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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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| Posted: Thu Aug 12, 2010 12:08 am Post subject: |
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Ok I found the thread,
https://www.curtpalme.com/forum_archived/viewtopic.php@t=3076.html
One thing is they go back and forth of what to do. One has it with pin 5 connected to pin 7 stating its like making a PT22 tube.
Also I think greg had a typo in his info for tying G2 to G1, I think he meant G3 to G1.
Also what Size resistor did you use? I think it should be a 10Meg not 1 Meg. In the thread Scott links a G90 Pin out diagram and notes to use a 10M resistor. As it has to do with capacitance on the Grid.
| tse wrote: | Sony (G90) connects pin 7 to ground through a 10M 1/2W resistor.
Scott |
And here is Eric's pic of just using pin 5 to pin 7
| erikjohn wrote: | The attached pic shows an alternate way to mod the neck card for the LUG to work in the Marquee. It requires that you do everything same as previous LUG mod I posted with the exception of installing the resistor. In lieu of the resitor from Pin 7(KH) to ground you tie Pin 5(G1) to Pin 7(KH). I am told that internally this makes the tube equivalent to a PT-22.
Initially I can not tell awhole lot of difference between both ways ie with the added resistor or tieing the pins together. I did adjust G2 a bit but not much.
In general the notable thing I am noticing with the LUG is that G2 levels and Drive are significantly lower than with the P19's or PT-22's. Also the way the tube reacts to Contrast and Brightness adjustements is not linear with the the P19's or PT-22's. What I mean by this is that increasing contrast by say 3, more adversely affects the LUG and it seems to be somewhat exponential due the rapid increase I see in blooming.
Thus when you setup grey scale at your 50/50 Contrast/Brighness and then if you turn them up once you are done calibrating you do not get a lineal color balance. This makes setting up things a bit more difficult and I have't yet fooled around alot with it, but I will. This is one reason why it may not be advisable to mix and match LUGS with other tubes.
I will report back once I gather more data. |
So I guess more testing is needed.
Athanasios
_________________ Don't blame your underwear for your crooked ass~ unknown Greek philosopher
"Republicans believe every day is the Fourth of July, but the Democrats believe every day is April 15." --- President Reagan
One Smart Dog!!!
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Last edited by Nashou66 on Thu Aug 12, 2010 1:10 am; edited 1 time in total
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Curt Palme CRT Tech
Joined: 08 Mar 2006 Posts: 24396 Location: Langley, BC
TV/Projector: All of them!
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| Posted: Thu Aug 12, 2010 1:09 am Post subject: |
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The value shouldn't matter, it's simply tying a point to ground. I don't think the actual voltage appearing on that pin is important, only that it's referenced to ground.
I will take this further, it's bugging me now, but the only real variable between a Sony, Barco and a Marquee is the size of the focus yokes, which is why people have been playing with Frankenyokes for years. I didn't think there was much to it, but now... well.... I reserve the right to change my mind.
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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| Posted: Thu Aug 12, 2010 1:14 am Post subject: |
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It is weird since Scott mentioned this
| tse wrote: | Don't bridge pin 5 and 6. You don't want to connect G-1 and G-2. G-1 runs between -85V and -25V or so. G-2 can be +400 to +1000V. Probably break something if connected.
There is a resistor already on the neck card that connects pin 7 to ground. I think it is 300K. Replace it with a 1M resistor. Unfortunately it is SMT. 1206 size. This is what VDC does for LUG neck cards.
Scott |
Athanasios
_________________ Don't blame your underwear for your crooked ass~ unknown Greek philosopher
"Republicans believe every day is the Fourth of July, but the Democrats believe every day is April 15." --- President Reagan
One Smart Dog!!!
Marquee High Performance Bellows now shipping!!
Marquee Modifications and Performance Enhancement
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Chuchuf
Joined: 11 Mar 2006 Posts: 548
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| Posted: Thu Aug 12, 2010 1:24 am Post subject: |
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| Curt Palme wrote: |
I will take this further, it's bugging me now, but the only real variable between a Sony, Barco and a Marquee is the size of the focus yokes, which is why people have been playing with Frankenyokes for years. I didn't think there was much to it, but now... well.... I reserve the right to change my mind.  |
There is A LOT of focus improvement when using KD22-22 focus coils over the stock Marquees. The spot is smaller, has less haze and best of all stays small when you bring up the contrast.
Pin 7 (Grid 3 or the KH Grid as Sony calls it) to ground through a resistor has minimal effect overall. I believe it's purpose is to pick up any scatter or stray electrons.
Terry
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Curt Palme CRT Tech
Joined: 08 Mar 2006 Posts: 24396 Location: Langley, BC
TV/Projector: All of them!
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| Posted: Thu Aug 12, 2010 1:41 am Post subject: |
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Thanks, that's EXACTLY what I thought on both counts, and the haze is what I was having issues with on the second tube that I just put into a Sony.
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CIR Engineering
Joined: 25 Aug 2008 Posts: 4269 Location: Chicago USA & Berlin Germany
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| Posted: Mon Aug 16, 2010 11:26 pm Post subject: |
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Curt, what you are seeing is normal. The LUG tubes are not as bright in the Marquee as in the G90 or Barco's. I went back and fourth with a client Madrigal in which I put a green LUG. With the LUG the projector blooms at around 59 or 60 contrast setting with the gray at proper D65. The LCP's usually bloom there as well, but at a 60 contrast the LCP is much brighter than an LUG (confirmed with my PR650). Because of this, the Marquee will not run as bright with an LUG as it did with an LCP. It's a trade, you get a sharper image with the LUG, but a brighter image with the LCP.
Mike P even sent me a 909 coil that I hooked up to the LUG in the Madrigal. Even after trying everything with the 909 coil I still did not get much better focus at high contrast... and I mean everything. I literally put at least 30 hours into trying to tighten up the focus at higher contrast.
In the end, I went back to the stock Marquee magnetics. What helped get the least blooming with the brightest image was to be absolutely meticulous with the magnetic setup. I found the tighter I got the magnetic focus, the less blooming I would see at high contrast.
MP just sent me his newest VIM and VNB's. When I was at Mike's place the last time he showed me that with his new VIM he can run the contrast at 100 on the Marquee with zero blooming. I will be installing these boards in said Madrigal as soon as I can get out there and I bet when I do the LUG will be sharp at even very high contrast levels.
BTW when I was doing all this I talked to Scott a few times for advice. He told me the same thing I found. The LUG's are sharper, but not as bright as the LCP's and that is just how it is in the Marquee machines.
My client with this Madrigal and I both have STK130 screens that are 96"x54" (identical screens). On his Marquee I measure about 8 flt with a 100 IRE window. On my G90 I measure 13.5 flt on a 100 IRE window. The G90 can just maintain better spot size at high contrast with an LUG when compared to a Marquee with an LUG. This is also why the G90 can rip through tubes so much faster than Marquee machines usually do.
craigr
_________________ JETI 1501-HiRes 2nm Spectroradiometer
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Phone: 865-405-6892
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Curt Palme CRT Tech
Joined: 08 Mar 2006 Posts: 24396 Location: Langley, BC
TV/Projector: All of them!
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| Posted: Mon Aug 16, 2010 11:40 pm Post subject: |
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OK, that is pretty much confirming what I see here, and counters those above that countered me.
The question that remains then is... WHY?
Why does a LUG work fine in a G90 and a Barco 1209s/909/Cine9 without blooming and defocusing? It's something in the Marquee causing this.. I don't want to believe the HVPS sags with a LUG in the set, as the R and B would defocus...
I still think it's something that can be overcome.
The other LUG in the Marquee housing is now on the way to me, should be here mid week. I'm a bit behind, but will spend some hours (not 30!) working on this to try a few theories..
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CIR Engineering
Joined: 25 Aug 2008 Posts: 4269 Location: Chicago USA & Berlin Germany
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| Posted: Tue Aug 17, 2010 12:05 am Post subject: |
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| Curt Palme wrote: |
The question that remains then is... WHY?
Why does a LUG work fine in a G90 and a Barco 1209s/909/Cine9 without blooming and defocusing? It's something in the Marquee causing this.. I don't want to believe the HVPS sags with a LUG in the set, as the R and B would defocus...
I still think it's something that can be overcome.
The other LUG in the Marquee housing is now on the way to me, should be here mid week. I'm a bit behind, but will spend some hours (not 30!) working on this to try a few theories.. |
I think Mike P is onto something with his VIM mods. What I saw at his place with the VIM is incredible. To see a Marquee run that bright without blooming tells me something. I really think it's the signal chain and that Mike has already found the solution.
I will know for sure when I install the boards in the Madrigal. Unfortunately I have been having health problems and have had to almost completely stop working. I go in for minor surgery tomorrow, but if I feel ok later this week I will go install Mike's new boards.
craigr
_________________ JETI 1501-HiRes 2nm Spectroradiometer
JETI 1211 Spectroradiometer
Photo Research PR-650 Spectroradiometer
Klein K10-A Colorimeter
Murideo Fresco SIX-G HDMI 2.x Multimedia Generator
Murideo Fresco SIX-A HDMI 2.x Analyzer
Light Illusion ColourSpace XPT Color Calibration Software
Light Illusion LightSpace XPT Pro Version 10.x Color Calibration Software
OMARDRIS JVC Software Patch to use K10-A and Jeti with JVC OEM AutoCal Software!
Sencore CR7000 CRT Tube Analyzer / Rejuvenater
Authorized Dealer for Lumagen & just about everything worth buying
www.CIR-Engineering.com - craigr@cir-engineering.com
Phone: 865-405-6892
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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| Posted: Tue Aug 17, 2010 12:41 am Post subject: |
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I am not sure but i remember Scott saying something in an Ampro vs Marquee argument that ampros focus better and have slightly higher light output due to using a higher voltage of some sort on the output amps or neck boards. I think it was cut off voltage.
I'm not 100% sure but could this have anything to do with it? Isn't there a trim pot on the VNB that adjust cut off voltage that has
glue on it and set at the factory for the tube type it has, could this be that voltage I am mentioning.
My theory could be totally wrong but I remember that discussion.
Athanasios
_________________ Don't blame your underwear for your crooked ass~ unknown Greek philosopher
"Republicans believe every day is the Fourth of July, but the Democrats believe every day is April 15." --- President Reagan
One Smart Dog!!!
Marquee High Performance Bellows now shipping!!
Marquee Modifications and Performance Enhancement
Marquee C-element and Bellow removal
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tse
Joined: 03 May 2006 Posts: 1014 Location: Sweatbucket, Fl.
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| Posted: Tue Aug 17, 2010 12:55 am Post subject: |
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I had forgotten about that but you are right. The Marquee chassis uses +/- 85V for the amplifiers that drive the cathode and G-1. That means that cut-off (largest difference in voltage between the two) can at most be 170V. In practice it will be less for some blanking. So cut-off could be running at 160V or even less. The CRT design cut-off is 180V. G-2 will be set lower than design goals to achieve cut-off. The price you pay for video bandwidth.
Scott
_________________ "Were we directed from Washington when to sow and when to reap, we would soon want bread."
Thomas Jefferson
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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| Posted: Tue Aug 17, 2010 1:05 am Post subject: |
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| tse wrote: | I had forgotten about that but you are right. The Marquee chassis uses +/- 85V for the amplifiers that drive the cathode and G-1. That means that cut-off (largest difference in voltage between the two) can at most be 170V. In practice it will be less for some blanking. So cut-off could be running at 160V or even less. The CRT design cut-off is 180V. G-2 will be set lower than design goals to achieve cut-off. The price you pay for video bandwidth.
Scott |
I thought I remembered that, i was just looking at my Thomas tube spec sheets that come with the new tubes and they also have the 180v cut off voltage listed.
Is there any way to boost the voltage in the marquee to get that type of output? I assume it have to be done in the LVPS, and if so there is the -85 volt line in the HDM, would that be adversely affected if the voltage was made to be
-90 in that section.
Just thought about this isn't there a trim pot in the LVPS for the 85 volt rail? I do not remember if it was for both the - and + .
Id like to test this for my thomas tubes and see if that would help focus.
Spec sheet link pic
http://homepage.mac.com/nashou.66/.Pictures/Marquee%20Upgrade%20Pictures/DSCF0583.JPG.jpg
Athanasios
_________________ Don't blame your underwear for your crooked ass~ unknown Greek philosopher
"Republicans believe every day is the Fourth of July, but the Democrats believe every day is April 15." --- President Reagan
One Smart Dog!!!
Marquee High Performance Bellows now shipping!!
Marquee Modifications and Performance Enhancement
Marquee C-element and Bellow removal
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tse
Joined: 03 May 2006 Posts: 1014 Location: Sweatbucket, Fl.
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| Posted: Tue Aug 17, 2010 1:21 am Post subject: |
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The reason for +/- 85V is because of the neck cards. Running them with higher voltage might be unreliable. Poof more often.
Scott
_________________ "Were we directed from Washington when to sow and when to reap, we would soon want bread."
Thomas Jefferson
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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mp20748
Joined: 12 Sep 2006 Posts: 5689 Location: Maryland
TV/Projector: 9500LC Ultra / Super 02 and 03 VIM
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| Posted: Tue Aug 17, 2010 1:38 am Post subject: |
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| CIR Engineering wrote: |
I think Mike P is onto something with his VIM mods. What I saw at his place with the VIM is incredible. To see a Marquee run that bright without blooming tells me something. I really think it's the signal chain and that Mike has already found the solution.
craigr |
It's really more than the VIM in this case. It's a combination of things really. The main being the neck boards, and yes they are running +/- 85 vdc.
The Barco 909's that I have been setting up, cannot reach and maintain that same controlled brightness that my 9500 puts out. They get bright, but clip the resolution way before they reach a really high output level. Not sure about the G90, but for sure, I don't know of any other CRT projector that you can crank all the way up without blooming or noticeable lost of resolution.
My Marquee is SPECIAL..
Craig, hope you get and feel better. We're wrapping up the G90 mods this week, but as we had discussed. I'm ready when you are. You can get around to it when you feel better>
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mp20748
Joined: 12 Sep 2006 Posts: 5689 Location: Maryland
TV/Projector: 9500LC Ultra / Super 02 and 03 VIM
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| Posted: Tue Aug 17, 2010 1:43 am Post subject: |
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| tse wrote: | Running them with higher voltage might be unreliable. Poof more often.
Scott |
Yep, they really are near their limit. Plus its really not necessary to increase the voltage to them.
They can run very hot at normal drive. Under higher scan and bandwidth demands, they will get hotter and that creates another problem.
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macgyver655
Joined: 22 Aug 2007 Posts: 8508
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| Posted: Tue Aug 17, 2010 2:16 am Post subject: |
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| mp20748 wrote: | I don't know of any other CRT projector that you can crank all the way up without blooming or noticeable lost of resolution.
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Ampro, why must I keep repeating this.
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CIR Engineering
Joined: 25 Aug 2008 Posts: 4269 Location: Chicago USA & Berlin Germany
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| Posted: Tue Aug 17, 2010 2:16 am Post subject: |
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| mp20748 wrote: | | CIR Engineering wrote: |
I think Mike P is onto something with his VIM mods. What I saw at his place with the VIM is incredible. To see a Marquee run that bright without blooming tells me something. I really think it's the signal chain and that Mike has already found the solution.
craigr |
It's really more than the VIM in this case. It's a combination of things really. The main being the neck boards, and yes they are running +/- 85 vdc.
The Barco 909's that I have been setting up, cannot reach and maintain that same controlled brightness that my 9500 puts out. They get bright, but clip the resolution way before they reach a really high output level. Not sure about the G90, but for sure, I don't know of any other CRT projector that you can crank all the way up without blooming or noticeable lost of resolution.
My Marquee is SPECIAL..
Craig, hope you get and feel better. We're wrapping up the G90 mods this week, but as we had discussed. I'm ready when you are. You can get around to it when you feel better> |
Your 9500 is the brightest CRT I have ever seen Mike... and it stays focused even at 100% contrast. It is a lot brighter than a G90, though the G90 doesn't bloom at 100% either if you have the greyscale setup correctly (lowered gain on green).
craigr
_________________ JETI 1501-HiRes 2nm Spectroradiometer
JETI 1211 Spectroradiometer
Photo Research PR-650 Spectroradiometer
Klein K10-A Colorimeter
Murideo Fresco SIX-G HDMI 2.x Multimedia Generator
Murideo Fresco SIX-A HDMI 2.x Analyzer
Light Illusion ColourSpace XPT Color Calibration Software
Light Illusion LightSpace XPT Pro Version 10.x Color Calibration Software
OMARDRIS JVC Software Patch to use K10-A and Jeti with JVC OEM AutoCal Software!
Sencore CR7000 CRT Tube Analyzer / Rejuvenater
Authorized Dealer for Lumagen & just about everything worth buying
www.CIR-Engineering.com - craigr@cir-engineering.com
Phone: 865-405-6892
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Curt Palme CRT Tech
Joined: 08 Mar 2006 Posts: 24396 Location: Langley, BC
TV/Projector: All of them!
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| Posted: Tue Aug 17, 2010 3:01 am Post subject: |
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| tse wrote: | Poof more often.
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Hey, what does San Francisco have to do with this?
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tse
Joined: 03 May 2006 Posts: 1014 Location: Sweatbucket, Fl.
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| Posted: Tue Aug 17, 2010 12:30 pm Post subject: |
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It's the poof of performance.
Scott
_________________ "Were we directed from Washington when to sow and when to reap, we would soon want bread."
Thomas Jefferson
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