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Be honest XGLC Vs 9"
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overclkr



Joined: 08 Mar 2006
Posts: 4227


Posted: Fri Feb 13, 2009 2:05 am    Post subject:

Mark_A_W wrote:
I have seen a G90 a number of times, professionally setup.
Yes, it's better. It's certainly brighter and will drive a bigger screen.


Ahhh yes, but I sure would love to see the point convergence in the NEC as well as some other firmware features get put in the G90 fo sho. Wink

That's the one thing I've always loved about the NEC is the control you have over your geometry. I feel when your stacking, this is critical. I do have to give the nod to Sony though on the spot beam focusing capability STOCK out of the box. Not that the G90 doesn't have it's faults either.

With that being said, yes, I'll take the G90. Cool

Cliff
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
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Location: Langley, BC

TV/Projector: All of them!

Posted: Fri Feb 13, 2009 2:26 am    Post subject:

I get emails all the time about that list. It's so damn subjective.

To me, having seen some Doug Baisey set up and tweaked XGLCs, a 9" set still give that 'sumpin', sumpin', that an 8" set can't do. Trust me, Doug has done superb jobs on the XGLCs that he's done.

Tube life is one thing, but sheer detail is another. Also, some XGs can be tweaked perfectly, other chassis don't quite 'have it' from what I've seen.

While I can be really picky in what I like (I watched another ISF calibration being done on a PG Xtra, and realized I REALLY need to get my colorimeter out for my own set!), but I also can watch a set with no issues as long as convergence is bang on, and focusing is decent. Perfect geometry is less important, and I could watch a 1292, I don't care about fan noise at all.

Overall I still like Marquees and Barcos the best no matter what the set. Say what you want about Ampros, I love their fleshtones, even if corner focusing lacks a bit.
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incova



Joined: 27 Nov 2006
Posts: 789
Location: london

Posted: Fri Feb 13, 2009 3:41 am    Post subject: lenses?

just out of interest, most of those 8s must use smaller lenses I take it, I think the Electrohome 8500 LC has HD 10 but the rest have smaller lenses. As far as I remember these lenses limit resolution do they not? So if we are looking at stock models even if the electronics were better than a 9 gun and this reflected on the image on the tube face, wouldnt the fine detail be limited by the lenses optically speaking. Also at 1080p thats quite a small raster on a 8 to squeeze all that resolution out of so isnt your tube life going to drop considerably as well as light output and the g70 wont do 1080p at all will it? I will differ to the rankings list, I simply do not have enough knowledge of pjs to give a good opinion but I would consider these things when making a judgment on whether to get a 9 gun or not. Also if your going for a larger screen size I found that there is a big difference between my 8 pj vs my 9 pj, I got mine cheap so it was a no brainer for me.
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overclkr



Joined: 08 Mar 2006
Posts: 4227


Posted: Fri Feb 13, 2009 3:44 am    Post subject:

Curt Palme wrote:
I get emails all the time about that list. It's so damn subjective.

To me, having seen some Doug Baisey set up and tweaked XGLCs, a 9" set still give that 'sumpin', sumpin', that an 8" set can't do. Trust me, Doug has done superb jobs on the XGLCs that he's done.

Tube life is one thing, but sheer detail is another. Also, some XGs can be tweaked perfectly, other chassis don't quite 'have it' from what I've seen.

While I can be really picky in what I like (I watched another ISF calibration being done on a PG Xtra, and realized I REALLY need to get my colorimeter out for my own set!), but I also can watch a set with no issues as long as convergence is bang on, and focusing is decent. Perfect geometry is less important, and I could watch a 1292, I don't care about fan noise at all.

Overall I still like Marquees and Barcos the best no matter what the set. Say what you want about Ampros, I love their fleshtones, even if corner focusing lacks a bit.


How about a G90 stack? Very Happy
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Curt Palme
CRT Tech


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Posted: Fri Feb 13, 2009 3:52 am    Post subject:

Big dog, you ain't seen nuffin' yet if I have my way..Wink
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overclkr



Joined: 08 Mar 2006
Posts: 4227


Posted: Fri Feb 13, 2009 3:56 am    Post subject:

Curt Palme wrote:
Big dog, you ain't seen nuffin' yet if I have my way..Wink


Bring it!!!!!!!!! Mr. Green Thumbs Up Mr. Green
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MikeEby



Joined: 24 Jun 2007
Posts: 5237
Location: Osceola, Indiana

Posted: Fri Feb 13, 2009 4:49 am    Post subject:

I think I have become somewhat of a sharpness and brightness freak after seeing Cliff's stack, plus I probably have too large a screen at 92" wide. My XG can be sharp as tack even at 1080p72hz the problem is, it can take 2 hours before it gets there so it's not real practical. I have tried 1080i@96hz but the scan lines and noise in the image I find to be a huge distraction. Perhaps there is something wrong? My guess is some of the caps have broken down, after all its 12 years old.

Parts availability, spot burn risk and replacement tube cost on a G90 frankly has me concerned that one is not a sensible choice as a replacement for my NEC. It reality I will probably consider making a switch to the "D" word before I throw a cash at a G90 unless it was at a true bargain price. A Marquee 9” seems to make a lot of sense other however weakness in the LC chamber is troubling. That leaves a 909 as the last option but at $1700 per tube it too is questionable investment. Honestly I would like see a few new generation digitals just to see if I could live with them.

Mike

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zGman



Joined: 22 May 2006
Posts: 599


Posted: Fri Feb 13, 2009 5:35 am    Post subject:

"""just out of interest, most of those 8s must use smaller lenses I take it, I think the Electrohome 8500 LC has HD 10 but the rest have smaller lenses. As far as I remember these lenses limit resolution do they not? So if we are looking at stock models even if the electronics were better than a 9 gun and this reflected on the image on the tube face, wouldnt the fine detail be limited by the lenses optically speaking."""

This is basically correct - the 9" optics are better, not only in resolving power, but also they are simply
considerably larger in diameter which lets them collect and throughput more light...

The picture can have substantially more 'dimension' or 'depth' , which relates to fine detail,
and the liquid coupling seems to me to be more effective, eg. better contrast...

G
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SYC



Joined: 16 May 2006
Posts: 269


Posted: Fri Feb 13, 2009 9:04 am    Post subject:

benareeno wrote:
I waffle on the LC nonLC debate...put it this way...I now have a nonLC and don't find it objectionable in any way.

AC XG is probably the sharpest projector you can find...I would do some work to make it quieter and just keep it!


I'm so happy to hear that. But loudness is another issue that would make me switch to 9". I did everything to make it quieter and work well, but still too lound for me, so I start another thread to find if there is some good way.

SYC
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Gary M.
Guest






Posted: Fri Feb 13, 2009 9:14 am    Post subject:

MikeEby wrote:
I think I have become somewhat of a sharpness and brightness freak after seeing Cliff's stack, plus I probably have too large a screen at 92" wide. My XG can be sharp as tack even at 1080p72hz the problem is, it can take 2 hours before it gets there so it's not real practical. I have tried 1080i@96hz but the scan lines and noise in the image I find to be a huge distraction. Perhaps there is something wrong? My guess is some of the caps have broken down, after all its 12 years old.

Parts availability, spot burn risk and replacement tube cost on a G90 frankly has me concerned that one is not a sensible choice as a replacement for my NEC. It reality I will probably consider making a switch to the "D" word before I throw a cash at a G90 unless it was at a true bargain price. A Marquee 9” seems to make a lot of sense other however weakness in the LC chamber is troubling. That leaves a 909 as the last option but at $1700 per tube it too is questionable investment. Honestly I would like see a few new generation digitals just to see if I could live with them.

Mike


thats me, I am a sharpness freak, but natural sharpness, which the 1352LC I owned delivered plenty of

I am moving to a Barco 1209s/2 with convergence on green, contrast modulation, new P19LUGs and GT17 lenses, I am anxious to see it compared to the 1352LC that I loved for almost 3 years Wink

-Gary
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SYC



Joined: 16 May 2006
Posts: 269


Posted: Fri Feb 13, 2009 9:31 am    Post subject:

Curt Palme wrote:
I get emails all the time about that list. It's so damn subjective.

While I can be really picky in what I like (I watched another ISF calibration being done on a PG Xtra, and realized I REALLY need to get my colorimeter out for my own set!)


You shoud do it. I did Guy Kuo's steps and then ISFed by myself. I can see the big difference even though it is good after Kuo's steps , but I can't tell if it worth the money in US because I did it myself. Every enthusist comes to my house and just say "WOW", and "Is it really a CRT?".
It is really time consuming of CRT projector to ISF, it took me a whole day for the first time and one another day to mount it on the ceiling and then re-check everything again. But every minute is worthy.

SYC
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incova



Joined: 27 Nov 2006
Posts: 789
Location: london

Posted: Fri Feb 13, 2009 1:38 pm    Post subject: Barco 1209s Ampro 4600

What about the Barco 1209s as a option, the guys in the UK who have these machines can only say good things about them, I have a AMpro 4600 myself but Ampro owners are few and far, also the people that have seen them are few and far, so I cannot really say to you get one as I have not seen a XG to compare, I am quite happy with my Ampro though, the corner focus issue is not really major as far as I can see and I am sure Curt has parts for the ones he sells.
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stgdz



Joined: 07 Dec 2008
Posts: 107


Posted: Fri Feb 13, 2009 1:48 pm    Post subject:

Is this the ISF that you guys are talking about?
http://www.imagingscience.com/

Also this is a interesting discussion and it reminds me of the porsche, ferrari vs lambo comparisons that magazines post all the time.
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Jesse S



Joined: 12 May 2007
Posts: 209
Location: Etobicoke

Posted: Fri Feb 13, 2009 1:57 pm    Post subject:

benareeno wrote:
I waffle on the LC nonLC debate...put it this way...I now have a nonLC and don't find it objectionable in any way.

AC XG is probably the sharpest projector you can find...I would do some work to make it quieter and just keep it!


I would not use an air-coupled unit period, after having a liquid-coupled unit. If an AC is all someone can get/afford then that's one thing but LC is crucial.
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mp20748



Joined: 12 Sep 2006
Posts: 5689
Location: Maryland

TV/Projector: 9500LC Ultra / Super 02 and 03 VIM

Posted: Fri Feb 13, 2009 2:12 pm    Post subject:

kal wrote:


The only 9" machines that (IMHO) are BETTER than those high end 8" LC machines (which include the NEC XG LC) are:

Barco 1209s (the 's' is important)
Marquee 9500LC (though in stock form it's not that impressive)
Marquee 9500LC Ultra
Sony G90
Barco Cine 9 / 909

This list obviously assumes that the tube are all good and that the projector is set up properly. Someone who has no idea how to properly set up a Barco Cine 9 will end up with something that looks no better than an average projector.

Kal


That list needs updating..

I have all three of the top contenders, and I can tell you first hand from very accurate testing that a lot of what has been claimed or thought of the great three--is false!

The 909 does not do anywhere near its 180mhz in bandwidth. Nor does the G90 live up to it's 135mhz bandwidth. Fact is, neither of the three live up to their rated bandwidth, yet a Marquee has the best bandwidth performance of the three.

The Marquees bandwidth is the same regardless if 8" 9" LC or Ultra. they all have the same video chain and some of them can be found to do better bandwidth wise.

The tube size deals directly with their ability to resolve the bandwidth. The bandwidth itself deals with the electronics.

Unlike the other two, an older Marquee would usually suffer from cloudy glycol and that would effect its overall image.


The 909's can produce a sharp image, and mainly because they have a NEWER lens that's leaps and bounds better than what's on the Marquee and G90. The G90 is a very well designed projector with the exception being it's video chain. The 909 basically uses the same video chain found in the Barco 808s, with the exception being the neck boards.

They are all the top and best of CRT. But they're not what the manufacturers claimed.



I was right there with all the claims until I visited Scott at VDC in Florida a few years back. that visit drastically changed a lot of how I look at CRT technology, and what bandwidth is all about..

What's the best, neither. they are all the best but different.
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Fri Feb 13, 2009 2:54 pm    Post subject:

SYC wrote:
Curt Palme wrote:
I get emails all the time about that list. It's so damn subjective.

While I can be really picky in what I like (I watched another ISF calibration being done on a PG Xtra, and realized I REALLY need to get my colorimeter out for my own set!)


You shoud do it. I did Guy Kuo's steps and then ISFed by myself. I can see the big difference even though it is good after Kuo's steps , but I can't tell if it worth the money in US because I did it myself. Every enthusist comes to my house and just say "WOW", and "Is it really a CRT?".
It is really time consuming of CRT projector to ISF, it took me a whole day for the first time and one another day to mount it on the ceiling and then re-check everything again. But every minute is worthy.

SYC


Find me a couple of seconds in a day when I can do it. Shocked

I agree, it's worth it. What also made a big difference is the individual measuring of all 100 squares, to ensure that they were all evenly spaced. It took 2 hours, lots of measuring, but geometry was perfect when we were done. Very Happy
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incova



Joined: 27 Nov 2006
Posts: 789
Location: london

Posted: Fri Feb 13, 2009 2:58 pm    Post subject: HFQ900

Is this the HFQ900 Mike? is this lense really that good? have you switched it between pjs and seen this as well, like stuck them on the g90, 9500 etc, if so is there a thread for these results? I always wondered how good they were but never got a definitive answer. Just wondering aloud Mike but I think many of us would like to hear your opinion on this.
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kal
Forum Administrator


Joined: 06 Mar 2006
Posts: 18114
Location: Ottawa, Canada

TV/Projector: JVC DLA-NZ7

Posted: Fri Feb 13, 2009 2:59 pm    Post subject:

Spanky Ham wrote:
Kal,
Have you seen all of those pjs? I haven't looked at your list in a long time, but I have a hard time believing that the 4600 is worse than the 8" pjs. I am not sure about the 10PG, but I think you might get an arguement from Tinman on whether an XG is better than it.

I haven't seen them all myself. The list is many months of compilation from people who have seen many different ones. I used to have the 4600 higher than those 8" machines but I got CONSTANT emails from people who had seen both and said that the 4600 is *NOT* a high performing unit. Yes, it's LC, yes, it's 9", but to put it bluntly, everyone says that the signal electronics are sub-par. It doesn't throw as an engaging/detailed image for HT use.

SYC wrote:
It seems that LC does matter in your point of view?

All else being equal, yes. Those 8" machines aren't rated as high as they are just because they're LC, it's also because they have extremely good high bandwidth electronics for a nice detailed image and they're colour filtered, amonth other things.

People have to remember too that the list is subjective. I keep having to remind people to read the text I wrote at the top of the page which states:

Quote:
One of the most common questions we receive is: "Is projector X better than projector Y"? While this question is very difficult to answer without knowing the requirements of the individual, the list below is an attempt to rank the most popular CRT projectors that are still in use in home theaters around the world.

How to use this list (and some caveats):

  • The list is split into three major groups: Entry-Level, Intermediate, and High Performance CRT projectors. Two projectors in the same major group should be considered similar in performance.

  • The major groups are further split into sub-groups. Projectors in the same sub-group should be considered as nearly identical in performance. The weight you as an individual place on specific items (i.e. size, fan noise, colour filtering, brightness, availability of parts, etc.) will be far more important than the sub-group rankings that are listed here. In fact, personal choices could easily slide a projector up or down 5-10 notches if you're particularly fussy about something!
    As with any purchase decision, it is important to weigh in your own personal requirements against the specifications of a projector before purchasing. DO NOT pick one projector over another simply because it is positioned a couple of notches higher on this list! Do your homework, find out what's best for your needs!
All of the projectors listed below are recent and capable enough for use in a home theater environment for displaying DVD, Cable/Satellite TV, and in most cases HDTV and Blu-ray (when using an HDfury2 or Moome HDMI converter). We purposely did not list some very old (pre-1985) units that you may come across for free at garage sales, online auctions, etc. Best to leave those projectors where you found them. Smile


Kal

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kal
Forum Administrator


Joined: 06 Mar 2006
Posts: 18114
Location: Ottawa, Canada

TV/Projector: JVC DLA-NZ7

Posted: Fri Feb 13, 2009 3:03 pm    Post subject:

mp20748 wrote:
kal wrote:


The only 9" machines that (IMHO) are BETTER than those high end 8" LC machines (which include the NEC XG LC) are:

Barco 1209s (the 's' is important)
Marquee 9500LC (though in stock form it's not that impressive)
Marquee 9500LC Ultra
Sony G90
Barco Cine 9 / 909

This list obviously assumes that the tube are all good and that the projector is set up properly. Someone who has no idea how to properly set up a Barco Cine 9 will end up with something that looks no better than an average projector.

Kal


That list needs updating..

I have all three of the top contenders, and I can tell you first hand from very accurate testing that a lot of what has been claimed or thought of the great three--is false!

...

What's the best, neither. they are all the best but different.


But isn't that pretty much what I say in my disclaimer at the top Mike? You people need to stop looking at only the list and assuming that because the Barco Cine 9 is listed after the Sony G90 that I'm saying that the 909 is better than the G90. I'M NOT! I wrote:

Quote:
Projectors in the same sub-group should be considered as nearly identical in performance. The weight you as an individual place on specific items (i.e. size, fan noise, colour filtering, brightness, availability of parts, etc.) will be far more important than the sub-group rankings that are listed here. In fact, personal choices could easily slide a projector up or down 5-10 notches if you're particularly fussy about something!


If the list is wrong, what would you change? Tell me exactly what you'd say instead.

Kal

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emdawgz1



Joined: 14 Mar 2006
Posts: 7949


Posted: Fri Feb 13, 2009 3:20 pm    Post subject:

Curt Palme wrote:
SYC wrote:
Curt Palme wrote:
I get emails all the time about that list. It's so damn subjective.

While I can be really picky in what I like (I watched another ISF calibration being done on a PG Xtra, and realized I REALLY need to get my colorimeter out for my own set!)


You shoud do it. I did Guy Kuo's steps and then ISFed by myself. I can see the big difference even though it is good after Kuo's steps , but I can't tell if it worth the money in US because I did it myself. Every enthusist comes to my house and just say "WOW", and "Is it really a CRT?".
It is really time consuming of CRT projector to ISF, it took me a whole day for the first time and one another day to mount it on the ceiling and then re-check everything again. But every minute is worthy.

SYC


Find me a couple of seconds in a day when I can do it. Shocked

I agree, it's worth it. What also made a big difference is the individual measuring of all 100 squares, to ensure that they were all evenly spaced. It took 2 hours, lots of measuring, but geometry was perfect when we were done. Very Happy


I dunno Curt... (with no offense intended)

In some ways you are the Flagbearer for the hobby. You certainly are one of the few "goto" guys. So imho its an investment for you to have a Kick arse setup. I always felt that your ebay ad's would have more pop if your pics included a good screenshot.....


but i guess it's like the old adage " the shoemakers children never have any shoes".....

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