immersion in the involving tale, and no digital enhancements of deficiencies disrupt the spell. Close-ups caress Brando's iconic face, the unspoiled loveliness of Saint, and the craggy, weathered visages of the downtrodden laborers. Even the wire cages of the pigeon coops are sharp and resist shimmering. Without a doubt, 'On the Waterfront' has never looked better, and this superior Criterion effort makes this unforgettable film even more powerful.
The Audio: Rating the Sound
Two audio options grace the 'On the Waterfront' disc, offering slightly different soundscapes. The default selection is a lossless monaural track remastered at 24-bit from the original 35mm magnetic tracks, and it most closely resembles what the film sounded like upon its initial release. Aside from a bit of surface noise afflicting the opening credit sequence, the track is free of any age-related imperfections, such as hiss, pops, and crackles, and pumps out solid audio. Sometimes the music overpowers the action and dialogue - a deficiency of the film's original mix and a fact that rankled Kazan over the years - but only a few lines are lost as a result. Leonard Bernstein's innovative and highly active score does test the limits of the dynamic scale, with its bombastic highs and mellow lows, but no distortion creeps in, and the horns and strings sound wonderfully pure, bright, and full.
Dialogue can be problematic at times, but that's mostly due to the mumbling of both Brando and the longshoremen, as well as their New York dialects and the music crescendos. Bass frequencies are strong, with elements such as foghorns and truck rumbles wielding appropriate weight, and accents like shattering glass and screeching tires are crisp and distinct.
The newly designed DTS-HD Master Audio 5.1 track was also created from the original 35mm magnetic tracks, as well as the original stereo music recordings. This mix sounds a bit smoother and warmer than the monaural track, even though most of the audio is still anchored up front. Dialogue issues are identical, but the music possesses a broader feel with the addition of the rear speakers. Nuances are also a bit more pronounced, with ambient bar noise and exterior atmospherics easier to pick up. While some manufactured 5.1 tracks sound processed and artificial, this one seamlessly blends into the film's fabric.
Both audio options supply high-quality sound that beautifully complements this film classic and honors the only film score of composer Leonard Bernstein. I recommend giving both a try and deciding for yourself which one you prefer. |
Kal
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| Posted: Thu Mar 07, 2013 3:12 pm Post subject: |
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Another reference disc!
Zero Dark Thirty (Blu-ray/DVD Combo + UltraViolet Digital Copy) (2012)
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| Quote: | 'Zero Dark Thirty' is a fascinating tale of real-life espionage which culminated into a seminal event in modern American history. I can't say enough good things about the movie. I'll similarly gush about the audio and video presentations presented here. They're as perfect as you can get, they really are. The only bummer about this release is the barebones sorry excuse for a special features package. They're all EPK interview featurettes. There isn't even an audio commentary to give us the lowdown on the movie's historical accuracy. Man, a commentary would've been fantastic. Still, this release is highly recommended.
The Video: Sizing Up the Picture
Sony continues delivering masterful transfers of their most recent films with 'Zero Dark Thirty.' This entire Blu-ray is demo-quality. It's a richly detailed, perfectly contrasted transfer that should be used to show off what your TV is capable of.
Wow! The detail portrayed here is stunning. There are a lot of up-close-and-personal shots that exhibit very fine hair, Jessica Chastain's light freckles, tiny pores, and the smallest drops of sweat slowly sliding down someone's face.
Color is immaculate and vivid. Earth tones dominate the Middle Eastern setting, while a sterile blue and white take over in the office settings. Where this transfer really shines is its resolution in the black areas. Since the entire raid is completed under the cover of darkness it would've been real easy for the details to get lost and muddled making the last half hour of the movie unwatchable. That isn't the case here. Blacks are permanently dark. Different shades of black and gray are perfectly defined, giving us a clear view of the nighttime raid. Never is there a hint of noise or banding in the blackness either. These are some of the deepest, cleanest blacks I've ever seen on a Blu-ray.
The Audio: Rating the Sound
The movie's audio is just as stunning. The DTS-HD Master Audio 5.1 mix is everything you'd want, and more, from a thriller. It's engaging in its action, clear in its fidelity, and really loud when it needs to be.
The settings in 'Zero Dark Thirty' change continuously. There are busy CIA offices, intense interrogation scenes, hurried outdoor bazaars, whisper-quiet helicopters, and conversations in secluded corridors. Each of these settings has a distinct sound. The rear channels pick up all sorts of activity whenever we're out on the streets of Pakistan. The dialogue in the interrogations is loud and forceful, with a slight echo as it bounces into the rears. The helicopter blades provide an all-around swoosh-swoosh-swoosh as they glide through the night sky. This mix picks up everything and places it right where it needs to be.
Dialogue is always clear, from the whispers to the yells. LFE roars when it needs to. There are a few heavy explosions that really packed a low-end punch when they go off. I loved every bit of this demo-quality mix and I'm sure you will too. |
Kal
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| Posted: Sun Mar 24, 2013 5:15 pm Post subject: |
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Another reference disc!
Les Misérables (Two-Disc Combo Pack: Blu-ray + DVD + Digital Copy + UltraViolet) (2012)
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| Quote: | 'Les Misérables' was one of my favorite films last year. I know that it received a lot of backlash as the award shows rolled around, but I found the entire movie to be an enthralling experience. It isn't without its faults though. Russell Crowe is outmatched by the immense singing talent surrounding him. Anne Hathaway destroys them all though. Her performance alone is worth the money. With absolutely beautiful video and audio this one comes highly recommended.
The Video: Sizing Up the Picture
Universal's 1080p transfer of 'Les Misérables' is just what you'd expect it to be, pretty much perfect. The visuals here are absolutely stunning. From the crashing waves of the shipyards where Valjean is imprisoned to the rolling country hills that he traverses to find a new life, this movie has some big time production values that are perfectly rendered on screen.
The beginning of the film is predominately dark. Stark shadows and low light are the movie's setting. I first saw 'Les Misérables' on a DVD screener from the studio during awards season. This is the first time I've seen it how it was meant to be seen and it's an absolutely huge improvement. The blacks are perfectly refined. Deep inkiness is persistent in every shadow. However, even though the shadows engulf so much, there is still a wealth of visual information left over. Edges are neatly defined in the shadows. No crushing or banding exists. Even details as small as Fantine's hair strands can be seen waving in the darkness.
Hooper's intended close-ups reveal a ton of fine facial detail. Strained faces, furrowed brows, and anguished age lines are all present and accounted for. Pores, facial hair, dirt, scrapes, bruises, and blood is as clear as is could be. There isn't any glaring artifacting going on either. This is as smooth and as splendid as Blu-ray transfers come.
The Audio: Rating the Sound
This is where you'd really expect 'Les Misérables' to shine. Universal has provided an absolutely stellar DTS-HD Master Audio 7.1 track that truly engulfs the viewer. The weight of the music and the lyrics being belted by the actors is tremendous. The front channels provide a very loud and very clear rendition of the famous songs being sung.
Ambient sound is expertly mixed here. The extra side channels provide for some amazing surround sound. Whether it be the cat calls of the working girls during Fantine's segment or the hollering of the French revolutionaries, the side speakers offer an added dimension that truly encompasses the listener. The rear channels are replete with even more ambient sound. We say it a lot, but I only say it when it's true: 'Les Misérables' provides a "like you're there" listening experience.
Every lyric is crystal clear. LFE is beautifully deep. Right from the outset, during the opening number, your sub-woofer will be working overtime. The deep rumbling of the bass in that song is fantastic to hear and feel. This is an, all around, spectacular audio experience. |
Kal
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| Posted: Sun Mar 24, 2013 5:18 pm Post subject: |
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Another reference disc!
Life of Pi [Blu-ray 3D] (2012)
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| Quote: | Anyone who questions whether Ang Lee deserved the Best Director Oscar for 'Life of Pi' hasn't seen this visually dazzling and technically complex production. The inspiring story of unshakeable faith, indomitable will, and ultimate survival touches the heart, but can't come close to eclipsing the manner in which it is told. With a keen eye and awe-inspiring wizardry, Lee constructs a beautiful and thrilling work of cinematic art that embraces the 3D format without being consumed by it. Splendid imagery is the true star of this hypnotic motion picture, and Fox honors this multiple Oscar winner with a terrific, in-your-face 3D video transfer, immersive audio, and a solid collection of both 3D and 2D supplements. If you own a 3D TV and Blu-ray player, you need 'Life of Pi' in your collection. For once, style does trump substance, and Lee's lyrical film is a sight to behold. Highly recommended.
The Video: Sizing Up the Picture
The 3D version of 'Life of Pi' is a testament to film artistry and the appropriate use of a controversial format. As Martin Scorsese proved with 'Hugo,' in the hands of an accomplished director, 3D can add magic and a breathtaking sense of in-your-face realism to movies that enhance both their sensory and emotional impact. Ang Lee is one of the industry's most visually inventive and elegant craftsmen, and he intuitively uses 3D as a storytelling mechanism, not a flashy gimmick. Like Scorsese, Lee knows when to push the format to its limits and how to almost imperceptibly employ it so it lends the image a subtle sense of depth. He also uses 3D subjectively, injecting it into the frame when Pi taunts the tiger with a pole, giving the viewer an entirely new and different, yet just as thrilling, perspective. From a 3D standpoint, 'Life of Pi' is a tour de force and a ringing endorsement of the format as an essential cog in the 21st century's cinematic wheel.
20th Century Fox honors Lee's vision and Claudio Miranda's Oscar-winning cinematography with a stunning 1080p/AVC MPEG-4 3D transfer that floods the screen with sumptuous color and presents an often dazzling 3D image. Contrast and clarity are letter-perfect, and the spotless source material and crisp picture quality allow us to drink in every detail, from the well-defined crests of individual waves and the spiky protrusions of the tiger's whiskers to the textures of delicate flowers and the grit of individual grains of sand. CGI work permeates almost every shot (the film also took home an Academy Award for Best Achievement in Visual Effects), yet it's seamlessly integrated into the whole, resulting in a well-balanced, smoothly constructed image.
The transfer does possess a decidedly digital look. Some long shots appear a tad artificial and a bit of fuzziness occasionally obscures detail in the frame's farther recesses. A jagged edge here and there is noticeable, too, but such is often the case in 3D renderings. A couple of scenes seem a little overexposed, but no banding or noise and no enhancements disrupt the picture's purity, and the 3D effects are as distinct as any I have seen on disc. A lizard's tongue, fluttering hummingbirds, outstretched hands, air bubbles in the water, driving rain pellets, an airborne whale, and, of course, a makeshift spear and attacking tiger all burst forth, breaking the screen's dimensional barrier with astonishing clarity. Rising water also spills over the screen's edge, a few shots through cage bars are highly effective, and the use of tree branches in the corner foreground add interest and increase depth of field. The fly fish sequence is another fantastic 3D creation, with fish flinging themselves every which-way. Even the dissolves exude a lovely 3D feel.
2D elements are also superb. The reds, oranges, and purples of flowers and Indian saris enjoy a high degree of saturation, while the verdant greens of landscapes and foliage exhibit a luxurious lushness. Strong black levels help exquisitely lit night shots flaunt a magical glow, and bold whites make a statement but resist blooming. Fleshtones remain stable and look natural throughout, and razor sharp close-ups show off facial details well. Underwater shots never appear murky, and reflections are gorgeously reproduced.
Only the aforementioned quibbles keep this superior effort from earning a perfect score, but despite the errant blips, 'Life of Pi' delivers glorious visuals to the home viewing environment. Along with 'Hugo,' it ranks as one of the best 3D transfers to come down the pike.
The Audio: Rating the Sound
An active, impeccably modulated DTS-HD Master Audio 7.1 track immerses us in Pi's world and the vast seascape that engulfs him. From the delicate notes of the mystical, Oscar-winning score to the cacophonous shipwreck and storm sequences, the sound remains clear, clean, and distinct, balancing power and nuance with impeccable grace. A wide dynamic scale handles the highs and lows with ease, keeping distortion at bay even during intense sonic passages, and a broad sound field makes fine use of all the channels, enveloping us in music and effects, yet also providing crisp directional pulses when necessary.
Atmospherics are nicely integrated into the track, subtly caressing the rear speakers, but the sonic showstoppers occur during the action scenes. The howling wind, bellowing waves, and pelting rain swirl around and roll over us with substantial force, as the speakers fire on all cylinders, yet individual elements are properly prioritized and never compromised, ebbing and flowing like the tide itself. Bass frequencies are especially full-bodied and weighty, capturing the tiger's roar and all the turbulence of the rough seas. Accents, such as the tiger's claws scraping against canvas, are marvelously distinct, and the lyrical music score gently wafts over the room, exhibiting excellent fidelity and wonderful tonal depth.
Dialogue can be problematic at times. During the raging storm sequences, exchanges can be drowned out by the weather effects, and thick accents make various words and phrases difficult to comprehend. However, that's a minor hiccup in an otherwise flawless presentation. 'Life of Pi' is a celebration of the senses, and the audio helps make the film a thrillingly realistic and immersive experience.. |
Kal
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| Posted: Sun Mar 24, 2013 5:20 pm Post subject: |
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Another reference disc!
The Hobbit: An Unexpected Journey (Blu-ray/DVD + UltraViolet Digital Copy Combo Pack) (2012)
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| Quote: | Although failing to reach the heights of the original 'Lord of the Rings' trilogy, Peter Jackson's return to Middle-earth is nevertheless a mildly enjoyable fantasy adventure. Minor, negligible quips with the filmmakers bloating a single book into three films aside, 'The Hobbit: An Unexpected Journey' makes for a decent start to a larger trilogy that will hopefully provide a more satisfying piece of entertainment. The Blu-ray arrives with spectacular, demo-worthy video and a reference-quality audio presentation. Supplements could be stronger and more extensive, but there's plenty for fans to enjoy nonetheless, making the overall package recommended for the most enthusiastic of fans.
The Video: Sizing Up the Picture
When it was first learned last summer that the filmmakers were shooting 'The Hobbit' at a high frame rate of 48fps, it was quite the controversy and caused a stir amongst those who felt the faster speed ruins the "cinematic look" (24fps) we've been accustomed to. Personally, it seems like a wasted effort since only a few theaters are equipped to project the film as it was intended, and the technology is not yet available for home theater, unless you consider the motion interpolation feature of HDTVs as delivering a similar effect. Honestly, I was more concerned to how this new frame rate would translate to Blu-ray since it has to be converted to the traditional 24fps (or 30 fps for DVD) in order for home viewers to enjoy.
Well, I'm happy to report that I noticed little to no difference whatsoever than if it were shot at the standard frame rate, although I must say the video does seem slightly smoother. In fact, the 1080p/AVC MPEG-4 encode looks utterly fantastic and rather remarkable in some areas. Panning and action sequences are uniform and ultra-slick, not even the smallest hint of motion judder, which would be expected in such instances. This leaves room for a more consistently sharp and highly-detailed presentation where we see every leaf in treetops, every blade of grass and every pebble on the road. Individual hairs in the beards of Gandalf and the company of dwarves are distinct, and each stitching in Bilbo's clothing is very well-defined. Close-ups reveal pores, wrinkles and negligible blemishes with lifelike textures.
Filmed entirely on a Red Epic camera system, the 2.40:1 image also displays a dazzlingly bold and colorful palette, even if the cinematography seems to favor the teal & orange aesthetic. Primaries are richly saturated and animated while a healthy assortment of secondary hues fills the screen with warmth and energy. A crisp, brilliant contrast allows for extraordinary visibility in the distance, exposing the tiniest objects in the background and the fine lines of various rock formations scattered throughout the New Zealand landscape. Black levels are true and inky, penetrating deep into the screen with luxurious gradations, while shadow details remain plain and sharply delineated. It's a splendid, demo-worthy high-def presentation fans will really enjoy.
The Audio: Rating the Sound
The 'Unexpected Journey' also debuts with an explosive, reference-quality DTS-HD Master Audio soundtrack that will give any system a healthy workout. Starting in the front soundstage, the mid-range is amazingly extensive and broad, exhibiting the smallest detail with superb, crystal-clear clarity. The tiny pops and sizzles of crackling fire are perfectly audible, and distant, individual droplets of water while in Gollum's cave crash unto rocks with accurate, realistic definition. In action sequences, the upper ranges are precise and distinct, giving each roaring yell and clash of metal upon metal extraordinary intelligibility. Meanwhile, dialogue remains lucid and well-prioritized in the center.
The design also comes with a powerful and robust low-end that extends far back into the room and rattles walls on several occasions. Each thump of the horses' hooves and stomp of a Warg's paw is felt and loudly heard, and battle scenes make the floor rumble with excitement. Along with the excellent dynamic range, the bass plays an appreciable role in Howard Shore's thrilling musical score, adding a great deal of depth and weight to the orchestration, especially when hearing the cellos and the low-pitched brass instruments. A few segments, such as when the company fights a trio of trolls or escapes from a horde of goblins, even offer some fun ultra-low frequencies, but they're not the sort to ruin the foundation.
Rear activity is also filled with more excitement, as subtle ambient effects play almost non-stop throughout the film's runtime. All sorts of wildlife can be heard constantly making a racket in the distance, particularly in scenes with Radagast the Brown. As you'd expect from the several battles, arrows fly overhead, swords swing clear across the room and the goblins come in swarms from behind the listening area. Inside Gollum's cave, voices echo all around with remarkable realism, and panning is fluid and flawless, creating a stunning 360° soundfield that's immersive. Shore's music bleeds into the back channels and envelops viewers with exhilaration, making this a marvelous and highly-satisfying lossless mix audiophiles will absolutely love. |
Kal
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kal
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| Posted: Sun Mar 24, 2013 5:23 pm Post subject: |
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Another reference disc!
Rise of the Guardians (Two-Disc Combo: Blu-ray/DVD/Digital Copy +UltraViolet) (2012)
(Hover over link for price, click to purchase and support our forum at no extra cost to you)
| Quote: | 'Rise of the Guardians' was the biggest surprise of 2012 for me. It was an unexpected, heartfelt movie that honed in on what it means to be a child, and what it's like to believe in something you can't see. It harnesses the joy of childhood and packs an unforeseen emotional wallop. As a demo disc through and through 'Rise of the Guardians' is highly recommended.
The Video: Sizing Up the Picture
I was astounded by the animation when I first saw the movie. I loved the stylistic, angular approach that DreamWorks provided. This is the best their humans have looked so far. The 1080p presentation does an accurate, and immaculate, job at presenting the animation in as much detail as possible.
The detail contained in each and every grain of Sandman's dream sand is where the resolution is really noticeable. Sand particles, each individual one, seem to be distinct and visible. On the big screen they looked amazing, on the small screen they look just as good. Textures like Bunny's fur or the woven texture of Jack's hoodie are beautifully rendered.
Colors are astonishingly bright and vivid. From the red of Santa's suit to the icy blue lightning bolts emitted from Jack's cane the colors here are always eye-popping. Black, which is predominately featured whenever Pitch is on screen, is just as amazing. Pitch's nightmare sand is an inky substance that floats through the sky and materializes into demonic horses. Each piece of black sand is discernible, while the group of them put together provide extremely satisfying black tones. Never a bit of banding or aliasing to report. As with most computer animated films made nowadays, 'Rise of the Guardians' offers up a demo-worthy HD presentation.
The Audio: Rating the Sound
Running alongside the 5-star video is the equally impressive and wholly immersive Dolby TrueHD 7.1 mix provided by DreamWorks. The depth and breadth of this audio mix is beyond impressive. This is one you'll want to listen to again and again to catch all the little audio details.
Seamless transitions are created as sound flows from one channel to the next. A perfect example of this is the wooshing sound of sand, whether it be Pitch's evil sand or Sandman's good sand, as it travels from speaker to speaker without the slightest of hiccups. It's amazing how clear the transition is. The side speakers add that much more depth and creates an all-encompassing feeling.
The front and center speakers are alive with the movie's dialogue. Directionality of voices is superbly smooth. There's a sequence in the Tooth Fairy's palace where Pitch appears and disappears at will. His voice travels from one speaker to another easily. It's just one of the many demo-worthy scenes.
The exciting action is home to some great LFE. When Jack faces Pitch down in their aerial battle there's a huge explosion that booms through the sub-woofer. The bass here is deep and rumbling, just how it should be. What a great audio experience! |
Kal
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| Posted: Fri Apr 12, 2013 7:12 pm Post subject: |
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Another reference disc!
Lincoln (Four Disc Blu-ray / DVD + Digital Copy) (2012)
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| Quote: | 'Lincoln' is a stellar achievement on many levels. With the help of intriguing source material, Steven Spielberg was able to create a dialogue-heavy movie that never loses focus. At 150 minutes you might think 'Lincoln' would drag in a few places, but it never does. It's a testament to Spielberg's deft pacing abilities. However, the true heroes here are the actors that embody these historical figures with enthusiasm, heart, and passion. Daniel Day-Lewis delivers a masterful performance. With perfect audio and video 'Lincoln' comes very highly recommended.
The Video: Sizing Up the Picture
There wasn't really any question of whether 'Lincoln' would turn in a demo-worth video presentation on Blu-ray. If it was anything less, I think most of us would consider it a failed opportunity. Thankfully, this is Disney we're talking about, and more often than not they get everything exactly right.
The 1080p picture displays long-time Spielberg colleague Janusz Kaminski's cinematography in a stunning light. The movie is filled with stark shadows, dusty low-lit rooms, and solemn war-torn fields strewn with Union and Confederate corpses. Each of these scenes are wonderfully displayed. Shadows are immaculately rendered. The shadows serve to add weight and gravity to each scene they're present in. They accentuate details. Crushing is never an issue. Banding is non-existent.
Clarity is above reproach. Textures like Lincoln's tattered suits and Tommy Lee Jones' weathered face are flawlessly represented. Speaking of facial features, every crag, every facial hair, every freckle and blemish are completely visible. Edges are concise. Fine detail is extremely clear. The intentionally diffused light adds a visual ambiance to the proceedings, but never serves to undermine the clarity on screen. There aren't any oddities to report. This is as good as Blu-ray gets.
The Audio: Rating the Sound
The DTS-HD Master Audio 7.1 track might seem like a bit of overkill for a movie that is surprisingly heavy on conversations, but that isn't so. The extra channels are extremely well used here, providing a listening environment that is wholly engaging.
The blustering House of Representatives, with its yelling, hooting, and hollering is precisely placed. The side speakers add more surrounding ambience as people yell back and forth. The rear speakers pick up cheers and jeers as the house goes crazy during the voting process. It's a truly all-encompassing surround sound effect going on.
As for the front speakers, they deliver each witty remark, each beautifully worded Lincoln anecdote with the utmost clarity. Directionality up front is seamless. Dialogue punches in from every direction in this movie and the mix picks up each piece of dialogue with perfect lucidity. John Williams' rousing score bleeds through every speaker when it's needed, as it adds emotional oomph to the movie. Like the video, the audio is pretty much flawless. |
Kal
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| Posted: Thu May 09, 2013 8:00 pm Post subject: |
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Another reference disc!
Django Unchained (Two-Disc Combo Pack: Blu-ray + DVD + Digital Copy + UltraViolet) (2011)
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| Quote: | Tapping into a pre-established legacy within Exploitation Cinema, 'Django Unchained' continues an Italian western tradition where the titular character, played terrifically by Jamie Foxx, issues vengeance and justice in some very brutal ways. Also starring Christoph Waltz, Leonardo DiCaprio, and Samuel L. Jackson, Quentin Tarantino's latest genre love-letter is a masterful display of style and hyperbole. The Blu-ray is available in a variety of packages, many of which are store exclusives, and arrives with an excellent audio and video presentation. Supplements are in short supply, which is a bit of a disappointment, but the overall package is recommended nonetheless.
The Video: Sizing Up the Picture
'Django Unchained' is set free and wreaks vengeance on Blu-ray with a stylized yet highly-detailed 1080p/AVC MPEG-4 encode.
There are several photographic styles at play here, but this high-def presentation remains true to the intentions of Tarantino and cinematographer Robert Richardson. Many moments appear softer than others, which are very likely the result of focus manipulation and use of lens filters, and flashback sequences come with a monochromatic appeal. One such scene is even meant to look like a weathered, aging print of 70s exploitation cinema. Nevertheless, the majority of the transfer is crisp and very well-defined, revealing excellent, distinct lines in the costumes, surrounding foliage and the architecture of the antebellum American South. Facial complexions appear healthy with splendid lifelike textures during close-ups.
Presented in a 2.40:1 aspect ratio, the image is also vibrant and energetic with a color palette that jumps off the screen with real panache. Primaries are sumptuous and richly-saturated, sprinkling the film with an ironic feel of spirited life but showering the frame with gobs of vivid blood reds. The softer pastel hues are equally dramatic and passionate, providing the picture with warmth. Contrast is pitch-perfect with clean, brilliant whites throughout, making visibility into the far distance superb and crystal-clear. Black levels tend to waver somewhat, depending on the scene because the cinematography sometimes relies on natural candlelight and the light source is highly-controlled. Still, the video doesn't lose any of its cinematic appeal and shadow details during these low-lit interiors remain strong.
The Audio: Rating the Sound
Django unleashes his retribution vigorously with a DTS-HD Master Audio soundtrack that's magnificent, if only a bit more subtle than the video.
The majority of the design is kept up front where the soundstage feels broad and sweeping thanks to excellent separation and fluid movement between the channels. Imaging is expansive and enthusiastic with several discrete off-screen effects while dialogue remains precise and intelligible in the center of the screen. Dynamic range is highly extensive and rather superb, exhibiting brilliant details and differentiation within the orchestration. We can clearly hear each pluck of the guitar string and appreciate the individual brass instruments. Low bass doesn't pack the sort of wallop and punch we'd expect from the action and few explosions, but there is some decent impact in the gunshots and the music delivers the more robust aspects to the LFE channel.
Rear activity is in much the same boat, sprinkling the room with several amusing effects but never really generating a consistent soundscape. Atmospherics are employed throughout with excellent directionality, extending the soundfield and providing some appreciable ambience. Only, it's not all that convincing and can sometimes feel as if there simply to remind viewers they're listening in surround sound. The lossless mix's more substantial and enjoyable aspect comes from the front soundstage, and fans are sure to find it the most satisfying. |
Kal
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| Posted: Thu May 09, 2013 8:07 pm Post subject: |
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Another reference disc!
Jack Reacher (Two-Disc Blu-ray/DVD Combo + Digital Copy) (2012)
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| Quote: | If you are or have ever been a fan of Tom Cruise, then I cannot think of a single reason why you would not love 'Jack Reacher.' Cruise delivers another classic performance, perhaps one of the most entertaining of his career. The screenplay is solid, actively requiring you to try solving the mystery along with the mouthy central character. The action is old school - cameras pulled back far enough to see the fighting unfold and longer takes allowing you to comprehend what it's seeing. With flawless video and a fantastic 7.1 audio mix, what else could you want from this Blu-ray? It might seem light on special features, but they're meaty, much more expansive than your average disc. If you've lost your faith in Tom Cruise, give 'Jack Reacher' as a solid shot and you'll be pleasantly surprised. Highly recommended.
The Video: Sizing Up the Picture
The 1080p/AVC MPEG-4 encode that 'Jack Reacher' has been given is flawless. It's gorgeous, carrying a clean, sharp look with highly visible details and not a single problem.
Made to feel like an older film, there's a nice amount of grain dusting the image throughout – but it doesn't distract from the clarity or resolution of the picture. Stellar details still abound in this crisp film. Jai Courtney's stubble is so sharp that each individual hair can be seen. A close-up shot on a nervous sniper's blackened thumb reveals the tiniest shreds of skin that result from repeatedly loading ammunition. Close-ups show every single pore on Cruise's aging face. The details never – not once – let up from this great state.
Black levels are extremely deep and intense, creating a tension because you never know what might be hidden within them. Shadows are strong. Colors are bright and vibrant – especially reds. Being a PG-13 film, there's an unrealistic lack of blood, but the absence of red during violent scenes almost makes the color appear extra noticeable when present. The juice that flies from a shot slushy machine is bright and eye-catching. The red polo shirts of DeFault Auto Parts' employees is loud. There are plenty of other colors featured in this dark film's palette, each of them packing a punch of their own, but not as vibrant as red.
'Jack Reacher' carries a great three-dimensional look. If you're paying close attention, there are a few scenes that really play with it. Two camera shots are combined into one to give us the "looking through the scope" shots. Realistically, since no sniper would ever place his/her eye up against the rim of a scope (not without cracking a head open anyway), these P.O.V. shots reveal both layers of what a sniper would see. With a head held a few inches behind the scope, you would see the natural distance to the target and the zoom image in the cross-hairs. The borders of the screen reveal the deep three-dimensional look of the real world, but the zoomed circular inner images from the scope are just as flat as they would appear if looking through a real scope. Seeing these two contrasting depth qualities on-screen is a great example of how "3D" a two-dimensional image can appear. The care that director Christopher McQuarrie has put into the shoot of 'Jack Reacher' has me rooting for him to helm 'Mission: Impossible 5.'
The Audio: Rating the Sound
Almost as impressive as the video quality is the fantastic 7.1 DTS-HD Master Audio mix. Aside from a few lulls during the downtime in the film, the audio mix is brilliant.
Continuing the idea of 'Jack Reacher' being a throwback film is the original score. Joe Kraemer's more-than-fitting music is perfectly spread throughout all channels. During the opening credits, the music is the main player. No dialogue is overlaid, allowing the score to accompany the on-screen action in building up tension to the uncomfortable intro.
The vocal mix is also great. Clean and layered, you'll never miss a single witty line. The effects are spread dynamically – including mixing with the voices. One scene takes place in a police station interrogation cell. The cinder block and glass walls cause the actors' voices to slightly echo in the most realistic manner.
Perfect examples of imaging effects are frequent. Ricocheting slugs ping around the room. Cars can be heard soaring across the room prior to appearing on screen. Action scenes pack an additional punch of deep and resonant bass. You will hear metal twisting during the engine-centric car sequences that feature rumbling revving and violent sounds of cars loudly crunching into one another.
If it hadn't been for little spaces of inactive downtime, this lossless mix would be reference quality. |
Kal
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| Posted: Thu May 09, 2013 8:10 pm Post subject: |
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Another reference disc!
The Impossible [Blu-ray] (2012)
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| Quote: | 'The Impossible' salutes the power of the human spirit in the best sense of that overused phrase, treating its subject with respect, empathy, and uncompromising realism. Adeptly balancing a harrowing event with an inspirational tale of courage and survival, J.A. Bayona's film avoids clichés and syrupy sentiment as it paints a memorable portrait of indefatigable will and the tough ties that bind. Excellent performances from Naomi Watts, Ewan McGregor, and the young Tom Holland make this amazing true-life tale all the more believable, and the recreation of the tsunami is stunningly real. Excellent video and superb audio enhance the experience, but unfortunately, supplements are a bit skimpy. Though some viewers might crave more plot, this is a meticulous and touching depiction of one family's difficult journey, told with sensitivity and grace, and it earns a hearty recommendation.
The Video: Sizing Up the Picture
A nicely detailed, spic-'n'-span transfer brings this tale of disaster and survival to brilliant life. The 1080p/AVC MPEG-4 effort from Summit benefits from a faint grain structure that adds necessary grit and texture to the image, solid clarity, and fine contrast. A minor quibble concerns the presentation of some exterior scenes, which often appear a notch or two above the norm on the brightness scale. The choice may have been intentional, as it emphasizes the starkness of the situation and oppressive heat afflicting the characters, but it slightly washes out the image. No nicks, scratches, or other extraneous marks dot the pristine print, allowing almost complete immersion in the story.
Though there isn't much opportunity for lush saturation among the acres of debris and clinical hospital interiors that comprise the bulk of the film, the color palette is surprisingly vivid. A few scenes early in the movie, before disaster strikes, provide a hint of the beauty of the Thai coastline, with foliage greens and aqua blues flaunting a lovely warmth and presence, while the red hues of blood and the bouncing ball are appropriately bold. Fleshtones remain stable and true throughout, black levels achieve a good degree of depth, and the textures of tree trunks, tattered clothing, and caked dirt come across well.
The tsunami scene is frighteningly realistic, with stunning clarity thrusting us into the forceful tide. Close-ups are equally crisp, especially several tight shots that highlight facial details in a natural manner. Banding, crush, noise, and pixilation are all absent, and no digital enhancements disrupt the purity of the picture. All in all, this is an excellent rendering of a difficult film, and it makes the tragic events depicted feel uncomfortably immediate.
The Audio: Rating the Sound
With power, nuance, and marvelous clarity, the DTS-HD Master Audio 5.1 track makes us feel the tsunami as well as see it. From the formidable force of the cascading tide to the subjective gurgling as the principals are swept underwater and then struggle back to the surface, the audio raises the stakes of this highly effective scene, taking us out of our comfort zone and bringing us as close as a film can to experiencing this devastating phenomenon. The surrounds get a nice workout during the signature sequence, aided by strong stereo separation up front and a wide dynamic range that captures all the furor without any break-up or distortion. Crisp accents punctuate the water's roar, as chunks of debris are ripped apart by the wild current, while subtleties, such as the gentle chirps of birds and chatter of crickets waft across the rear channels during quieter scenes.
Excellent bass frequencies maximize every rumble, almost shaking the room as the tsunami crashes onto the shore. Yet despite all the activity, dialogue never gets lost; the mix prioritizes conversations well, so every word is clear and comprehendible. The music score by Fernando Velazquez blends well into the audio fabric, remaining largely unobtrusive, but when it occasionally bursts forth, its purity of tone and fine fidelity make a statement.
This dazzling track complements the visuals in top-flight fashion, building upon them to create a lifelike atmosphere that's simultaneously impressive and frightening. |
Kal
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| Posted: Thu May 09, 2013 8:12 pm Post subject: |
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Another reference disc!
Cloud Atlas (Blu-ray/DVD + UltraViolet Digital Copy Combo Pack) (2013)
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| Quote: | A daring attempt to explore the human condition in six vastly different epochs, 'Cloud Atlas' is an all-encompassing and sprawling cinematic examination of the things which inspire and motivate us as a species. Adapted from the sweeping David Mitchell novel, the multi-genre film is a dazzling piece of entertainment that manages to stay focused and delivers a satisfying conclusion. It debuts on Blu-ray with reference-quality video and an excellent audio presentation. Supplements aren't very extensive, but they're amusing and surprisingly insightful nonetheless, making the overall package recommended for fans and a strong rental for others.
The Video: Sizing Up the Picture
'Cloud Atlas' debuts on Blu-ray with a stunning, reference-quality 1080p/AVC MPEG-4 encode, allowing viewers to really appreciate the mesmerizing cinematography of John Toll and Frank Griebe. Stylized yet subtle in its approach, the photography has an intriguing, classic Hollywood elegance to it with brilliant, spot-on contrast and vivid, crisp whites throughout. With an ultra-fine layer of grain just barely present, black levels are rich and penetrating, providing a great deal dimensionality and depth while also adding to the film's cinematic appeal. Delineation in the darkest portions is always visible and intelligible. A sumptuous and full-bodied color palette with richly-saturated primaries gives the production an intensely animated and energetic feel.
Along with the beautiful cinematography, the rest of the high-def transfer is razor-sharp, with crystal-clear clarity from beginning to end. The 2.40:1 image displays clean fine lines on various buildings and the several differing architectural styles of each period. Individual hairs are distinct, and natural facial complexions reveal every pore and trivial blemish with incredible lifelike textures. Every thread and stitch in the varying costumes is clear-cut and very well-defined while each detail and imperfection on rock formations, surrounding trees, the wooden sailing ship and the metallic-concrete future is plainly visible at all times. All in all, this is a dazzling presentation for a bold film.
The Audio: Rating the Sound
The multi-layered film arrives with a great DTS-HD Master Audio soundtrack that will keep viewers generally engrossed. The design is bit more front-heavy than initially expected, which is in perfect tune, I suppose, with the filmmakers' intentions and it being a character-driven narrative at its core.
Dialogue is crystal-clear, with splendid intonation of each actor's emotional state and excellent intelligibility during many whispered conversations. Imaging is broad and expansive with a good deal of background activity, and the mid-range is very dynamic with detailed clarity in the instrumentation and the couple action sequences. There's not much going on in the LFE department, but there's a decent amount happening in the mid-bass, providing just enough of a punch to give some weight to the music and action. The rears are employed sparingly, typically during Neo Seoul and The Big Island scenes, with several convincing and mostly satisfying atmospherics and amusing panning effects. In the end, it's an excellent and enjoyable lossless mix, but not one to give the sound system a good workout. |
Kal
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| Posted: Sun Jun 02, 2013 10:32 pm Post subject: |
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Another reference disc!
Jurassic Park (3D Blu-ray + Blu-ray + DVD + Digital Copy + UltraViolet) (1993)
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| Quote: | 'Jurassic Park' is a fun, exciting thrill-ride that imagines an amusement park run amok when its prehistoric live attractions break free. Twenty years later, the sci-fi/fantasy adventure remains an imaginative motion picture of childhood wonder and visceral thrills. Arriving in a new format, the 3D Blu-ray features great video, which adds to the experience by adding a wonderful sense of immersion, and a demo-worthy audio presentation. Supplements may be the same as before, but they're a great collection with one brand new bonus, making the overall package a highly recommended purchase for fans of the third dimension.
The Video: Sizing Up the Picture
Setting aside the fact that this is simply another completely unnecessary conversion of an already great-looking film, I'm happy to report that 'Jurassic Park' arrives with a rather pleasing and surprisingly satisfying 1080p/MVC MPEG-4 encode. While I wouldn't suggest this an improvement over the previous Blu-ray release, the extra dimension does add another layer to the story's sense of adventure and provides a substantially immersive effect to its enjoyment. Some of the softer portions, which mostly occur during the visual effects sequences, do tend to flatten the picture slightly, but it's nothing too serious. The most obvious offender is the very mild but still quite visible crosstalk throughout, which will be more apparent on some screens. This can be a bit of a nuisance.
Overall, however, the 1.85:1 image offers a wealth of 3D goodness. The transfer was made by the same folks who worked on the 'Titanic – 3D' conversion, and the results are consistently great with several really fantastic moments which take advantage of Dean Cundey's original photography. Separation between foreground and background objects is distinct and crystal-clear, often generating some amazing visual delights that penetrate deep into the backdrop. Although a few segments create a quirky pop-up book effect, especially those within the deep of the forest, on the whole, depth is quite astounding with excellent visibility of mountaintops and small plants in the far distance. When dinosaurs stand directly in front of the camera, turning their heads from one side to the other, the snouts poke through the screen amusingly, and thankfully don't feel like some exaggerated gimmick.
The rest of the presentation remains identical to its 2D counterpart, showing great detailing in the clothing, foliage, and the animatronics. Facial complexions appear healthy, with splendid visible textures in close-ups. Colors are naturally rendered with primaries coming off the brightest. Generally, contrast is spot-on and crisp, but there are times when it fall flat. Again, this mostly happens when CGI effects come into play. Black levels are accurate and deep with admirable shadow delineation. The transfer also comes with a thin layer of grain throughout, which tends to be more prominent in poorly-lit interiors, providing the movie with a splendid film-like appearance that fans should love.
The Audio: Rating the Sound
The audio is identical to the previous release, so the following is ported over from that review.
As would be expected, the audio for 'Jurassic Park' offers a truly awesome aural experience that fans will not soon forget. The DTS-HD Master Audio conveys a consistent wall of sound that's highly engaging and movement across the soundstage that seems fluid and effortless. Conversations between characters are well-prioritized amongst the film's many action sequences, and dynamic range is wonderfully extensive, providing a rich, sharply-detailed image that listeners can savor. The low-end is authoritative and complex, delivering deep, omnidirectional frequencies that make walls rattle unexpectedly. Some of the best moments are, of course, when the T-Rex stomps its way onto the screen, but viewers can also feel the rumbling snarls of dinosaurs. Rear activity is also at a constant with a soundfield full of exotic wildlife, the roars of the T-Rex and John Williams's memorable score. The lossless mix for this modern classic is terrifically immersive, one that will give systems a great workout. |
Kal
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