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Sony 1292 vs G90 - is a 1292 worth buying???
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Tue Feb 21, 2012 3:02 pm    Post subject:

Overall, the 1292 is about as reliable as the other 12XX series.. which is one of the most reliable sets out there. I do actually have (I think) a complete set of 1292 tubes here as well, less the colored C elements, which is what I wanted them for when I got them. I do have a test chassis here as well, and most if not all of the boards.
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Spanky Ham



Joined: 22 Mar 2006
Posts: 5643
Location: Comedy Central

Posted: Tue Feb 21, 2012 3:22 pm    Post subject:

There is a difference between not available at all and available but to expensive.
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Jeremy112



Joined: 28 Sep 2006
Posts: 2649
Location: Fond du Lac, WI

Posted: Tue Feb 21, 2012 4:27 pm    Post subject:

Ok, I have attached a couple pics below, they show where the XG PJ is currently located (and where a new one will go). Now the XG is NOT permanantly placed where you see it, so dont be shocked Razz I do plan on mounting a projector directly above the XGs current position, the wall that it is behind is to be completely removed so the floor can be finished and the ceiling and walls finished as well.

The 1st pic is to show the distance between the XG and the screen, the XG is currently at a distance of a little over 11 feet away from the screen, which is 82" Diagonal. 2nd Pic is the PJ Placement.

Will a 1292 work within these space constraints?

Again, dont diss the masking tape! Razz

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HaydnG90



Joined: 22 May 2006
Posts: 1356


Posted: Tue Feb 21, 2012 4:49 pm    Post subject:

Jeremy112 wrote:


Again, dont diss the masking tape! Razz


Are you worried about the XG floating away? Very Happy

A Dalite HP screen would work pretty well in a setup like that. Fan noise should be a non-issue as well.
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Jeremy112



Joined: 28 Sep 2006
Posts: 2649
Location: Fond du Lac, WI

Posted: Tue Feb 21, 2012 5:11 pm    Post subject:

HaydnG90 wrote:
Jeremy112 wrote:


Again, dont diss the masking tape! Razz


Are you worried about the XG floating away? Very Happy

A Dalite HP screen would work pretty well in a setup like that. Fan noise should be a non-issue as well.



Well more like worried about it flipping forward Razz

I havent really considered the screen factor for brightness, a screen with a higher gain would probably make a big improvement over this all white plastic panel I am using.

Id probably replace the screen if it would make a noticable difference in brightness. It would probably help the 1292 out if I purchased one.

82" diagonal wont be too small of a screen for a 9" CRT will it? I dont want to waste out the tubes with a small raster.

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Spanky Ham



Joined: 22 Mar 2006
Posts: 5643
Location: Comedy Central

Posted: Tue Feb 21, 2012 5:56 pm    Post subject:

It depends on how bright you like the image. A HP of that size would probably give you 20 ft/lmbs or more. You can also turn down the cr/br to reduce the wear on the tubes. As for a smaller raster, you will get much better corner focus.
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Tue Feb 21, 2012 6:23 pm    Post subject:

I wouldn't run that set long like that, your throw distance is a mile off.

82" wide screen with a 132" throw? Not good!

The NEC is typically 1.4 X the width of the screen to make good use of the tubes, so you should be at 115", maybe a touch less.

Just FYI.
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Jeremy112



Joined: 28 Sep 2006
Posts: 2649
Location: Fond du Lac, WI

Posted: Tue Feb 21, 2012 6:45 pm    Post subject:

Curt Palme wrote:
I wouldn't run that set long like that, your throw distance is a mile off.

82" wide screen with a 132" throw? Not good!

The NEC is typically 1.4 X the width of the screen to make good use of the tubes, so you should be at 115", maybe a touch less.

Just FYI.


Curt I am glad you mentioned that. Honestly I was a bit embarassed to ask about the throw distance. As you can see the current setup doesnt allow for the projector to be placed much anywhere else, which is why I am planning to tear the wall down that the XG is by.

I more or less put it where it is for that fact, and I didnt want the image to close to the tube edges. I have already had one green tube crack so I guess I am playing it safe with these NEC beasts.

the raster is about 1/2" away from the left and right of the tube face edges on each tube, and about an inch and a half from the top & bottom (Since its widescreen).

I have to admit, I was wondering who would post about the throw distance once I posted my pix Embarassed

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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Tue Feb 21, 2012 7:19 pm    Post subject:

I can't see from the pics what else you have going on, but why not leave the projector where it is (or even push it further back into the wall), and just make the screen bigger to get the active image area the right size on the tube faces? I know it doesn't give as much seating, but having the projector in a separate room is a dream scenario, because you can greatly reduce the projector noise (which is a huge CRT downside). Heck, put a piece of glass with AR coating on it over that opening, and you could almost completely eliminate the projector noise! Projection booth, baby!

SC
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Jeremy112



Joined: 28 Sep 2006
Posts: 2649
Location: Fond du Lac, WI

Posted: Tue Feb 21, 2012 7:20 pm    Post subject:

Curt Palme wrote:
I wouldn't run that set long like that, your throw distance is a mile off.

82" wide screen with a 132" throw? Not good!

The NEC is typically 1.4 X the width of the screen to make good use of the tubes, so you should be at 115", maybe a touch less.

Just FYI.


Curt, I just measured the distance between the lens faces and the screen, it is right at 110" so I guess it would be within the acceptable range correct?

The distance I said above was a guess, so my bad! Embarassed

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Jeremy112



Joined: 28 Sep 2006
Posts: 2649
Location: Fond du Lac, WI

Posted: Tue Feb 21, 2012 7:26 pm    Post subject:

ecrabb wrote:
I can't see from the pics what else you have going on, but why not leave the projector where it is (or even push it further back into the wall), and just make the screen bigger to get the active image area the right size on the tube faces? I know it doesn't give as much seating, but having the projector in a separate room is a dream scenario, because you can greatly reduce the projector noise (which is a huge CRT downside). Heck, put a piece of glass with AR coating on it over that opening, and you could almost completely eliminate the projector noise! Projection booth, baby!

SC


SC, thats actually an idea that I have had suggested to me before. I guess the sound of the XG doesnt bother me, but it bothers the patrons!

the "room" the XG is in (the XG is actually sitting where my old 55 gallon KOI aquarium was installed, hence the water damage to the back of the walls) is also the utility area and where the rack is built in. I wanted everything electronic away from the main viewing area because people have a tendancy to touch stuff with lots of buttons and lights, and thats the last thing I need going on in my HT Razz

A projection booth...hmmm I like the sound of that, it makes me think of the theater with their projection booths. I never realised that the AR glass they had between the booth and the theater was there for noise.. I never knew why they used that, seemed to me that if they took that out of the light path it would have improved the brightness of the projector.

At least now I have an idea of what its for Very Happy

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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Tue Feb 21, 2012 8:32 pm    Post subject:

Jeremy112 wrote:
I never realised that the AR glass they had between the booth and the theater was there for noise.. I never knew why they used that, seemed to me that if they took that out of the light path it would have improved the brightness of the projector.

Even with projection port glass, you do lose some brightness. You lose some brightness going through every piece of glass in the light path, including the glass on the tube face and the lenses themselves. I think plain old window glass, because of the reflection, bounces like 10-15% of the light in the form of reflection, so it's really not usable. Good AR glass on the other hand is in the single digits, and from what I've heard, the light loss isn't visible - i.e., you need a meter to measure the difference.

I didn't think about it before, but a CRT-sized piece of good glass could get pretty pricey... Even without the glass, with just a small opening barely bigger than the light path, with sound insulation around the opening would probably go a long way to quiet the projector down, and you'd need no hush box as the whole machine would be open to the air - in a different room.

Just a thought.

SC
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Tue Feb 21, 2012 9:40 pm    Post subject:

OK, you're good throw-wise. Smile
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Elaine Benes



Joined: 25 Apr 2006
Posts: 1416


Posted: Tue Feb 21, 2012 10:46 pm    Post subject:

I've owned two 1292's, one had less than 1000 hours on it, I've owned countless XG's, all varieties, AC and LC.

I'm not a fan of LC, it is softer, period. AC units are sharper. Haloing doesn't bother me, in fact, I don't ever notice it at all.

Currently, I own a G90 and an 808s with MEC high resolution tubes and high bandwidth video chain components, the G90 is my everyday machine, it has new tubes that were installed by Chuchuf.

1292's RATED light output is 700 lumens.

They are dim.

They are sharp, for an LC, but not even close to the sharpness of the G90.

If you are a huge fan of LC, and don't care to lose ultimate sharpness, and you can live with a projector rated almost HALF the output of your present projector, then buy a 1292.

And that doesn't touch the noise factor...they're DOUBLE the noise of your current XG, which is one of the noisiest NEC's, btw.

I hate to be a wet blanket, but thought you might appreciate a perspective from someone not selling anything, who's actually owned all the projectors mentioned and used and set them all up, fairly extensively.
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tanwn



Joined: 26 Dec 2006
Posts: 104


Posted: Tue Feb 21, 2012 11:11 pm    Post subject:

Elaine Benes wrote:
I've owned two 1292's, one had less than 1000 hours on it, I've owned countless XG's, all varieties, AC and LC.

I'm not a fan of LC, it is softer, period. AC units are sharper. Haloing doesn't bother me, in fact, I don't ever notice it at all.

Currently, I own a G90 and an 808s with MEC high resolution tubes and high bandwidth video chain components, the G90 is my everyday machine, it has new tubes that were installed by Chuchuf.

1292's RATED light output is 700 lumens.

They are dim.

They are sharp, for an LC, but not even close to the sharpness of the G90.

If you are a huge fan of LC, and don't care to lose ultimate sharpness, and you can live with a projector rated almost HALF the output of your present projector, then buy a 1292.

And that doesn't touch the noise factor...they're DOUBLE the noise of your current XG, which is one of the noisiest NEC's, btw.

I hate to be a wet blanket, but thought you might appreciate a perspective from someone not selling anything, who's actually owned all the projectors mentioned and used and set them all up, fairly extensively.


You mention you're not a fan of LC then how come you are using a G90?
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Elaine Benes



Joined: 25 Apr 2006
Posts: 1416


Posted: Tue Feb 21, 2012 11:21 pm    Post subject:

The G90 is very, very bright, and has such extensive focus controls it overcomes the inherent limitations on focus produced by LC. Its the only machine, aside from the last generation Barco's, that have such extensive control of the beam focus. I've never actually owned a Barco 909, but I've had one in the garage and seen it work, and they're close to the G90 for focus capabilities.

The G90, in my opinion, stands alone in many areas, compared to all the other crt projectors I've owned...

Oh yeah, and did I mention its SUPER bright ! Like watching a giant tv ! I don't even bother turning the lights all out most of the time its so bright.

And they're really easy to set up well...unlike all NEC's, haha...and Barco's are a bitch to get stable...

All projectors have good and bad points, the G90 has fewer bad points than most projectors I've owned...and its REALLY bright...
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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Tue Feb 21, 2012 11:37 pm    Post subject:

Elaine Benes wrote:
LC, it is softer, period. AC units are sharper. Haloing doesn't bother me, in fact, I don't ever notice it at all.

You know, I think it's only you I've ever heard say this, but I've never once seen it bear out that way in person. Every single really sharp CRT I've ever seen was modern, graphics-grade, and EM/LC. I think it totally depends on the machine, tubes, and lenses in question.

For instance, an LC G70 is massively sharper than the most pristine 1272 you can you can find, and the vast majority of sharpness is lots in the completely sh*tty plastic HD-8's Sony put on the 1272. I had three different 12xx's, and all three had the same sh*tty AC HD-8 variant lenses. And halos? Holy sh*t, they're TERRIBLE on the 12xx and nonexistent on my G70.

So, I have two questions:
1) What is it about AC optics that would make it somehow superior in terms of sharpness?
2) What specific example do you refer where AC is sharper than LC?

Thanks,
SC
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Nashou66



Joined: 12 Jan 2007
Posts: 16171
Location: West Seneca NY

Posted: Tue Feb 21, 2012 11:47 pm    Post subject:

I have to say I think LC is sharper, the light reflected back onto the Tube face from the lens even with AR coating is enough to contaminate the image. The Glycol in the LC chamber cuts that down to almost Zero so its a much more unmolested image off the tube face. You have to remember there is still glycol in AC units and the space is very minimal between the outer glass and tube face glass not giving ample amount of diffraction of the reflected light. With the LC tube there is a much larger gap that allows more light to be refracted.

Also add to the fact that the secondary glass on an AC is flat where the LC chamber has the curved C- Element acting in essence the same way as the flat AC glass. so less direct reflections back onto the tube face and then back out to the screen which are seen as halos and light scatter.

At least thats how I see it, no pun intended Wink

Having said that I really need to swap my PJ's to LC.

nashou

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Jeremy112



Joined: 28 Sep 2006
Posts: 2649
Location: Fond du Lac, WI

Posted: Tue Feb 21, 2012 11:59 pm    Post subject:

As awesome as we all know G90s are, sadly they cannot be had all the time, nor for the price range I am looking at (at least if I buy a G90 thats been gone through by someone qualified such as Curt)

The brightness of the 1292 is really the only concern I would have. I honestly dont know if its sharper than the XG AC or not, never seen one in action. The only Sony 9" I've seen is Jarseneu's G90 when I bought my XG from him. That would probably be a bad example to judge a 1292 off of because its a G90 first off, and second, it looked REALLY REALLY amazing.

Noise, well if it goes in a projection booth area then it wont be a concern for me at all. I'm not in imminent need to purchase a new projector, so if a G90 happens to pop up before I buy a 1292 or something of the like, then of course that would be the one I would go for.

I am merely looking at a 1292 as an option because it is still a 9" CRT which has some benefits over an XG. It would also be my first LC based machine, so I wouldnt mind seeing the difference on a regular basis to see how I like it.

Size and wight of these things is completely irrelivant to me. IMHO CRT PJs are STILL THE ONLY option for a true theater like experience. I have seen countless new digital projectors and of course the zillions of new digital TVs, and EVERY SINGLE ONE of them I can notice lag, streaking, whatever you want to call it, I notice it. CRT is the only display technology that I can watch super fast moving images on screen, and it not only stays sharp, and streak free, it actually looks BETTER.

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digitalayon



Joined: 02 Mar 2009
Posts: 921


Posted: Wed Feb 22, 2012 1:38 am    Post subject:

Spanky Ham wrote:
digitalayon wrote:
[Someone is going to argue with me about this, I know! Very Happy


Greg Eisermann would!


I doubt it. Greg would probably agree and just for the record he is not a bad guy. I found him really informative over the phone.

As for the 1292, the biggest problem is probably the tubes, as you probably won't find replacements.[/quote]


Hold it sir....I never said he was a bad guy. It's just that everything else sucks unless it has his approval. I think his products are great and his rep as a tech seems good. However, he rips VDC like they are the plague. I could be wrong but is't that all we have for replacement tubes? He seems to be obsessed with telling me my 1208s2 sucks out of the box unless I use his mods. Curt tells me to just enjoy it. So I enjoy it. Then he tells me the moome product I ordered for the VV1 will not get me what I want. Which is HDMI and 1080p.Thatcis for me to judge.
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