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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Fri Feb 19, 2016 5:24 pm Post subject: |
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I doubt they're MCP types. Those are typically associated with tubes found in oscilloscopes which use electrostatic deflection.
The electron guns look pretty much like regular ones. Nothing dramatically different that I can see. Note the blue and white glass spacing units. The blue reportedly denotes a higher resolution type gun.
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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| Posted: Fri Feb 19, 2016 5:31 pm Post subject: |
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Could be scatter-free phosphor. Normally there is gaussian blur comming from phosphor scattering. There are phosphors that blur much less.
_________________ 701s->runco933->8500ultra->cinemax->9500mp->919 splitpack + cinemax
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mp20748
Joined: 12 Sep 2006 Posts: 5689 Location: Maryland
TV/Projector: 9500LC Ultra / Super 02 and 03 VIM
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| Posted: Fri Feb 19, 2016 5:45 pm Post subject: |
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| cmjohnson wrote: | It would be nice to find out quickly if the change in that resistor makes an apparent difference.
It shouldn't affect anything not equipped with LUG tubes or tubes with the extra grid. |
I removed the 330K that was already on my Electrohome neck boards (these are my 300mhz set). My intent was to go with 10 MEG that Sony used in the G90... but all I have in either SMD or small leaded was 261MEG resistors.
Not sure if this would make a different on stock boards, but that simple change greatly improved background detail.
I'll be getting in the 10 MEG SMD's next week...
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barclay66
Joined: 27 Jun 2011 Posts: 1304 Location: Germany
TV/Projector: Marquee 9500 Ultra
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| Posted: Fri Feb 19, 2016 7:19 pm Post subject: |
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| mp20748 wrote: | Hey Barclay,
that literature says an "1 MEG" resistor should go on that pin 7 to ground. The Marquee (both newer VDC and older Electohome) neck boards use "330K"
The G90 uses a "10 MEG"
The Barco Barco 909 uses "1MEG"
Question: since this is related to capacitance, do you think the difference in value would affect the sharpness because I'm changing to the 10 MEG that the G90 uses? |
Hi,
I don't know if there is the one right value only. The best would be if we had it tested. Using a setup with high bandwith and a LUG tube and comparing the output resolution when only changing this single resistor. These would be the resistor values that I would try out with: 100k / 330k / 1meg / 2.2meg / 4.7meg / 10meg
Regards,
barclay66
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Sat Feb 20, 2016 1:59 am Post subject: |
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I've contacted Lexel and they're going to send me documentation on these tubes. I asked for the most complete information possible, including phosphor types, gun aperture specs, everything.
Hopefully I'll have that info in a few days.
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mp20748
Joined: 12 Sep 2006 Posts: 5689 Location: Maryland
TV/Projector: 9500LC Ultra / Super 02 and 03 VIM
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| Posted: Sat Feb 20, 2016 10:29 am Post subject: |
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| barclay66 wrote: | | mp20748 wrote: | Hey Barclay,
that literature says an "1 MEG" resistor should go on that pin 7 to ground. The Marquee (both newer VDC and older Electohome) neck boards use "330K"
The G90 uses a "10 MEG"
The Barco Barco 909 uses "1MEG"
Question: since this is related to capacitance, do you think the difference in value would affect the sharpness because I'm changing to the 10 MEG that the G90 uses? |
Hi,
I don't know if there is the one right value only. The best would be if we had it tested. Using a setup with high bandwith and a LUG tube and comparing the output resolution when only changing this single resistor. These would be the resistor values that I would try out with: 100k / 330k / 1meg / 2.2meg / 4.7meg / 10meg
Regards,
barclay66 |
This seems like a good approach and I do have these values I can play with in mostly leaded form. But playing with the setuo again last night, I can tell you there;s no need to go below that 1 MEG value, because the 330K I had in there originally is definieltly not a good value for thse tubes (LUG's).
I still have the 261MEG's on them, but this is what I've noticed in change:
- the image is much brighter, or maybe more intense would be the better word. And that may explain why some say the LUG's are DIMMER in a Marquee. That is definitely not the case after I changed that resistor to 361M.
- It's definitely more sharper. Changes to this degree are usually smaller or not too easily to discern. But that's not what's happening on my screen. There is a lot of more detail that just jumps right out at you.
- there seems to be a slight mirror type of distortions when i look into the CRT's (one of them). This is one of my proprietary test that does not involve a good source device. It's slight, but at this bandwidth any distortion as such would affect the image overall... and I immediately started thinking about the Streaking Problem the G90 has....considering the changes so far from the 330K to the 261M, my mind went off thinking about the 10Meg being in there. I've spent a lot of time trying to run down that streaking in the G90 and had really ruled it out on the neck amplifiers, to later wonder if the problem was on the same neck board connector PC board (that's separate from the main circuit section). That I had contacted Craig not long ago and asked him to try using a different cap value on the G2, which in my opinion and experience is also the wrong value for high bandwidth.
So right now I can say without doubt, I now know how Sony got that tremendous light level out of those LUG's.
And the values that seem to make sense to me would be 1Meg and anything below 261meg
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Sat Feb 20, 2016 3:31 pm Post subject: |
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So now that some mysteries of the LUG tubes have now finally been unravelled, do you think that there are any comparable improvements that might be made for LCP tubes as well? I find myself wondering if the default values of voltages and components connected to the tubes are the optimal values. You KNOW these projectors were designed from day 1 to be used in commercial, industrial, and military applications, not for movie watching, so I suppose it is possible that better image quality lurks behind a few changes nobody has yet thought to try.
"80 to 1 contrast ratio is enough" is the mindset of an engineer who never once thought about watching a movie on the unit or optimizing it for that application. Shortcomings are designed right into the circuits because of that.
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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| Posted: Sun Feb 21, 2016 6:28 am Post subject: |
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Have you figured out a way to get an analogue resolution beyond 1920x1080@72? Moome does not do it. Hdfury neither. Vga cards go till 2048x1536 but that is -3db. I am afraid you going to watch scanlines in far future lol
_________________ 701s->runco933->8500ultra->cinemax->9500mp->919 splitpack + cinemax
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Sun Feb 21, 2016 4:07 pm Post subject: |
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Red, I would ask that you not make comments in my thread if they are not of a constructive, helpful, and technical nature.
I've already got something planned out. Fortunately I have a truly excellent engineer in my group of close friends, who can handle such relatively trivial jobs as getting RGBHV signals out of the HDMI data stream.
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Sun Feb 21, 2016 5:19 pm Post subject: |
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I started reviewing Chris Stephens' marquee mod notes and making parts lists.
Wet tantalum capacitors can get very expensive.
The HVPS wet tant mod will cost about a thousand bucks in parts.
I'll buy them...but not all at once.
I figure that the baseline configuration for the projector that is intended to be 4K ready should start with the Stephens mod package,
combined with Mike Parker's latest best mods.
Add in a set of optimized Frankenyokes and the super res tubes, and by the time these things are done, by that time a way to pull the 4K RGBHV signal out of the HDMI data stream should have been developed.
The Moome Sony 1.4 card may be an answer. Not sure how high its resolution can run. But maybe a software upgrade to it will allow the highest resolutions.
SDI may be an option. But ultimately getting the RGBHV signals out of UHD will be the critical and final step.
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Mon Feb 22, 2016 2:28 pm Post subject: |
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The HTPC option is one I am considering. But I haven't even begun to look at the technical requirements and costs involved yet.
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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| Posted: Mon Feb 22, 2016 3:04 pm Post subject: |
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Almost every vga card can do this they do not need to be super new. I think you can get a htpc second hand for little.
_________________ 701s->runco933->8500ultra->cinemax->9500mp->919 splitpack + cinemax
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Mon Feb 22, 2016 3:14 pm Post subject: |
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Screw VGA. If it's not 4K capable it's not even worth considering. I won't spend money to build a PC that's yesterday's news.
The only reason I'd even consider an HTPC solution would be as a method of delivering content above 1080p resolution.
It'd give me a reason to buy some larger 4K monitors as well. Win-win.
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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| Posted: Mon Feb 22, 2016 3:36 pm Post subject: |
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I mean if you buy a geforce card that I called a vga does not have to be the latest than it can do 2048x1536.
But in the Gjaky topic you see that intel GMA950 a very old card still does the same analogue resolution.
_________________ 701s->runco933->8500ultra->cinemax->9500mp->919 splitpack + cinemax
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redfox001
Joined: 16 Mar 2009 Posts: 2257 Location: The Netherlands
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Mon Feb 22, 2016 8:48 pm Post subject: |
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Thanks, but if I buy something for HTPC use it's going to be Nvidia based (I've had NO problems with nvidia, ever, and i'm loyal to them) and it's going to be (of course) 4K ready.
I could turn my workstation to the task. It's only a dual quad core Xeon machine with 24 GB of RAM and 5.1 TB of drive space.
Stick a suitable video card in it, load up FFDshow or whatever's the current hot software for HTPC, and go to town.
PROVIDED, of course, that the video card can deliver UHD over RGBHV. Or via HD component video, into a suitable transcoder.
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Thu Feb 25, 2016 5:17 am Post subject: |
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I just did some math, for fun.
Tse reported achieving a resolution of 2048x2048 (4:3 aspect ratio) with his test generator, which maxed out at that resolution, on the 8" version of these Lexel high resolution tubes for the 8500HR.
For reference, the resolution rating of an 8500 (any version) is 1600x1200.
2048/1600=1.28. So H resolution capacity increased by 1.28 times.
Vertically, it gets MORE interesting. 2048/1200=1.706666--- call it 1.7. So V resolution capacity increased by a whopping 1.7 times.
This IMPLIES that the HR tubes, even on an 8" machine, could go well beyond 2048 H resolution as that was the top resolution of Scott's generator.
But, let's be pessimistic and just use the lower value of 1.28 and assume that the HR version tubes are "only" good for a 1.28x resolution increase in both H and V.
A Marquee 9500LC is factory rated for a max resolution of 2500x2000.
Multiply those numbers by 1.28 and the new presumed resolution capacity of the 9" Lexel tubes is...
3200x2560.
What's the max rated resolution of the Barco Cine 9, the sharpest of them all?
3200x2560.
So, I seem to have scored a set of tubes that have the potential to match a Cine 9 and do it with the Marquee stock Thomson magnetics!
We KNOW that those focus yokes aren't as good as the ones Barco uses! Sharper IS possible doing nothing but retrofitting the proper focus yokes after they get slight modifications for compatibility.
Now let's consider the possiblity that the resolution gain noted in the vertical measurement IS possible in horizontal as well.
That'd be, being precise now, 1.7066667 times the original rated resolution.
Relative to a stock 9500LC's 2500x2000 resolution, that would be...
4266H by 3413V
YIKES.
Fully 4K-pable with the STOCK yokes.
Now for a brief venture into insanity:
About the time Scott was doing his own HR tube experiment, I was playing around with Frankenyokes for the first time,
and on my own test 8000 chassis and my own signal generator, that ALSO maxed out at 2048x2048, (Sencore CM2125),
I was able to get a visually fully resolved 1:1 test pattern at 2048x2048, ON THE TUBE FACE, with no capacity to measure the
MTF value but it was definitely pretty decent. This pattern could not be resolved on the screen as the HD-8B lenses just aren't
sharp enough, not even close. Tube under test was a green 180DMBHKA, the regular type for an 8000, I THINK. I did have
a P16DVB-something green tube that seemed to be sharper but I don't think that was the tube under test. I could be wrong but I don't think so.
So, with a better focus yoke on the STOCK tubes I was matching Scott's findings with the CUSTOM tubes?
Even to me that sounds like an outright fabrication.
Well, I may sometimes be wrong, but my personal sense of ethics forces me to never knowingly give false information.
I swear, I'm not lying, I'm just recalling what I actually did. Note that I do remember such trivialities as the model number
of the generator. If I could remember that, then I know I'm not making ANYTHING up.
So if I was able to push 1.7x the resolution out of stock tubes ONLY by using superior focus yokes, does it follow that using
equally superior focus yokes could AGAIN give the same amount of relative sharpness increase on another tube?
Let's play that game just for pure amusement.
I've got (theoretically) Cine 9 level resolution 3200x2560 at worst case and 4266 by 3413 at best case, with the stock yokes!
Based on previous math, we know that 2048/1200=1.706666 and 2048/1600=1.28
So the change-out to optimal focus yokes theoretically will boost resolution capacity by anything from 1.28 to 1.707 times.
This gives four limits for the outcome of this experiment assuming we just don't reach a hard beam diameter limit first.
Now remember, we have multiple scenarios to consider. Scott's findings indicated that the HR tubes had a resolution
increase of not less than 1.28 if you go with the H figure, and not less than 1.707 if you go with the V figure.
So we have to plan this out carefully:
Stock res (2500x2000) x 1.28 = A below. Presumed lower limit resolution of HR tube with stock magnetics. Call this "HR LOW".
Stock res (2500x2000) x 1.708 = B below. Presumed upper limit resolution of HR tube with stock magnetics. Call this "HR HIGH".
HR LOW is 3200x2560. Same as a Cine 9.
HR HIGH is 4265x3412. Already we're over 4K.
Now consider the possible effect of better focus magnetics.
This is based on my Frankenyoke experiments as described above. 2048x2048 well resolved on a tube intended for 1600x1200. Coincidentally, the ratio of improvement is the same as seen by Scott when using the HR tubes with stock magnetics.
So, HR LOW x 1.28 (low side improvement from better magnetics) = 4096x3277.
And HR LOW x 1.707 (high side improvement from better magnetics) = 5462x4370.
HR HIGH x 1.28 (low magnetics) = 5460x4367.
HR HIGH x 1.707 (high magnetics) = 7280x5824. (Well over 4K at 7680x4320.)
Let's face it, these are pie-in-the-sky figures. My odds of seeing the higher numbers no matter what I do are about the same
as seeing a real live unicorn winning the Triple Crown.
But it does give an idea of the potential sharpness of these tubes, if not the actual achievable resolution they could handle.
The highest resolution listing is firmly in 8K territory. (7680x4320) With room to spare.
In practice, the bandwidth required is IMPOSSIBLE in any practical terms, and the phosphor isn't going to be fine enough, either.
Cathode capacitance would probably kill any ability to resolve all that even if you did have the amplifiers and deflection
systems that were able to hit the required bandwidth and scan rates.
This is just a thought exercise for my own amusement. Thinking out loud and extrapolating future results from today's
known data.
The end result of all this is simply this: There is a very real possibility that I have the makings of a Cine 9 killer on my hands.
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tschaeikaei
Joined: 08 Apr 2013 Posts: 490 Location: Germany/Saarland
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| Posted: Thu Feb 25, 2016 2:37 pm Post subject: |
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I didn't read the whole thread but since the wet tantalum caps appear again and again:
Where are you going to use them?
Redfox: what signal is this on that oscillogram? I can't remember seeing a signal like this on the scope before.
Looks a bit like h-sync but why are the HF blocks not equal in amplitude (voltage)?
Regards, Julian
_________________ Marquee 9500U edgeblend P43 | NEC 9PG
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cmjohnson
Joined: 03 Apr 2006 Posts: 5180 Location: Buried under G90s
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| Posted: Thu Feb 25, 2016 2:53 pm Post subject: |
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I wouldn't really expect anyone to read my previous wall of text. It's mostly there to remind ME of what may be possible with these tubes.
The usage of expensive wet tantalum capacitors will be limited to replacement or augmentation of electrolytic capacitors in critical circuit areas where they directly affect the slew rate of the related amplifiers and of the power supply. Basically, the electrolytics in the non-potted section of the HVPS and directly down the video amplifier chain. The two 100V electrolytics on a neck card would be replaced with wet tants, to give an important example.
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