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bhecox1
Joined: 30 Oct 2012 Posts: 11 Location: Iowa USA
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| Posted: Thu Nov 01, 2012 3:58 am Post subject: |
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Hey I'm back, and not hyperventilating. Must have needed to vent.
I know it would be a stretch on your budget but the VPI Scout JMW-9 combo is a stellar package. - CxTurbo
This is one sexy trio! It might be worth going over budget a bit. This is what I'm looking for. This project might take a few years and it might take a lifetime, but there will always be a weak link. This would be a good start.
I like the quick change. I would want the ability to quickly change carts, one headshell off another on.... so what the hell eventually go a step further.
If you guys could indulge me just forget my current system and think about if you wanted to buy the best tt, cart and phono preamp and stay close to $2000 what would you put together for yourself.
Two things: 1) I am not stopping there and 2) unless you are big into rap there isn't much you listen to that I don't.
Thanks.
_________________ need a chair to get around but my ears still work!
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bhecox1
Joined: 30 Oct 2012 Posts: 11 Location: Iowa USA
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| Posted: Thu Nov 01, 2012 4:08 am Post subject: |
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Hey I'm back, and not hyperventilating. Must have needed to vent.
I know it would be a stretch on your budget but the VPI Scout JMW-9 combo is a stellar package. - CxTurbo
This is one sexy trio! It might be worth going over budget a bit. This is what I'm looking for. This project might take a few years and it might take a lifetime, but there will always be a weak link. This would be a good start.
I like the quick change. I would want the ability to quickly change carts, one headshell off another on.... so what the hell eventually go a step further.
If you guys could indulge me just forget my current system and think about if you wanted to buy the best tt, cart and phono preamp and stay close to $2000 what would you put together for yourself.
Two things: 1) I am not stopping there and 2) unless you are big into rap there isn't much you listen to that I don't.
Thanks.
_________________ need a chair to get around but my ears still work!
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stridsvognen Guest
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| Posted: Thu Nov 01, 2012 3:28 pm Post subject: |
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| bhecox1 wrote: | I want to build a system around vinyl. my musical taste is mostly classic rock but is truly all over the board. I would like to get a tt ,cart, and a phono preamp. I really like what I read about the ortofon 2m black but not sure I can stay on budget and still have it at the heart.
I want to try to spend only $2000 and get quality equipment. Maybe with a good vintage table? What do you think guys, can I do it? |
I will suggest to look at the old Thorens TD 125, and mount a SME series III arm, and a Denon DL 304.
Its a high compliant system, and will give you possibility to adjust and optimize performance for a long time.. if you like that way.
The other direction is Rega.. Its almost plug and play.
If you like classic music and jazz, you will benefit from a high compliant system with a sharp stylus. If your more into 80-90 rock pop records, you might prefer a less sharp stylus, and low compliant system like Denon DL 103 / Rega RB 300.
or a standard rega setup.
Welcome back into the world of vinyl..
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bhecox1
Joined: 30 Oct 2012 Posts: 11 Location: Iowa USA
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| Posted: Thu Nov 01, 2012 5:04 pm Post subject: |
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How well do these old tables hold up? I mean anything with moving parts wears out. Also I can't imaging what DJ's do to equipment can help longevity. I plan to use the system for many years and I have read that the Technics mk1200 (?) wears like no other which makes me wonder that if I want lots of hours use in the future would I be better off buying new? My engineer friend seems to be leaning toward vintage saying that really good new stuff is VERY expensive. I know which equipment was highly respected in the 70's (like Thorens) but I worry (as I do with all my equipment) that it will pass on in time.
You are not the only one to mention Rega and I will definitely check them out. Plan is to research, with you guys help, then go to Minneapolis and test the same way I always do. With my ears. Then I may still buy vintage if that looks like the way to get the best for my money.
The big picture is to spend a few thousand each year and build a complete system over how many ever years it takes to get there, maybe I never will.
Thanks for your help, all of you.
_________________ need a chair to get around but my ears still work!
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Curt Palme CRT Tech
Joined: 08 Mar 2006 Posts: 24396 Location: Langley, BC
TV/Projector: All of them!
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| Posted: Thu Nov 01, 2012 5:15 pm Post subject: |
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I've worked on a bunch of turntables back in the day, and while I've had issues with electronics, dirty speed selector switches, etc, and bad controller boards/parts in the Technics 1500, the older version of the 1200, other than someone dropping a turntable, I can't say I've ever had bearing issues on tonearms (and I've seen some nicotine covered tonearms!)
Belts and rubber idlers wear out, but those are easy fixes. Motors, platters and tonearms generally hold up well, even after 40-50 years.
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Thu Nov 01, 2012 5:19 pm Post subject: |
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| bhecox1 wrote: | | The big picture is to spend a few thousand each year and build a complete system over how many ever years it takes to get there, maybe I never will. |
It's not the destination, but the journey! It's a hobby - enjoy it however it makes you happy!
SC
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CxTurbo
Joined: 13 Oct 2008 Posts: 425 Location: Ontario, Canada
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| Posted: Thu Nov 01, 2012 5:29 pm Post subject: |
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^ What he said.
Rubber wears but is easily fixed. If you search you can get top end equipment for little money. I am always leery on buying used cartridges unless I know exactly where it is coming from and it's care.
Your friend is correct new tables are expensive. Hundreds of thousands in the case of a few. Look at Avids Acutus Reference as an example.
25,000 for the table no cart no tonearm. Add an SME V tonearm at 5,500 (I would personally kill for an SME 309) and a Clear Audio Goldfinger for another 10,000. Then a Pulsare Phono Stage at 7,000. I believe that there is one Clear Audio Table that is 160,000 and Koetsu has some of the highest dollar carts I have seen. The sky is the limit and honestly I doubt many people could afford it nowadays.
Regardless, Get the best you can for your budget. New, Used, whatever and enjoy your new found hobby.
James
_________________ Paradigm Studio 100's,Studio 20's,CC-690, Paradigm DSP-3400 V1 SUB
Pioneer Elite SC-35 AVR
Pioneer Elite BDP-05FD Bluray
3x Bryston 3B's
URC Complete Control Medius TX-1000 Remote
HTPC (LGA775 Q6600, 8GB DDR2, 7TB Storage) Mediaportal
Lumagen MINI 3D
Moome FULLHD-EXT V2
Audioquest Cable Top to Bottom
9501LC
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bhecox1
Joined: 30 Oct 2012 Posts: 11 Location: Iowa USA
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| Posted: Thu Nov 01, 2012 5:54 pm Post subject: |
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In a sane world I will stay under $20,000 for the entire system. I do have other thing that require me to spend money. My closest audiophile friend is telling me that he likes the value I could get out of the Technics SL-MK1200. I think they quit making them so I would not find new, but that drives the price point down and leaves more money for another new cart. That gives me a new one and a backup.
What do you guys think of this tt?
Thanks Curt I really wasn't sure about vintage. Hard to imagine from a guy with only vintage although most refurbed equipment.
_________________ need a chair to get around but my ears still work!
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stridsvognen Guest
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| Posted: Thu Nov 01, 2012 5:56 pm Post subject: |
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| bhecox1 wrote: | How well do these old tables hold up? I mean anything with moving parts wears out. Also I can't imaging what DJ's do to equipment can help longevity. I plan to use the system for many years and I have read that the Technics mk1200 (?) wears like no other which makes me wonder that if I want lots of hours use in the future would I be better off buying new? My engineer friend seems to be leaning toward vintage saying that really good new stuff is VERY expensive. I know which equipment was highly respected in the 70's (like Thorens) but I worry (as I do with all my equipment) that it will pass on in time.
You are not the only one to mention Rega and I will definitely check them out. Plan is to research, with you guys help, then go to Minneapolis and test the same way I always do. With my ears. Then I may still buy vintage if that looks like the way to get the best for my money.
The big picture is to spend a few thousand each year and build a complete system over how many ever years it takes to get there, maybe I never will.
Thanks for your help, all of you. |
Well there is always a risk buying vintage.. My reason to mention the TD 125 is that its very simple, and normally a cleanup and a new belt will do.
Then it outperforms tables like Technics 1200-1210 Rega P whatever big time, if your into taking it all the way to the top.
The platter and bearing on the TD 125 is dead, stable as few, and the suspension is really effective to eliminate acoustic feedback.
But it will not work well with a heavy arm like SME V Rega RB 300 and so on..
SME Series III will give you the option to adjust everything possible... Even silicone damping..
Rega you have a rough antiskating and needlepressure adjustment thats all..
So what do you think.? Do you need a setup that will keep up with your vinyl adjustment skills forever, or a setup that is plug and play.
If you select the advanced way, you will be using lots and lots of hours before you will find any sense in adjusting it, but years later when you get the skills to adjust by the sound signature of the different adjustments, i think its all worth it.
Others think its waste of time.
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bhecox1
Joined: 30 Oct 2012 Posts: 11 Location: Iowa USA
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| Posted: Thu Nov 01, 2012 6:16 pm Post subject: |
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I think that I would like the ability to adjust. It just makes more sense. I guess I need to think about how well I can handle it.
_________________ need a chair to get around but my ears still work!
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stridsvognen Guest
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ChrisWiggles Opinionated SOB
Joined: 12 Mar 2006 Posts: 2529 Location: Seattle
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| Posted: Wed Dec 12, 2012 10:18 pm Post subject: |
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| bhecox1 wrote: | In a sane world I will stay under $20,000 for the entire system. I do have other thing that require me to spend money. My closest audiophile friend is telling me that he likes the value I could get out of the Technics SL-MK1200. I think they quit making them so I would not find new, but that drives the price point down and leaves more money for another new cart. That gives me a new one and a backup.
What do you guys think of this tt?
Thanks Curt I really wasn't sure about vintage. Hard to imagine from a guy with only vintage although most refurbed equipment. |
I'm very happy with a used 1200MK5 and an AT 440mla cartridge (loaded down to ~30kohm) into a Musical Videlity V-LPSII phonostage.
An extremely solid and very pleasing mid-fi starter setup.
Turntable's primary job is to spin the platter at a precise speed, and a 1200 does that way better than most any entry table. And it should isolate vibration, and it does that like a champ as well. Maybe the arm could be improved, but it's a solid table and a great foray for a beginner like me. Had it a few years now, it's wonderful. They are also widely available used and gobs of information and parts and fix-it and tweak help all over the internet.
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