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emdawgz1
Joined: 14 Mar 2006 Posts: 7949
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| Posted: Wed May 07, 2008 3:19 am Post subject: Can you do real 2.35 CIH widescreen w/ a crt? |
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Here's a dumb question.
Can you get a real widescreen pic, without a blended setup for a crt?
I saw this setup w/ a digi bulb and it was nice having the large immersive picture that a CIH setup offered.
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Clarence
Joined: 08 Mar 2006 Posts: 3827 Location: Smith Mtn Lake, VA
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| Posted: Wed May 07, 2008 3:34 am Post subject: |
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Yes, you can do CIH with CRT. But IMO, it's easier to do CIW and you get better phosphor use.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 2:52 pm Post subject: |
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Yes, I've seen a few CIH set ups and it is too f*cking awesome! It is the "right" way to see films.
The problem with a CIH set up with CRTs is there is no way to make any kind of anamorphic lens--trust me, I've tried. I've even talked with some of the lens makers about any way this could be done. Of course, brightness would still be an issue.
The problem with CIH and CRTs is that you need to set the CRT up for the max width (the 2.37:1 width). You will then be using a very small portion of the tube face (the whole width but only about half the height). You then have to show 16:9 content with 33% less width. That means a very small square in the middle of the tube. The problem with this is you will have to significantly downscale 1920x1080 HD content to be able to resolve it.
CIW is certainly the easiest. However, you can do a good CIA with a good 8" or a good 9" PJ. I tested it extensively with my Zenith Pro 1200X and it was able to pull it off quite well. Although not quite as cool to some as CIH on a 9.5+' wide screen, it can be cooler than CIW.
In the end, two things really challenge the CRT in a CIH set up:
1) You will not be able to fully resolve aspect ratios less than 2.35:1.
2) It will not be bright enough for the width of screen most people want when doing this.
Speaking of brightness. After playing around a lot, I've been changing my mind on that. A brighter picture is better--much better. Clarence is fond of the screen size rule of thumb: 7" CRT - no wider than 7' screen, 8" - 8', 9" - 9'. After playing around, I disagree with this. If you want a really first class picture, the rule is really closer to: 7" - 70", 8" - 80", 9" - 90".
_________________ Dave
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Wed May 07, 2008 4:49 pm Post subject: |
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| Person99 wrote: |
Speaking of brightness. After playing around a lot, I've been changing my mind on that. A brighter picture is better--much better. Clarence is fond of the screen size rule of thumb: 7" CRT - no wider than 7' screen, 8" - 8', 9" - 9'. After playing around, I disagree with this. If you want a really first class picture, the rule is really closer to: 7" - 70", 8" - 80", 9" - 90". |
I agree with this. After seeing Peter's 19 ft/lmb on a large CIH screen, I can see how someone could become addicted to brightness. I think this high brightness actually masked the deficiency in on/off.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 4:57 pm Post subject: |
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| Spanky Ham wrote: | | Person99 wrote: |
Speaking of brightness. After playing around a lot, I've been changing my mind on that. A brighter picture is better--much better. Clarence is fond of the screen size rule of thumb: 7" CRT - no wider than 7' screen, 8" - 8', 9" - 9'. After playing around, I disagree with this. If you want a really first class picture, the rule is really closer to: 7" - 70", 8" - 80", 9" - 90". |
I agree with this. After seeing Peter's 19 ft/lmb on a large CIH screen, I can see how someone could become addicted to brightness. I think this high brightness actually masked the deficiency in on/off. |
I agree with this. In fact, this deficiency can be be masked on all but the lowest of APL scenes and fade to blacks from my experience.
_________________ Dave
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nuttall_chris
Joined: 08 Mar 2006 Posts: 832 Location: Ottawa, Ontario, Canada
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| Posted: Wed May 07, 2008 5:11 pm Post subject: |
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| Person99 wrote: | | Spanky Ham wrote: | | Person99 wrote: |
Speaking of brightness. After playing around a lot, I've been changing my mind on that. A brighter picture is better--much better. Clarence is fond of the screen size rule of thumb: 7" CRT - no wider than 7' screen, 8" - 8', 9" - 9'. After playing around, I disagree with this. If you want a really first class picture, the rule is really closer to: 7" - 70", 8" - 80", 9" - 90". |
I agree with this. After seeing Peter's 19 ft/lmb on a large CIH screen, I can see how someone could become addicted to brightness. I think this high brightness actually masked the deficiency in on/off. |
I agree with this. In fact, this deficiency can be be masked on all but the lowest of APL scenes and fade to blacks from my experience. |
I'm using a Marquee 9500 Ultra on a 120" wide 2.4 gain screen and I am measuring around 25 ft/lmb with contrast set at 50. I don't think brightness is a problem at all
Chris.
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emdawgz1
Joined: 14 Mar 2006 Posts: 7949
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| Posted: Wed May 07, 2008 5:26 pm Post subject: |
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So what i'm getting is that CIH is not effectively doable with a crt. Except with a blendzilla....
hmmm blendzilla.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 5:33 pm Post subject: |
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| nuttall_chris wrote: | | Person99 wrote: | | Spanky Ham wrote: | | Person99 wrote: |
Speaking of brightness. After playing around a lot, I've been changing my mind on that. A brighter picture is better--much better. Clarence is fond of the screen size rule of thumb: 7" CRT - no wider than 7' screen, 8" - 8', 9" - 9'. After playing around, I disagree with this. If you want a really first class picture, the rule is really closer to: 7" - 70", 8" - 80", 9" - 90". |
I agree with this. After seeing Peter's 19 ft/lmb on a large CIH screen, I can see how someone could become addicted to brightness. I think this high brightness actually masked the deficiency in on/off. |
I agree with this. In fact, this deficiency can be be masked on all but the lowest of APL scenes and fade to blacks from my experience. |
I'm using a Marquee 9500 Ultra on a 120" wide 2.4 gain screen and I am measuring around 25 ft/lmb with contrast set at 50. I don't think brightness is a problem at all
Chris. |
The only way this might be true is if you are using a torus, or you measured with VERY inaccurate equipment. If a torus, then that is a whole 'nother ballgame.
Actually, I'm not sure you can achieve it on a torus. If you have a true 2.4 gain screen and it is a 120" wide 16:9 screen, then you need 586 lumens from a 16:9 raster to get 25 ftLamerts. You do not get 586 Lumens in a 16:9 raster out of a 9500--let alone with the contrast set at 50.
If you don't believe me, bring in one of the brighter digitals with a known calibrated lumen rating (most of the "brighter ones are in the 400s) and set it up under yours and compare them. Put in a bright scene (like the daytime beach scene from Madagascar) and you will see the 400-something lumen digi is brighter than your PJ).
_________________ Dave
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 5:34 pm Post subject: |
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| emdawgz1 wrote: | So what i'm getting is that CIH is not effectively doable with a crt. Except with a blendzilla....
hmmm blendzilla.  |
Well, that's out take.
Others with them that look good have basically set them up on smaller 2.35 screens and effectively don't care that they decrease the quality of non-2.35 content.
If you are in this camp, then it might be for you!
_________________ Dave
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Wed May 07, 2008 5:35 pm Post subject: |
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| nuttall_chris wrote: | | Person99 wrote: | | Spanky Ham wrote: | | Person99 wrote: |
Speaking of brightness. After playing around a lot, I've been changing my mind on that. A brighter picture is better--much better. Clarence is fond of the screen size rule of thumb: 7" CRT - no wider than 7' screen, 8" - 8', 9" - 9'. After playing around, I disagree with this. If you want a really first class picture, the rule is really closer to: 7" - 70", 8" - 80", 9" - 90". |
I agree with this. After seeing Peter's 19 ft/lmb on a large CIH screen, I can see how someone could become addicted to brightness. I think this high brightness actually masked the deficiency in on/off. |
I agree with this. In fact, this deficiency can be be masked on all but the lowest of APL scenes and fade to blacks from my experience. |
I'm using a Marquee 9500 Ultra on a 120" wide 2.4 gain screen and I am measuring around 25 ft/lmb with contrast set at 50. I don't think brightness is a problem at all
Chris. |
I hope this is in a Torus config. What 2.4 gain screen? Most don't measure up to the rated specs. How did you measure the lumens? The most I think I have ever read was Chuchuf getting 35 ft/lmbs out of a 9500 on a Vutec UHG screen. Not that I am doubting you, but I just find this hard to believe as Cliff is only getting 8 or 9 out of stack.
edit - Dave beat me to it.
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nuttall_chris
Joined: 08 Mar 2006 Posts: 832 Location: Ottawa, Ontario, Canada
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| Posted: Wed May 07, 2008 5:41 pm Post subject: |
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| Spanky Ham wrote: | | nuttall_chris wrote: | | Person99 wrote: | | Spanky Ham wrote: | | Person99 wrote: |
Speaking of brightness. After playing around a lot, I've been changing my mind on that. A brighter picture is better--much better. Clarence is fond of the screen size rule of thumb: 7" CRT - no wider than 7' screen, 8" - 8', 9" - 9'. After playing around, I disagree with this. If you want a really first class picture, the rule is really closer to: 7" - 70", 8" - 80", 9" - 90". |
I agree with this. After seeing Peter's 19 ft/lmb on a large CIH screen, I can see how someone could become addicted to brightness. I think this high brightness actually masked the deficiency in on/off. |
I agree with this. In fact, this deficiency can be be masked on all but the lowest of APL scenes and fade to blacks from my experience. |
I'm using a Marquee 9500 Ultra on a 120" wide 2.4 gain screen and I am measuring around 25 ft/lmb with contrast set at 50. I don't think brightness is a problem at all
Chris. |
I hope this is in a Torus config. What 2.4 gain screen? Most don't measure up to the rated specs. How did you measure the lumens? The most I think I have ever read was Chuchuf getting 35 ft/lmbs out of a 9500 on a Vutec UHG screen. Not that I am doubting you, but I just find this hard to believe as Cliff is only getting 8 or 9 out of stack. |
I'm using an Eastporters retroreflective screen;
http://www.eastporters.com/estore/cart.php?target=product&product_id=90&category_id=30
Measured with a Spyder 2 placed about 12" from the screen. I'm planning on ordering the Eye-one sensor once Kal has done a thorough test on it to ensure it is working as expected. Kal is local to me so maybe I can convince him to come over an take a few measurements.
Chris.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 5:41 pm Post subject: |
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| Spanky Ham wrote: | | Not that I am doubting you, but I just find this hard to believe as Cliff is only getting 8 or 9 out of stack. |
IIRC the G90 can do about 380 Lumens really cranked up. 9500 is about the same.
What size/true gain is cliffy's screen so I can validate this?
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Wed May 07, 2008 5:52 pm Post subject: |
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| Person99 wrote: | | Spanky Ham wrote: | | Not that I am doubting you, but I just find this hard to believe as Cliff is only getting 8 or 9 out of stack. |
IIRC the G90 can do about 380 Lumens really cranked up. 9500 is about the same.
What size/true gain is cliffy's screen so I can validate this? |
I am sure he has posted it about a thousand times, but I don't remember exactly. His screen is SMX, which is probably around .8 gain, I think.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 6:04 pm Post subject: |
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| Spanky Ham wrote: | | Person99 wrote: | | Spanky Ham wrote: | | Not that I am doubting you, but I just find this hard to believe as Cliff is only getting 8 or 9 out of stack. |
IIRC the G90 can do about 380 Lumens really cranked up. 9500 is about the same.
What size/true gain is cliffy's screen so I can validate this? |
I am sure he has posted it about a thousand times, but I don't remember exactly. His screen is SMX, which is probably around .8 gain, I think. |
Yeah, I THINK it is about .8, but R has everyone convinced it is almost 1.2!!!! Let me see if I can find the screen size.
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 6:07 pm Post subject: |
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| Spanky Ham wrote: | | Person99 wrote: | | Spanky Ham wrote: | | Not that I am doubting you, but I just find this hard to believe as Cliff is only getting 8 or 9 out of stack. |
IIRC the G90 can do about 380 Lumens really cranked up. 9500 is about the same.
What size/true gain is cliffy's screen so I can validate this? |
I am sure he has posted it about a thousand times, but I don't remember exactly. His screen is SMX, which is probably around .8 gain, I think. |
I'm seem to think it is 10' wide. Maybe someone will jump in.
If it is 10' wide and the gain is about .8, then the numbers make sense. He would be getting about 310 lumens from each G90 which I think is about right.
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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perisoft
Joined: 29 Aug 2007 Posts: 2920 Location: Ithaca, NY
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| Posted: Wed May 07, 2008 6:22 pm Post subject: |
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Right now I'm planning on running my Barco 808 on an 80" Stewart Ultramatte 150 (assuming I can get the screen to work; I still haven't tried to unroll it) so I'm kind of excited to see how it'll look. During testing I was using an 85" wide piece of foam core wrapped with a few layers of white fabric of various types... The only thing I'm worried about is that the PJ is directly over the prime seating position, so the screen will be relatively close (granted, FOV is the same, but I'm still not sure how that'll work out...).
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed May 07, 2008 6:26 pm Post subject: |
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| perisoft wrote: | Right now I'm planning on running my Barco 808 on an 80" Stewart Ultramatte 150 (assuming I can get the screen to work; I still haven't tried to unroll it) so I'm kind of excited to see how it'll look. During testing I was using an 85" wide piece of foam core wrapped with a few layers of white fabric of various types...  |
I could not stand the sparkling from the 150. Hopefully you have better luck. At 80" wide, you can get away with a 1.0 gain screen and be around 10 ftLamberts which is not that bad with a very pure image.
_________________ Dave
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perisoft
Joined: 29 Aug 2007 Posts: 2920 Location: Ithaca, NY
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| Posted: Wed May 07, 2008 6:28 pm Post subject: |
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Yeah, I'm a bit worried about artifacts too. If it looks like ass I'll probably sell the screen and look for something else, but it'd be really nice if it works. Electric rolldown and all that. Cost me a hundred bucks and came with a free Zenith Pro900x.
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VideoGrabber
Joined: 09 Apr 2006 Posts: 933 Location: Michigan
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| Posted: Thu May 08, 2008 12:07 am Post subject: |
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An interesting discussion.
Person99 commented:
> The problem with a CIH set up with CRTs is there is no way to make any kind of anamorphic lens... <
That's true.
> The problem with CIH and CRTs is that you need to set the CRT up for the max width (the 2.37:1 width). You will then be using a very small portion of the tube face (the whole width but only about half the height). <
This is also true, Dave, but can be turned into an advantage. Since you're only using half the height, shift the active raster and actually use half the tube face. Then tilt the PJ to compensate (this may exclude those with ceiling-mount PJs with no headroom). Because you're using a smaller portion of the tube, you can also boost the beam-current (higher lumen output), with a somewhat reduced life-span. (Vern always ran his tubes "hot", in a CIH CRT setup, to get enough brightness on his 12' wide! unity-gain screen, but used the center of the tubes.) When wear reaches your tolerance point (perhaps 6k hours, vs. the nominal 10k hour expectation), rotate the tubes 180-deg, and start over with fresh phosphor.
> You then have to show 16:9 content with 33% less width. <
Ah, no, 25% less. Or 75% of the 2.35 AR width. Not 67%. (Perhaps you were thinking that it could be 33% wider, in CIW format.)
> That means a very small square in the middle of the tube. <
(a) it's not THAT small, (b) it's not a square, and (c) don't put it in the middle of the tube.
> The problem with this is you will have to significantly downscale 1920x1080 HD content to be able to resolve it. <
If by "downscale" you mean that a scaler is required, and a loss of rez, I'm not sure why you'd attribute a characteristic of an FPD to our CRTs, which are analog and can display anything? It will "resolve" whatever it is capable of, without any scaling necessary. Scaling is one way to do it (and it's working well for Gary), but you could also just shrink the size (which may require resistor changes to get into the proper range, or play with the porches on an HTPC).
I can hear you thinking, "but, but, I have 1920 pixels wide available in my source material. At 2.35 AR I'm displaying all of them, but at 1.78 I have only 3/4 of the width to display them in. That drops it to 1440. I must be losing out somehow." Let's say your setup is good enough to actually resolve 1920-h on a 10' wide screen (unlikely, but for the sake of discussion). That works out to 16 pixels of detail per horizontal inch, and you marvel at the fantastic picture quality of your 10' wide scope film. Then you switch to 16:9 material, and the width drops to 'only' 90". Rez-wise, nothing has changed. You're still able to resolve 16 pixels/inch, and the PQ is the same as before.
Vertically though, you're now trying to display 1080 lines in the same space as 800 before, so there will be some visual softening as a result of the scan-line overlap. With 1080i display mode, this will be significantly less than you would think (and less than at 1080p). The majority of softening that most folks attribute to line overlap isn't line overlap at all, but rather due to exceeding the system's BW limit, with the high scan-rate leaving nothing left over on the h-axis.
| Code: | scanLines x refreshRate x horzDetail ~ SystemBW.
So, horzDetail ~ SystemBW / (refreshRate x scanLines)
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I.e., available horizontal detail is inversely proportional to both the number of scan lines, and the refresh rate; since SystemBW is fixed (unless you're Mike Parker ). This has been confirmed in my own testing, as well as personal communications with Bjoern Roy. Also, due to phosphor persistance, the visibility of interlacing artifacts will be substantially reduced. But it will definitely look "smoother" and perhaps perceptually less "sharp", though the detail is still there.
[NB. If you are using a scaler, and reduce the 16:9 material down to 1440x800, you still have 800 lines in a 50" height... exactly the same detail (16 lines/inch) as on the scope film. So if scope films looked great before, I find it puzzling to think that suddenly it wouldn't look as good.]
> CIW is certainly the easiest. However, you can do a good CIA with a good 8" or a good 9" PJ. I tested it extensively with my Zenith Pro 1200X and it was able to pull it off quite well. Although not quite as cool to some as CIH on a 9.5+' wide screen, it can be cooler than CIW. <
All true, and all good points.
> In the end, two things really challenge the CRT in a CIH set up: <
Challenge... perhaps. Defeat... no.
> 1) You will not be able to fully resolve aspect ratios less than 2.35:1. <
Partially refuted above, in so far as "effectively resolve" is concerned.
> 2) It will not be bright enough for the width of screen most people want when doing this. <
(a) Push the contrast, and wear the tubes faster. Then flip them and start over. Pushing it worked for Vern Dias for years.
It seems like I remember reading comments from you that with your CRT you really liked the PQ with the contrast at 75, but backed off to 60 to preserve the tube life? (actual #'s are guesstimates) How about running your CRT at the point where it looks the best to you (extra brightness), even if it means wearing out the tubes in 5 years rather than 10?
(b) high-gain torus screen, or (c) high-power screen with narrower audience viewing area.
_________________ - Tim
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Thu May 08, 2008 3:21 pm Post subject: |
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| VideoGrabber wrote: |
This is also true, Dave, but can be turned into an advantage. Since you're only using half the height, shift the active raster and actually use half the tube face. Then tilt the PJ to compensate (this may exclude those with ceiling-mount PJs with no headroom). Because you're using a smaller portion of the tube, you can also boost the beam-current (higher lumen output), with a somewhat reduced life-span. (Vern always ran his tubes "hot", in a CIH CRT setup, to get enough brightness on his 12' wide! unity-gain screen, but used the center of the tubes.) When wear reaches your tolerance point (perhaps 6k hours, vs. the nominal 10k hour expectation), rotate the tubes 180-deg, and start over with fresh phosphor.
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Always count on Tim for the cool ideas!
I was counting on the extra width in the middle of the tube to get a wider 2.35 then you could 16:9. But, your method, lets it get even wider because with keystone, the widest part of the active image area is just about at the widest part of the tube. You so smart!
| VideoGrabber wrote: |
> You then have to show 16:9 content with 33% less width. <
Ah, no, 25% less. Or 75% of the 2.35 AR width. Not 67%. (Perhaps you were thinking that it could be 33% wider, in CIW format.) |
Ooops, yeah, was writing it the other way round.
| VideoGrabber wrote: | > That means a very small square in the middle of the tube. <
(a) it's not THAT small, (b) it's not a square, and (c) don't put it in the middle of the tube. |
It is MUCH smaller than any of us would set them up. It is about the size of the active image area on an NEC if set up by the manual. With that small of an active image area, the NECs tend to cook the tubes within 4000 hours. If you watch alot of 16:9 content, you would not get much more than 4000 hours of the tubes IMO.
| VideoGrabber wrote: | > The problem with this is you will have to significantly downscale 1920x1080 HD content to be able to resolve it. <
If by "downscale" you mean that a scaler is required, and a loss of rez, I'm not sure why you'd attribute a characteristic of an FPD to our CRTs, which are analog and can display anything? It will "resolve" whatever it is capable of, without any scaling necessary. Scaling is one way to do it (and it's working well for Gary), but you could also just shrink the size (which may require resistor changes to get into the proper range, or play with the porches on an HTPC).
I can hear you thinking, "but, but, I have 1920 pixels wide available in my source material. At 2.35 AR I'm displaying all of them, but at 1.78 I have only 3/4 of the width to display them in. That drops it to 1440. I must be losing out somehow." Let's say your setup is good enough to actually resolve 1920-h on a 10' wide screen (unlikely, but for the sake of discussion). That works out to 16 pixels of detail per horizontal inch, and you marvel at the fantastic picture quality of your 10' wide scope film. Then you switch to 16:9 material, and the width drops to 'only' 90". Rez-wise, nothing has changed. You're still able to resolve 16 pixels/inch, and the PQ is the same as before.
Vertically though, you're now trying to display 1080 lines in the same space as 800 before, so there will be some visual softening as a result of the scan-line overlap. With 1080i display mode, this will be significantly less than you would think (and less than at 1080p). The majority of softening that most folks attribute to line overlap isn't line overlap at all, but rather due to exceeding the system's BW limit, with the high scan-rate leaving nothing left over on the h-axis.
| Code: | scanLines x refreshRate x horzDetail ~ SystemBW.
So, horzDetail ~ SystemBW / (refreshRate x scanLines)
|
I.e., available horizontal detail is inversely proportional to both the number of scan lines, and the refresh rate; since SystemBW is fixed (unless you're Mike Parker ). This has been confirmed in my own testing, as well as personal communications with Bjoern Roy. Also, due to phosphor persistance, the visibility of interlacing artifacts will be substantially reduced. But it will definitely look "smoother" and perhaps perceptually less "sharp", though the detail is still there. |
Come on, you know me better than applying FPD logic to a CRT!!!
I was saying "downscale" because, although you could do it without downscaling, no 8" machine is capable of resolving the full 1920 width on an active image area about 75% the width of the tube. I experimented with this extensively on my Onyx. The power to resolve 1920 really started dropping off once you got below about 92% of the tube width and was really bad at 88-89% of the tube width (in other words, 1-on/1-off was just a gray field). With your trick above (using half the tube which also maximized width usage), then 16:9 would probably be using something closer to 83% of the tube, but it could still not resolve the 1920. Now, using 83% of the tube face (if we could get that high), we might be able to eek out a resolution of 1650 without softening. So, for a non-soft picture, you would have to downscale the horizontal to about 1650 with P16s and much less with 180s. A good 9" *might* be able to pull off the whole 1920.
But, you are just going to barely be doing the 817 horizontal lines of the 2.35 image in the 2.35:1 raster if progressive. So, there is NO WAY you are going to pack 1080 into that space without being REALLY soft. Since with CIH, you can't use any more height, You will have to downscale the 1080 to 817 as you note. 1080i might help this but it is still going to be pretty soft--way too soft for me.
| VideoGrabber wrote: | > 1) You will not be able to fully resolve aspect ratios less than 2.35:1. <
Partially refuted above, in so far as "effectively resolve" is concerned. |
My statement is correct. If I have 1920x1080 16:9 source material, you cannot properly display it. You NEED to downscale it to 1650x817 or less. Whether it still looks good is another discussion, but you WILL have to downscale it to look good.
| VideoGrabber wrote: | > 2) It will not be bright enough for the width of screen most people want when doing this. <
(a) Push the contrast, and wear the tubes faster. Then flip them and start over. Pushing it worked for Vern Dias for years. |
If you push the tubes that hard with alot of 16:9 content, I'd be surprised if you get 3000 hours out of them.
Also, Vern's was still not that bright (remember, I live 14 miles from Vern). He switched to a Qualia the second it became available because even though the CR sucked (less than 3000:1) if did CIH way better than the NECs.
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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